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Four French Plays
Four French Plays
Apr 5, 2026 8:39 PM

Author:Jean Racine

Four French Plays

This new Penguin volume includes the 'greatest hits' of French classical theatre, in vivid and acclaimed English translations.

The plays in this volume - Cinna, The Misanthrope, Andromache and Phaedra - span only thirty-seven years, but make up the defining period of French theatre. In Corneille's Cinna (1640), absolute power is explored in ancient Rome, while Molière's The Misanthrope (1666), the only comedy in this collection, sees its anti-hero outcast for his refusal to conform to social conventions. Here also are two key plays by Racine: Andromache (1667), recounting the tragedy of Hector's widow after the Trojan War, and Phaedre (1677), showing a mother crossing the bounds of love with her son.

John Edmunds' translation of Phaedra was originally broadcast on Radio Three with a cast including Prunella Scales and Timothy West, and was subsequently praised by Harold Pinter. This is the first time it has been published.

Often hailed as the father of French tragedy, PIERRE CORNEILLE made his name with the tragicomedy Le Cid in 1637. His best-known works include the tragedies Horace (1640) and Cinna (1641). MOLIÈRE founded the 'Illustre Théâtre' troupe and wrote numerous comedies, including Tartuffe (1664), which was banned, Le Misanthrope (1666) and L'Avare (1668). JEAN RACINE became known as one of the period's leading playwrights, with such tragedies as Andromaque (1667), Britannicus (1669) and Phèdre (1677).

After a varied career as an actor, teacher, and BBC TV national newsreader, JOHN EDMUNDS became the founder-director of Aberystwyth university's department of Theatre, Film and Television Studies.

JOSEPH HARRIS is Senior Lecturer at Royal Holloway, University of London and author of Hidden Agendas: Cross-Dressing in Seventeenth-Century France (2005).

Reviews

Racine's plays...create in performance a terrifying and inescapable velocity - they are grippingly exciting

—— Alan Hollinghurst

Timelessly resonant

—— Independent

Mankell uses his deep knowledge of Mozambique’s history and politics to great advantage in this unusual and riveting story

—— Daily Mail

Mankell is the master. Let’s be honest: I hate thrillers. But I love Mankell

—— Viv Groskop , Red Magazine

Profound and compelling… Paints a convincing and poignant picture

—— Good Book Guide

Intriguing

—— Tina Moran , Daily Express

A gripping page turner

—— O, The Oprah Magazine

Jenkins shows she has a gift for tender comedy

—— Scotsman

A moving study

—— Suzy Feay , Financial Times

I can think of no better companion than Janette Jenkins' pitch-perfect reimagining of a regret-tinged twilight of Noel Coward's life

—— Harper's Bazaar

A study in melancholy, very well observed

—— William Leith , Evening Standard

Perfectly-tuned imagining… Jenkins’ telling of it...saves it from any hint of predictability

—— Lesley Mcdowell , Independent on Sunday

Jenkins’s prose is thoughtful and sensitive…and her depiction of Coward’s final stage performance, which was a disaster, is particularly insightful

—— Lesley McDowell, 5 stars , Independent On Sunday

As broad and panoramic as ever.

—— Craig Brown , Mail on Sunday

There are some dazzling satirical riffs and politically incorrect laughs.

—— Jake Kerridge , Sunday Express

Wolfe’s prose is as punchy as ever.

—— Time Out

Energetically set against the deco licentiousness of Florida’s steamiest party capital.

—— Vogue

Class, family, wealth and corruption are all themes in this examination of life in Miami.

—— Sunday Business Post

[Tells] us about the way we live now... enjoyable.

—— Wynn Wheldon , Spectator

Classic Wolfe. A delight

—— William Leith , Evening Standard

Epic, hectic, satirical… It’s scathing, funny, and has great set-piece scenes

—— Brandon Robshaw , Independent on Sunday

Contemporary Miami gets the Wolfe treatment in a grand, sweeping satire on race, class, lust and immigration

—— Sunday Telegraph

Wonderful

—— Robert Bound , Monocle

Parks is one of the best living writers of English, and this book is so good you don't want it to end

—— Nicholas Lezard , Guardian

If, like me, you relish Italy, railways and grumbling, this is the most transporting book

—— Christopher Hirst , Independent

A fun, informative and detailed journey

—— By the Dart
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