Author:Rain Mitchell

Five unforgettable women. One beloved yoga studio. A million tales to tell.
Yoga teacher Lee is facing a tough decision. Struggling to make ends meet at her treasured studio she's given a helping hand in the form of an invitation to participate in the biggest yoga event of the year . . . but to do so means going against everything she believes in. Masseuse Katherine is being evicted from the only home she's ever known, while actress Imani fights to make her film comeback. And as Graciela plays with fire - or rather a famous baseball player - right under the nose of her volatile boyfriend, Stephanie finds herself in a very unexpected relationship.
Yoga may be all about the glamorous celebrity teachers these days, but for five women the small humble Edendale studio remains a place for true friendship - and right now that's exactly what these women need . . .
There are forty sentences alone that make this volume worth having.
—— Ian McEwanThis edition is a triumph of the book maker's art... The Original of Laura is magic right through, from the dust jacket, in sideways-fading white on black with just the merest flicks of gules, past the cloth cover that reproduces the last words of Nabokov the novelist, to the heavy gray pages divided between, on the top half, photographic reproductions of the 138 file cards, front and back, and, on the bottom half, the text in print, including misspellings, slips of the pen, blank spaces, all... the book is deeply interesting.
—— John Banville, BookforumIt's like seeing an unfinished Michelangelo sculpture-one of those rough, half-formed giants straining to step out of its marble block. It's even more powerful, to a different part of the brain, than the polish of a David or a Lolita.
—— New York magazine..."Laura" will beckon and beguile Nabokov fans, who will find many of the author's perennial themes and obsessions percolating.
—— The New York Times...this tantalizing, fascinating, occasionally perplexing manuscript. Pity he didn't get to finish it. Fortunate we get to see it at all.
—— The Christian Science MonitorWhat literary news could be more thrilling?
—— Robert McCrum, The ObserverThere are enough Nabokovian touches...to tantalize any devotee of the English language.
—— James Marcus, The Los Angeles TimesGenius
—— Irish TimesA masterpiece
—— Sunday TimesMagnificent and long unsung debut novel
—— Eileen Battersby , Irish TimesBlurs fact and fiction with aplomb… Royle’s novel is a sharp portrait of a man going very wrong.
—— Ben Felsenburg , MetroExtremely good.
—— John Burnside , The TimesDazzling… Royle attended last year’s Man Booker Prize ceremony as editor of one of the shortlisted titles, Alison Moore’s The Lighthouse… I wouldn’t bet against Royle having to dry-clean the tux on his own account next time.
—— Anthony Cummins , Sunday TelegraphRoyle’s coup is to deliver the pithy sting of a good short story many times over the course of a whole novel.
—— Claire Lowdon , New StatesmenI admired it so much and wanted to go back and see how it was all put together. His book absolutely enchanted me.
—— Jenn Ashworth , IndependentThis may be a tricksily metafictional novel but Royle hasn’t forgotten his readers.
—— Stephanie Cross , Daily Mail5 stars, gripping, innovative and fluent.
—— BookmebookblogNicholas Royle has produced the holy grail: a literary page-turner. Although it’s published in January, I’ll be astonished if it doesn’t make the short list of many a prize at the end of the year.
—— BookmunchA strange, unsettling brew that simply entertains at first before revealing darker and more dangerous depths as it progresses; a dark and delicious treat for lovers of literary fiction who like to have their grey cells tickled.
—— JustwilliamsluckA vertiginous murder mystery with echoes of JG Ballard, David Lodge and Alain Robbe-Grillet
—— Sunday TelegraphIf writing about creative writing is to risk a novel eating itself, we can be thankful that a writer of Royle's skills put himself in charge of the banquet
—— Gerard Woodward , GuardianA brilliant, eerie mix of campus meta-novel, whodunnit, failed-love story and existential contemplation
—— Peter J. Smith , Times Higher EducationThis just might be the exceptional book which should be judged by its cover
—— Liam Heylin , Irish ExaminerAn ingenious tale
—— ObserverCleverly metafictional, humorously perverse, and impressively original
—— Courtney Garner , Yorker