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Flash Point
Flash Point
May 9, 2025 1:53 PM

Author:Matt Croucher GC

Flash Point

Dan Coldrain is a former elite Royal Marine Commando haunted by the death of his best mate Reese, killed in action by enemy forces. Coldrain used to believe in honour, service, and the call of duty, but haunted by Reese's death, he drops out of service and instead seeks the lucrative pay cheques on the private military contractor's circuit.

Soon the Sandman, a shadowy figure with connections to the political underworld, lurks into view, with a proposal for Coldrain: find a man called Dogan - a terrorist responsible for a slew of lethal IED attacks in both Iraq and Afghanistan - detain him and hand him over to the Sandman. For this simple task Coldrain will be granted a four-man team, access to high-grade weapons and explosives and vehicles, and a cool £1 million per head once the mission is completed.

And so the hunt begins, with the contractors dragged through hell and back in search of their deadly suspect. Will Coldrain and his team complete their mission successfully? And, most importantly, will Coldrain battle the demons which so haunt him over his friend's death?

Reviews

McNab and Chris Ryan had better watch out ... His blistering new novel ... grips from the first page ... A page-turner in the finest tradition of British thrillers

—— 5 star review, News of the World

A novel of great power

—— Times Literary Supplement

Flawless... such mastery of narrative, imagery and feeling, the prerequisites for great prose

—— Edna O'Brien , Guardian

It seems such simple and straightforward language, but it isn't. The first chapter of A Farewell to Arms is only two and a bit pages but there is almost every variety of sentence structure. It is incredibly artful writing, and part of the art is disguising that it is artful.

—— John Harvey , Guardian

Essential Hemingway...a gripping account of the life of an American volunteer in the Italian army and a poignant love story.

—— Daily Express

There is something so complete in Mr. Hemingway's achievement in A Farewell to Arms that one is left speculating as to whether another novel will follow in this manner, and whether it does not complete both a period and a phase...crisply natural and convincing.

—— Guardian 1929

A hauntingly beautiful elegy for those who killed and died in the service of a history that was not their own. Like Ha Jin's magisterial War Trash, Burma Boy wields the two greatest weapons in the novelist's arsenal - imagination and empathy - to shattering effect

—— James Schamus, producer Brokeback Mountain and The Ice Storm

Original ...often very funny. A magical book

—— Kevin MacDonald, Director: The Last King of Scotland

A riveting read, convincingly imagined and cinematically told. Bandele is a gifted storyteller

—— Linton Kwesi Johnson

A truly fantastic book. A caesarean cut through terrifying and hilarious history

—— Sven Lindqvist

As deeply opposed to rampant, materialistic capitalism as he was to totalitarian, atheistic communism, Alexander Solzhenitsyn will never be forgotten by historians, writer, readers, or ethicists

—— The Age

Helen Dunmore's two resources are imagination and research. She's strong on both counts...Dunmore's is a very good novel. 2014 is a very good year to read it.

—— The Times

Helen Dunmore has a talent for gently pulling the reader into the heads of her characters. She writes with a light but sure touch that makes you see through their eyes, smell through their nose...Visceral and elegantly plotted.

—— Daily Mail

The writing, even at its most harrowing, is suffused with poetry and evocative description. ‘They say the war’s over, but they’re wrong. It went too deep for that.’ THE LIE is a heart-wrenching portrait of psychological crucifixion.

—— Literary Review

It builds to a heart-breaking climax

—— Woman & Home

If you need any more proof of January's literary liveliness, imagine that you are in charge of publisher's Hutchinson. After 20 years with Penguin, Helen Dunmore (the first winner, remember, of the Orange Prize) has just signed up with you. In which month are you going to publish her new novel, The Lie? But you're probably ahead of me already…

—— Scotsman

The Lie is a fine example of Dunmore's ability to perceive the long vistas of history in which the dead remain restless...It is a book in which ghosts, perhaps, remain imaginary: but they are none the less real for that.

—— Guardian

Orange-prize winning author Helen Dunmore explores the relationship between two First World War soldiers: Daniel, who survived, and his childhood friend Frederick, who died, plus Daniel’s ambiguous bond with Fredericks’ sister Felicia. A dark and haunting exploration of grief and guilt.

—— Sunday Express, Hot Books for 2014

Famed for her searing accounts of the siege of Leningrad and its aftermath, Helen Dunmore moves to England after the First World War in The Lie. She chronicles the struggle of a young man without family and homeless amid the quiet landscape of Cornwall, trying to escape his memories of trench warfare.

—— Daily Express

The Lie by Helen Dunmore out in January, is exceptionally good. Set in Cornwall in 1920, it centres on a man who survived the war but is still living with the burden of it.

—— Western News

An extraordinarily affecting novel by the ever-reliable Helen Dunmore… The flashbacks to the war – and the eventual revelation of how Frederick died – are as crunchingly powerful as you’d expect. Even so, what’s most hearbreaking about the novel is the hesitant, awkward intimacy between Daniel and Felicia. By the end, and without ever losing their vivid individuality, these two bewildered characters in rural Cornwall have somehow come to represent an entire country in a state of traumatic shock.

—— Reader's Digest

THE LIE is an enthralling, heart-wrenching novel of love, memory and devastating loss by one of the UK’s most acclaimed storytellers… If you only read one novel in 2014 set during WWI, this must be the one.

—— Absolutely West magazine

Immensely atmospheric, intensely moving story

—— Sainsbury's Magazine
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