Author:Iris Murdoch,Ignes Sodre

Henry and Cato is the story of two prodigal sons. Henry returns from a self-imposed exile in America to an unforeseen inheritance of wealth and land in England. He is also returning to his mother. His friend Cato is struggling with two ambiguous intermingled passions, one for a God who may or may not exist, the other for a petty criminal who may or may not be capable of salvation. Cato's father and his sister Colette wait anxiously to welcome Cato back to sanity after his dubious escapades. Henry meanwhile confronts his mother, the unappeased furies of childish resentment, and various possibilities of revenge. Henry's cool mother watches, Cato's impetuous sister intervenes. Can love here become a saving force, or is it condemned to be possessive and demonic? Blackmail and violence take a hand, and both Henry and Cato return home at last.
A deeply serious, enjoyably lucid book about real terrors and joys, full of sensual and surprising details
—— Scotland on SundayNair conveys her protagonist's dilemmas with a freshness and charm... Her writing [has] a sharpness and immediacy that lifts it above the commonplace
—— The TimesModern India's vivid, sticky beauty is evoked beautifully... Nair's compassion for her characters shines through every carefully chosen word
—— Sunday TribuneAnita Nair demonstrates convincingly that she is a writer committed to highlighting the travails and contradictions of women's lives. Her strength lies in bringing alive everyday thoughts, desires and doubts of these six ordinary women
—— Times Literary SupplementNair is a powerful writer... She has created what must be one of the most important feminist novels to come out of South Asia
—— Daily TelegraphA fitting monument to Tolstoy's battles with what it is that makes us human
—— Philip Womack , ObserverHe handles words like a great poet
—— ObserverHe comes near to defying all criticism
—— Sunday TimesA creature of pure light and joy
—— New StatesmanA comic genius recognised in his lifetime as a classic and an old master of farce
—— The TimesThe funniest writer ever to put words to paper
—— Hugh LaurieThis is a ground-breaking piece of work. One of the crucial missing pieces in the great, slow, ongoing process of reassessment of literary reputations from that Soviet period. An immensely difficult task of translation...brilliant
—— Dr Susan Richard, author of Lost and Found in RussiaAndrey Platonov is one of Russia's greatest modernist scribes. Like his fellow science-fiction writer Yevgeny Zamyatin - author of the astonishing futurist novel We, published in the 20s - he was also among that tortured country's most prescient literary artists...The Foundation Pit, written in 1930 and now published for the first time in English, is his most striking attempt to convey the extreme estrangement suffered by ordinary people as collectivisation in agriculture proceeded across the USSR...one of the most prophetic nihilistic tales of this ruined century.
—— The West AustralianCompleted in 1930 but unpublished during his lifetime, Platonov's masterpiece, a scathing satire of the Soviet attempt to build a workers' utopia, gauges the vast human tragedy of Stalinism, portraying a society organized and regimented around a monstrous lie, and thus bereft of meaning, hope, integrity, humanity...His dark parable is a great dirge for Mother Russia as well as a savage analysis of the split consciousness fostered by an oppressive system. Platonov's books are still being unearthed in Russia decades after his death.
—— Publishers WeeklyA 20th-century Russian masterpiece...The Foundation Pit is a savage satire on collectivisation, a nightmarish vision of humanity trapped by the infernal machinery of totalitarianism...Platonov's grimly comic vision of a brave new world is as universal in its implications as any other account of a hellish utopia our century has produced..the dance of madness in The Foundation Pit is articulated as the suppression of anything human - sorrow and joy, hope and despair.
—— Sydney Morning Herald






