Author:Jane Green

Jane Green, author of the bestsellers Second Chance and Straight Talking, examines love, friendships and their limits in her moving and entertaining novel Girl Friday.
Since her divorce a year ago, Kit Hargrove feels she has finally got her life back on track.
Gone is the lonely Wall Street widow she used to be, and in her place is a happier, more fulfilled woman, with a new job she loves - working for uber-famous novelist Robert McClore - a small but cosy new home with her children, and the beginnings of a tentative friendship with her ex-husband. She even has time for yoga classes with her new best friend Tracy. The only thing missing is a man. And when Tracy introduces her to Steve - charming, romantic and attentive - Kit wonders if he could be the final piece of the jigsaw.
But Kit doesn't know that Tracy is hiding a secret, one that could destroy their friendship, her happiness with Steve, even her new life. Torn between suspicion and love, Kit doesn't know which way to turn. For there are some betrayals that a friendship can't survive . . .
Praise for Jane Green
'A densely plotted brew of love and mistakes' The Times
'Green keeps us transfixed until the very last word' Heat
Charting the transformation of a rural village into a 21st- century megalopolis, it is a boisterously inventive novel that conveys the everyday reality of modern China
—— David Mills , Sunday Times Books of the YearAs much a parody of communist rule in China as a devastating critique of capitalist excess, power, greed and self-destruction, Yan’s novel is nothing short of a masterpiece
—— Claire Kohda Hazelton , ObserverExtraordinary... A provocatively illuminating and perceptive insight into contemporary China
—— David Mills , The Sunday TimesA hyper-real tour de force, a blistering condemnation of political corruption and excess masquerading as absurdist saga
—— Catherine Taylor , Financial TimesA rip-roaring Swiftian satire from a contemporary Chinese master... Yan Lianke, one of China's most forthright and versatile novelists, enlists extravagant comedy and far-fetched fable to propel his critique of a society where "power and money have colluded to steal people's souls"
—— The EconomistAn epic tale of miracles, madness, greed and corruption set against the backdrop of runaway urbanization... Even the most majestic of sights in this novel are distractions designed to mask the pervasive moral rot that lies just beneath the surface
—— Jeffrey Wasserstrom , Times Literary SupplementIn this comic fable of modern China… Yan has absurdist fun with the impact that policy shifts have on cremation, the military, elections, and the town’s efforts to woo American investors… It’s mordant satire from a brave fabulist
—— Jeffrey Burke , Mail on SundayChina is put under the microscope in this exuberant and imaginative novel about the sudden growth of a town
—— The Sunday TimesIn an uproarious cavalcade of boom and (Yan hints) bust, the four Kong brothers and their resourceful womenfolk mastermind the ascent of their home town. Explosion becomes China in microcosm... The novel’s farce, fantasy and fun stay just a step or two ahead of China’s gravity-defying truth. Not surprisingly, Yan’s work has been repeatedly banned in China
—— Boyd Tonkin , Economist 1843Both madcap satire and engrossing dynastic epic, as three rival clans compete to turn the idyllic Chinese village of Explosion into a booming megacity
—— Good HousekeepingThis darkly absurd history trucks freely with the fantastic - the city's airport is built in less than a week - but many of the more brazen events are taken straight from the news... Yan Lianke's burlesque of a nation driven insane by money is equally a satire of some of the excesses of the Chinese Revolution
—— Sam Sacks , The Wall Street JournalYan Lianke paints a metaphoric and absurd portrait of contemporary China so obsessed with growth that its moral values have been left by the wayside. Yan Lianke’s poetic prose rewards those who read to the end of this great novel of rare insight
—— Le MondeAn epic page-turner... Yan's mesmerizing ability to pull readers into this raw, subversive, not completely fictional world will continue to build his international audience. Mo Yan was the first Chinese national to be awarded the Nobel for Literature; Yan might just be next
—— Terry Hong , Library JournalYan returns with renewed vigor to the job of lampooning communist orthodoxy, capitalist ambition, and ‘contemporary China's incomprehensible absurdity.’...[The Explosion Chronicles] has the absurdist feel of an Ionesco or Dürrenmatt piece, though without any of the heavy-handed obviousness. Indeed, his satire is careful and crafty ... it can be read as a kind of Swiftian satire... Brilliant
—— Kirkus (Starred Review)This novel is a thoroughly fantastical satire where absurdity reflects the profound truth... Beautiful and strongly poetic
—— Rue 89[Yan Lianke] manipulates irony, absurdity, and the fantastical with ease
—— TelermaThis is an epic tale of miracles, madness, greed and corruption set against the backdrop of runaway urbanisation… Explosion is not as unrelentingly dark as The Four Books, but it may be even more politically daring…. In Explosion brightly hued roses may bloom out of season when something good happens, but the vision is closer to a nightmare. Even the most majestic of sights in this novel are distractions designed to mask the pervasive moral rot that lies just beneath the surface
—— Jeffrey Wasserstrom , The Times Literary SupplementAn extraordinary insight into modern China
—— David Mills , The Sunday TimesDaring and often hilarious
—— Angel Gurría-Quintana , Financial TimesBrimming with absurdity, intelligence and wit, The Explosion Chronicles considers the high stakes of passion and power, the consequences of corruption and greed, the dynamics of love and hate, as well as the seemingly boundless excesses of capitalist culture.
—— Asian Art NewspaperA blistering condemnation of political corruption and excess
—— Catherine Taylor , iThe sweeping mythic style and cartoon-like effects are exhilarating, and...the realities of life in China are sharply conveyed
—— The TimesA fast-paced, ambitious, hallucinatory mystery
—— Publishers WeeklyMarvellous, original and intelligent. Kunzru writes like a master storyteller... There's simply nothing [he] couldn't manage in prose
—— Literary ReviewPublisher's description. Electrifying, subversive and wildly original, White Tears is a ghost story and a love story, a story about lost innocence and historical guilt. This unmissable novel penetrates the heart of a nation's darkness, encountering a suppressed history of greed, envy, revenge and exploitation, and holding a mirror up to the true nature of America today.
—— PenguinCompulsively readable, masterly - a tour de force
—— Rachel KushnerRiveting from the very first page, I was completely addicted... A literary thriller and a timely, unsparing excavation of the very real spectre of race in America's past and present. White Tears is proof that Kunzru is one of the finest novelists of his generation...
—— Mirza WaheedHari Kunzru is an incredibly versatile writer who is alert to the inequalities in the world... Powerful and complex, White Tears is a novel about abuses of wealth and power. Brilliantly orchestrated, unforgettable and devastating
—— Bernardine EvaristoHari Kunzru is one of our most important novelists
—— Independent on SundayKunzru's engagingly wired prose and agile plotting sweep all before them
—— New YorkerElizabeth Strout's My Name is Lucy Barton shouldn't work, but its frail texture was a triumph of tenderness, and sent me back to her excellent Olive Kitteridge
—— Cressida Connolly , The SpectatorA rich account of a relationship between mother and daughter, the frailty of memory and the power of healing
—— Mark Damazer , New StatesmanThis physically slight book packs an unexpected emotional punch
—— Simon Heffer , Daily TelegraphA novel offering more hope
—— Daisy Goodwin , Daily MailMy Name Is Lucy Barton intrigues and pierces with its evocative, skin-peeling back remembrances of growing up dirt-poor.
—— Ann Treneman , The TimesMasterly
—— Anna Murphy