Author:James Baldwin,Edwidge Danticat

'Go back to where you started, or as far back as you can, examine all of it, travel your road again and tell the truth about it. Sing or shout or testify or keep it to yourself: but know whence you came.'
Originally published in 1953, Go Tell it on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem. Baldwin's rendering of his protagonist's spiritual, sexual and moral struggle towards self-invention opened new possibilities in the American language and in the way Americans understood themselves.
Something in his prose hit me, almost winding me with its intensity. I'd never read a novel that described loneliness and desire with such burning eloquence.
It broke my heart and made me want to jump up and down, unable to fully articulate my own response towards it ... [A] notion of a shared humanity consumed Baldwin, and infused everything he did and wrote. Deprived of heritage and history, he borrowed freely and created his own unique language, with the cadences of the Bible and of jazz and Negro spirituals, and inflections of James, Dickens and Shakespeare ... This should, like J.D. Salinger's The Catcher in the Rye, have been crowned as the Great American Novel.
—— Azar Nafisi , IndependentA distinctive book, both realistic and brutal ... A novel of extraordinary poetry.
—— Chicago TribuneHe had that flair for the extravagant and fantastic which has been an American characteristic from Irving and Poe to Dashiell Hammett
—— F. Scott FitzgeraldThis is one of the most intellectually thrilling and beautifully unsettling novels I've read in years.
—— Bret Anthony Johnston, author of Remember Me Like This and Corpus ChristiLike Kazuo Ishiguro's Never Let Me Go, Goodhouse is a gripping excursion to a vividly imagined and profoundly disturbing future. Peyton Marshall has written an unforgettable first novel, a work of striking originality, empathy and skill.
—— Jennifer Haigh, author of FaithGoodhouse is a debut of extraordinary power and vision, and Peyton Marshall is a new voice for the ages.
—— Laura van den Berg, author of The Isle of YouthGoodhouse grabbed me by the throat and lifted me off the ground and held me suspended there until its final sentence. Then the book began its real work on me: haunting my waking thoughts, invading my dreams. (...) This is an astonishing novel.
—— Antoine Wilson, author of Panorama City, and The InterloperMagnificently written ...powerful
—— New York Times Book ReviewA fantastic cautionary tale that will leave you muttering "one more chapter" as the night stretches on. We highly recommend it
—— SciFiNowMinority Report meets Never Let Me Go
—— SFXA terrifying, yet grimly realistic portrait of near-future America
—— Brechin AdvertiserThought-provoking, and at times brutal, this thriller will surely be the basis of many discussions about the nature of society and the times we live in
—— Irish ExaminerPeyton Marshall is a writer of intelligence and keen observation with a great future. GOODHOUSE is a startling debut. In James, she has created a compelling and convincing hero for the all-too-probable dark times ahead
—— A L KENNEDYAn eerie, compelling novel, its deceptively simple language is a 'slight rush of words' which hold much more than they seem capable of containing...This novel is about the need to create a story we can live with when the real story cannot be told...
—— Financial TimesStrout uses a different voice herself in this novel: a spare simple one, elegiac in tone that sometimes brings to mind Joan Didion's
—— The TabletThis is a glorious novel, deft, tender and true. Read it
—— Sunday TelegraphAn exquisitely written story...a brutally honest, absorbing and emotive read
—— Catholic UniverseHonest, intimate and ultimately unforgettable
—— StylistSympathetic, subtle and sometimes shocking
—— Emma HealeyPlain and beautiful...Strout writes with an extraordinary tenderness and restraint
—— Kate SummerscaleOne of this year's best novels: an intense, beautiful book about a mother and a daughter, and the difficulty and ambivalence of family life
—— Marcel TherouxElizabeth Strout's prose is like words doing jazz
—— Rachel JoyceElizabeth Strout's Olive Kitteridge is the best novel I've read for some time
—— David NichollsAn exquisite novel of careful words and vibrating silences
—— New York Times Book Review 100 Notable Books of 2016In this quiet, well observed novel, a mother and her mysteriously ill daughter rebuild their relationship in a New York hospital room. Deft and tender, it lingers in the mind
—— Daily Telegraph Books of the YearA worthy follow-up to Olive Kitteridge
—— David Nicholls , Guardian Books of the YearI loved My Name is Lucy Barton: she gets better with each book
—— Maggie O'Farrell , Guardian Books of the YearThe standout novel of the year - a visceral account of the relations between mother and daughter and the unreliability of memory
—— Linda Grant , Guardian Books of the YearIn a brilliant year for fiction, I've admired the nuanced restraint of Elizabeth Strout's My Name is Lucy Barton
—— Hilary Mantel , Guardian Books of the YearElizabeth Strout's My Name is Lucy Barton shouldn't work, but its frail texture was a triumph of tenderness, and sent me back to her excellent Olive Kitteridge
—— Cressida Connolly , The SpectatorA rich account of a relationship between mother and daughter, the frailty of memory and the power of healing
—— Mark Damazer , New StatesmanThis physically slight book packs an unexpected emotional punch
—— Simon Heffer , Daily TelegraphA novel offering more hope
—— Daisy Goodwin , Daily MailMy Name Is Lucy Barton intrigues and pierces with its evocative, skin-peeling back remembrances of growing up dirt-poor.
—— Ann Treneman , The TimesMasterly
—— Anna Murphy






