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Green Noise
Green Noise
Aug 14, 2025 5:27 AM

Author:Jean Sprackland

Green Noise

Jean Sprackland is celebrated for her tactile, transformative poetry which makes the miraculous seem familiar and the domestic other-worldly. Her new collection is tuned to new and deeper frequencies. ‘Green noise’ is the mid-frequency component of white noise – what some have called the background noise of the world – and these poems listen for what is audible, and available to be known and understood, and what is not. Each poem is an attempt at location – in time, in place, in language. Some enquire into the natural world and our human place in it, by investigating hidden worlds within worlds: oak-apples, aphid-farms, firewood teeming with small life. Others go in search of fragments of a mythic and often brutal past: the lost haunts of childhood, abandoned villages, scraps of shared history which are only ever partially remembered. A physical relic or a mark on the landscape seems briefly to offer a portal, where a sounding is taken from present to past and back again.

Deeply engaged with the flux of the world, these poems are alert, precise and vividly memorable – listening to the ‘machine of spring/with all your levers thrown to max’, ‘hearing the long bones of the trees stretch and crack’.

Reviews

Sprackland likes to read the sign language of the natural world… These poems are exact and well made, their lightness of touch often given drive by a fierce vocabulary.

—— Peter Scupham , Literary Review

Jean Sprackland’s Green Noise has a tangy, earthy smell about it. She is a snooper on the natural world, a conspiratorial poet who upturns things to find out what’s odd about them and, almost incidentally, explores her own lostness as she goes.

—— Michael Glover , The Tablet

Smith is a specialist by now in using a quizzical, feather-light prose style to interrogate the heaviest of material...throughout Winter, grief and pain are transfigured, sometimes lastingly, by luminous moments of humour, insight and connection... Even in the bleak midwinter, Smith is evergreen

—— Telegraph

A novel of great ferocity, tenderness and generosity of spirit that you feel Dickens would have recognised...Smith is engaged in an extended process of mythologizing the present states of Britain... Luminously beautiful

—— Observer

A sparkler...tune in to Spring and Summer to see if art can save the day

—— Spectator

Graceful... That trademark mischievous wit and wordplay, a joyful reminder of the most basic, elemental delights of reading ... Infused with some much-needed humour, happiness and hope

—— Independent

A capacious, generous shapeshifter of a novel taking in Greenham Common and Barbara Hepworth, Shakespeare and global migration, it juxtaposes art with nature and protest with apathy, finding surprising alliances in a family riven by feuds. It's a book with Christmas at its heart, in all its familiarity and estrangement: about time, and out of time, like the festival itself

—— The Guardian

Dazzling second instalment of Ali Smith's seasonal quartet

—— The Daily Telegraph

A book I can't wait to read for Christmas

—— The Observer

Relish this instalment

—— The Times

I would like to be given Winter for Christmas

—— The Observer

And now looking forward to [Ali Smith's] Winter

—— Gordon Brown

And the book I'd most like to find in my Christmas stocking is Ali Smith's Winter

—— The Observer

Finally, under the tree this year I'm hoping to find Ali Smith's Winter

—— The Observer

It's a brisk, frosty walk under skies that could open at any moment revealing anything but snow

—— The Observer

A book I'd like to be given for Christmas: Winter by Ali Smith

—— The Observer

It takes you on a journey through time - Christmases past and present in a Dickensian way, but brings you bang up to the present - how can we live our lives and keep our memories and how do we find the truth? It is uplifting and miraculous with plenty of surprises along the way. It is vintage Smith

—— Jackie Kay

"Winter" is an insubordinate folk tale, with echoes of the fiction of Iris Murdoch and Angela Carter... There are few writers on the world stage who are producing fiction this offbeat and alluring... [Ali Smith] intends to send a chill up your shanks and she succeeds, jubilantly... Her dialogue is a series of pine cones flung at rosy cheeks

—— The New York Times

Smith is routinely brilliant, knowing, masterful... The light inside this great novelist's gorgeous snow globe is utterly original, and it definitely illuminates

—— New York Times Book Review

The only preparation required to savor the Scottish writer Ali Smith's virtuosic "Winter" is to pay attention to the world we've recently been living in...What Smith has achieved in her cycle so far is exactly what we need artists to do in disorienting times: make sense of events, console us, show us how we got here, help us believe that we will find our way through...Smith gives us a potent, necessary source of sustenance that speaks directly to our age...Yet we, like her characters, are past the winter solstice now - the darkest part of the coldest season done. From here on out, we're headed toward the light...It doesn't feel that way, I know. But in the midst of "Winter," each page touched with human grace, you might just begin to believe

—— Boston Globe

Winter is a stunning meditation on a complex, emotional moment in history

—— TIME

Ali Smith is flat-out brilliant, and she's on fire these days...You can trust Smith to snow us once again with her uncanny ability to combine brainy playfulness with depth, topicality with timelessness, and complexity with accessibility while delivering an impassioned defence of human decency and art

—— NPR

The stunningly original Smith again breaks every conceivable narrative rule; reflecting her longstanding affinity for Modernism, what she gives us instead is a stylistically innovative cultural bricolage that celebrates the ecstasy of artistic influence. It demands and richly rewards close attention. [Autumn and Winter] each add to Smith's growing collection of glittering literary paving stones, along a path that's hopefully leading toward the Nobel she deserves. In the interim, we can (re)read "Winter" - and eagerly await the coming of "Spring"

—— Minneapolis Journal Sentinel

One of the rarest creatures in the world: a really fearless novelist...her prose is melodic, associative, wise, sometimes maddening...'she shares with Mantel and Ishiguro a sense of human caution, a need to understand, a wariness of the high-handedly authorial. All write with the humility of adulthood

—— Chicago Tribune

The second in Smith's quartet of seasonal novels displays her mastery at weaving allusive magic into the tragicomedies of British people and politics...a bleak, beautiful tale greater than the sum of its references

—— Vulture

An engaging novel due to the ecstatic energy of Smith's writing, which is always present on the page

—— Publishers Weekly

A sprightly, digressive, intriguing fandango on life and time

—— Kirkus Reviews

These individuals converge to confront each other in the big shabby house, like characters in a Chekhov play. At first, hellish implosion looms. Slowly, erratically, connection creeps in. Lux quietly mediates. Ire softens. Sophia at last eats something. Art resees Nature..."Winter" gives the patient reader a colorful, witty - yes, warming - divertissement

—— San Francisco Chronicle

With Iris and Lux as catalysts, scenes from Christmas past unfold, and our narrow views of Sophia and Art widen and deepen, filled with the secrets and substance of their histories, even as the characters themselves seem to expand. As in Sophia's case, for Art this enlargement is announced by a hallucination - "not a real thing," as Lux tells Iris, whose response speaks for the book's own expansive spirit: "Where would we be without our ability to see beyond what it is we're supposed to be seeing?"

—— The Minneapolis Star Tribune
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