Author:Matthew Solon,Samuel West,Nicholas Boulton,Henry Goodman

Written by Matthew Solon. This BBC Radio 4 'Saturday Play' tells the story of the tense negotiation that followed the 2010 general election, which led to the country's first post-war coalition. Based on interviews with those who were at the meetings, political journalists and on published material - and using actors to play all the key characters - this is a compelling account of those five momentous days in May. Under extreme pressure and suffering from lack of sleep, the politicians argued and negotiated. There was nothing inevitable about a Conservative-Liberal Democrat coalition. Revealing key moments of the negotiations, the drama unpicks what went on behind closed doors and shows how an alliance between the Conservatives and Liberal Democrats gradually formed, and how it withstood the resignation of Gordon Brown. Based on painstaking research, this is a must-listen 60-minute play. It’s a compelling and entertaining account by award-winning writer Matthew Solon of the most extraordinary British election outcome in 70 years. Starring Samuel West as David Cameron, Nicholas Boulton as Nick Clegg and Gerard Kelly as Gordon Brown. Also included in the cast are Henry Goodman (Peter Mandelson), John Sessions (Ed Balls), Philip Jackson (William Hague), Emun Elliot (Danny Alexander), Anthony Calf (David Laws), Rupert Frazer (Chris Huhne), Ian Hughes (George Osborne), Charlotte Longfield and Wilf Gilmour. Produced and directed by John Dryden. A Goldhawk Essential Production for BBC Radio 4.
Fierce, enchanting, exuberant . . . Chin's imaginative dexterity is evident from the outset of this enthralling novel
—— ObserverA nicely mischievous cacophony . . . by turns brutal, arch, sensuous and bawdy
—— GuardianWildly original, imaginative and fiercely beautiful
—— The TimesNothing if not inventive . . . a riotous debut. Chin has a keen eye for the duality immigrants can experience, portraying it with humour as well as pathos
—— MetroRevenge of the Mooncake Vixen tells a compelling tale while examining the art of storytelling itself . . . Some sections of the book read like romances or folk-tales, while others crackle with snappy dialogue and youthful exuberance
—— Time Out New YorkA delightful and rather intoxicating book. Chin has a unique voice which enchants, surprises and beguiles
—— Darian LeaderSuch double happiness! Marilyn Chin in new, top form. What fun!
—— Maxine Hong KingstonEffervescent
—— iWickedly fizzing dialogue... delightful prose
—— Jonathan Gibbs , IndependentClever, well paced and structured
—— Keith Miller , Times Literary SupplementIntriguing first novel... The narrative voice floes with wit and vigour...his debut ties author and reader in engaging knots that echo the tangled webs connecting the gossipers and photographers and their privileged fodder
—— James Smart , GuardianIt's uncommonly well written, with a bountiful supply of manic energy... Would Paul Auster kill to write a book as playful, fast-paced and unashamedly populist as this? Doubtful, but somewhere there's a "Paul Auster" who might
—— Alastair Mabbott , HeraldSparky debut
—— Jonathan Barnes , Literary ReviewBenedictus takes us on a trail of the contentious highs and lows of the rich and famous in a mixture of dark humour and sharp dialogue. For Benedictus, and his valiant debut novel, more of the same please
—— Ben Bookless , Big IssueThe story of the ultimate celeb after-party, it's a knowing wink at publishing and celebrity culture - a high-concept first novel sitting just the right side of salacious
—— ElleThe Afterparty avoids smugness partly because it has more affection that vitriol for the culture that it mocks... It's very funny, but sad, too... Well-drawn characters, smart dialogue and a canny plot
—— Anthony Cummins , The Times






