The best seller described as the kind of Ulysses which Joyce might have written if he had been a Boeing engineer with a fetish for quadrille paper

Pynchon’s masterpiece.

Thomas Pynchon gives us 20th-century fiction's finest memento mori.

[A] masterpiece

I read this at 19 or so and just thought, like, f*ck, wow: this is the marker, the pace-setter for the contemporary novel

Thomas Pynchon, the greatest, wildest and most infuriating author of his generation.

Pynchon is both the US's most serious and most funny writer.

Gravity's Rainbow is bonecrushingly dense, compulsively elaborate, silly, obscene, funny, tragic, pastoral, historical, philosophical, poetic, grindingly dull, inspired, horrific, cold, bloated, beached and blasted…[Pynchon’s] novel is in this sense a work of paranoid genius, a magnificent necropolis that will take its place amidst the grand detritus of our culture. Its teetering structure is greater by far than the many surrounding literary shacks and hovels.

He is almost a mathematician of prose, who calculates the least and the greatest stress each word and line, each pun and ambiguity, can bear, and applies his knowledge accordingly and virtually without lapses, though he takes many scary, bracing linguistic risks. Thus his remarkably supple diction can first treat of a painful and delicate love scene and then roar, without pause, into the sounds and echoes of a drudged and drunken orgy.

Gravity's Rainbow is both grim and hilarious, with myriad tangled plots and subplots that all conclude in mid-sentence as the Doomsday missile falls and the convoluted little lives, dreams and industries of its 300-odd characters and (not so incidentally) the lives of the narrator and the reader as well are obliterated.

Thomas Pynchon’s more flamboyantly experimental mega-novel…

Harvey's talent is in the details of both characters and relationships that seem trivial but are telling ... Harvey is a master of language, adept at both Wildean one-liners ... and more profound expression

In this Socrates-like story Samantha Harvey examines a dramatic sibling relationship whilst questioning the place of philosophy in modern life

Lovely observations on a sibling relationship

Graceful and full of sharp observation and moments of understated pathos

Yan Lianke sees and describes his characters with great tenderness . . . this talented and sensitive writer exposes the absurdity of our time

An unconventional blur of fact and fiction, How Should a Person Be? is an engaging cocktail of memoir, novel and self-help guide

A candid collection of taped interviews and emails, random notes and daring exposition…fascinating

Provocative, funny and original

A serious work about authenticity, how to lead a moral life and accept one’s own ugliness

An exuberantly productive mess, filtered and reorganised after the fact...rather than working within a familiar structure, Heti has gone out to look for things that interest her and "put a fence around" whatever she finds

A sharp, witty exploration of relationships, art and celebrity culture

[Sheila Heti] has an appealing restlessness, a curiosity about new forms, and an attractive freedom from pretentiousness or cant…How Should a Person Be? offers a vital and funny picture of the excitements and longueurs of trying to be a young creator in a free, late-capitalist Western City…This talented writer may well have identified a central dialectic of twenty-first-century postmodern being

Funny…odd, original, and nearly unclassifiable…Sheila Heti does know something about how many of us, right now, experience the world, and she has gotten that knowledge down on paper, in a form unlike any other novel I can think of

Playful, funny... absolutely true

Sheila's clever, openhearted commentary will draw wry smiles from readers empathetic to modern life's trials and tribulations

Amusing and original