Author:Imre Kertesz

'While the average reader cannot pretend truly to understand the reality of those who suffered in concentration camps, Kertesz draws us one step closer' Observer
Gyuri, a fourteen-year-old Hungarian Jew, gets the day off school to witness his father signing over the family timber business - his final act before being sent to a labour camp. Two months later, Gyuri finds himself assigned to a 'permanent workplace'. This is the start of his journey to Auschwitz.
On his arrival Gyuri finds that he is unable to identify with other Jews, and is rejected by them. An outsider among his own people, his estrangement makes him a preternaturally acute observer, dogmatically insisting on making sense of the barbarity - and beauty - he witnesses.
Should be savoured slowly . . . Only through exploring its subtlety and detail will the reader come to appreciate such an ornate and honest testimony to the human spirit
—— Washington TimesA masterly, subtle and constantly surprising novel
—— Sunday TimesWhile the average reader cannot pretend truly to understand the reality for those who suffered in concentration camps, Kertesz draws us one step closer
—— Susannah Steven , Observer, Books of the Week[The] crisp new translation still has an extraordinary power to shock
—— Elena Seymenliyska , GuardianOne of the most important writers at work today, Elif Shafak eloquently explores Turkey's tumultuous present and past. Her magnificent latest moves between Istanbul and Oxford in a fascinating exploration of faith and friendship, rich and poor, and the devastating clash of tradition and modernity
—— IndependentA brilliant and moving novel. Elif Shafak writes about religion without superficiality or special pleading, retaining a sense of its impossible possibility or its possible impossibility. Three Daughters of Eve is a remarkable accomplishment
—— Richard HollowayElif Shafak's writing leaps off the page. In Three Daughters of Eve she takes us spine-tinglingly right under the skin of three women, exposing the strains of friendship through love and loss. An utterly engrossing read.
—— Frances Osborne, bestselling author of The BolterShafak's topical 10th novel is both an interrogation and a defence of Muslim identity
—— Rebecca Rose , Financial TimesLuscious, heartbreaking, completely absorbing. It is a full-blown saga of emotion and character, straddling countries, cultures and languages, exploring its women's ambitions and desires; and at the same time a steady-eyed examination of the nameless rules - of femininity, duty, belief and behaviour - that keep us in line and under control. This is an absolutely consuming novel about women who know what they want, and a warning about the price we pay, written with the fluency and depth of an author at the very top of her game.
—— BidishaExuberant, epic and comic, fantastical and realistic . . . like all good stories it conveys deeper meanings about human experience
—— Financial Times on 'The Architect's Apprentice'A powerful book; thoughtful, provoking and compassionate
—— Joanne Harris, author of Chocolat, on 'Honour'A brave and passionate novel
—— Paul Theroux on 'Bastard of Istanbul'Vivid storytelling... that explores the darkest aspects of faith and love
—— Sunday Telegraph on 'Honour'Moving, subtle and ultimately hopeful, Honour is further proof that Shafak is the most exciting Turkish novelist to reach western readers in years
—— Irish Times on 'Honour'Reminiscent of Raymond Briggs, a song for the unsung hero
—— BooksellerAn exceptionally good book, beautifully and intelligently written, well worth waiting for… He writes with an unfailing and generous sympathy… Everything rings true… MacLaverty is a master of the significant detail.
—— Allan Massie , ScotsmanBernard MacLaverty shows a couple out of their element, so everything they see is something to note and enjoy… MacLaverty may be one of the last writers who can tell us what it is like to be a true Catholic… Midwinter Break is a touching, hopeful portrait of love’s complexity, written by a master craftsman, from the fullness of his heart.
—— Anne Enright , Irish TimesMidwinter Break… has MacLaverty’s trademark clarity and some tremendous turns of phrase.
—— Kenny Farquharson , The TimesIn this sympathetic, frequently witty portrait of ageing love… You won’t find a sharper, more intimate delineation of what marriage really adds up to.
—— Hephzibah Anderson , Mail on SundayBernard MacLaverty’s first novel in 16 years is a heart-rending analysis of the weary affection and annoyances of a long marriage in its fragile twilight years.
—— John Harding , Daily MailA novel written with such subtlety and finesse you’re hardly aware of the artifice that enabled you to get inside the minds of this loving, unhappy couple.
—— John Boland , Belfast Telegraph MorningExquisitely written and profound.
—— Una Brankin , Belfast Telegraph MorningIt’s a very intimate portrait of a relationship between two older people… The best, and most moving, parts are flashbacks to their experiences during the Troubles.
—— UK Press SyndicationMasterfully alternating the point of view of the book between them, he observes with his careful, forensic eye the habits of a long relationship, the shared memories, routines and irritations… Under MacLaverty’s careful, compassionate spotlight, we see the cracks beneath the surface, the way in which even those closest to us remain somehow unknowable… The best qualities of MacLaverty’s writing are present in Midwinter Break: the kind but unflinching eye, the unfussy description, which has a clarity which feels artless, but is not.
—— Susan Mansfield , ScotsmanThe writer’s generation will read it with wistful appreciation, and more than shudder at bad memories. Even before he shook loose the curse of Northern Ireland’s communal obligation for life in Islay and Glasgow, MacLaverty wrote beautifully. Across his wide later range his filmic gift of dialogue and scene-setting is constant.
—— Fionnuala O’Connor , Irish NewsHis finest to date… Good fiction sheds light too, illuminating the peculiar facets that make up the human condition. MacLaverty’s novel casts such a glow, and creates effects that prove to be both compassionate and compelling.
—— Malcolm Forbes , Herald ScotlandIn his first novel for 16 years, he provides thrilling proof that he’s lost none of his ability to tackle big issues in a way that’s unfailingly quiet and unfussy, but that ends up being completely piercing… The result is a pin-sharp but ultimately compassionate portrait of the frustrations and pleasures of a long marriage – and of how closely the two things are linked.
—— James Walton , Reader's DigestMacLaverty has always been his own man and his quietly penetrating insights yield many moments of recognition.
—— Ellis O'Hanlon , Irish IndependentCompellingly spot on.
—— David Robinson , ScotsmanIt is paced flawlessly, is lapidary of structure, and is delivered with a purpose and clarity and control that can shut out the noise of the world, of your own heartbeat, even: one of those precious books that, when at last you look up from its pages, you need a moment of re-adjustment, of decompression, so immersive is it… This is an achingly sad book, and essential in its sadness. It is illuminated with skill and application and labour and something very like love.
—— Niall Griffiths , SpectatorOver the four days of sightseeing, the reader is treated to a deep dive into a long marriage with all its quirks and foibles, and unique language… Midwinter Break may be bleak at times but, like the sun on a snowy day, is suffused with warmth, light and a lingering hope. It is further proof of MacLaverty’s talent.
—— Stephen McGinty , Sunday TimesThis receptively low-key, unsettling novel is a portrait of what is perhaps the most difficult of alliances and affinities to sustain: a long marriage… It is a narrative of quiet, telling minutiae. MacLaverty brilliantly captures the couple’s sleeping patterns; the way non-sexual territory in bed is proportioned… And he captures superbly the unspoken nuances underscoring marital banter, the silent spaces that hover above decades of conjugality.
—— Douglas Kennedy , New StatesmanSure-handed and captivating… MacLaverty’s novel is relatively short...but it feels like a more expansive work because of its unhurried pace and careful attention to each moment… It is an intimate book that makes wonderful use of the close third person… A restrained simplicity is also the stylistic hallmark of this novel… Contemplating the mysteries that lie at the heart of every marriage, Stella thinks, “Nobody could peer into a relationship – even for a day or two – and come away with the truth.” It’s a measure of MacLaverty’s achievement here that he has done exactly that.
—— Jon Michaud , Washington PostBeautifully observed and emotionally resonant, this is a novel to linger over.
—— People MagazineI love the clarity and sparseness of MacLaverty’s prose and his way of creating flawed, utterly believable characters.
—— Sheena Wilkinson , Belfast Telegraph MorningA delicate, compassionate masterpiece.
—— David Hayman , Herald Scotland, Books of the YearIt is hard to believe that writer Bernard MacLaverty left Northern Ireland in 1975 to take up a job and raise his family in Scotland. His is a voice that is so distinctively from here. His stories stretching back down the years can be poignant and heart breaking but are also at times distinctive of a time and place and often funny. He has not lost the true sense of who he is; his accent; his warmth; his sincerity.
—— Nuala McCann , Irish NewsMacLaverty is at his best when he exposes the minutiae of the Gilmore’s uneasy mix of affectionate rituals and barely disguised friction… The deceptively simple narrative style is subdued but compelling… The unhurried pace and intimate details magnify the distance between the couple. It would have been easy for MacLaverty to have made both characters unlikeable. Instead, they are subtly drawn, sharing many good qualities as well as flaws… Midwinter Break also explores love, loss and faith, and it at times achingly sad.
—— PhoenixIt's profoundly moving and sad – not the most uplifting read, especially when one's own parents are of a similar age – but exquisitely written and worth it for that alone.
—— Elaine Robb , PoolA quietly powerful meditation on love in all its ragged glory. Subtly constructed and deceptively delivered, this neat novel chronicles a brief interlude, a midwinter city break in Amsterdam, in the lives of retired couple Stella and Gerry… The narrative power builds slowly, steadily and surely (including, towards the end, a brilliant summation of a life). Midwinter Break is a minor miracle of a book.
—— Donal O'Donoghue , RTE GuideWhy is Bernard MacLaverty not celebrated as one of the wonders of the world?
—— Hilary Mantel , GuardianA heart-rending analysis of the weary affections and annoyances of a long marriage.
—— Claire Allfree , Daily Mail (Ireland)A quietly powerful meditation on love in all its ragged glory… Subtly constructed and deceptively delivered… The narrative power builds slowly, steadily and surely in what is a minor miracle of a novel.
—— Donal O'Donoghue , RTE GuideUnderstated, unhurried and emotionally devastating.
—— Dermot Bolger , Irish IndependentBy far the best novel I’ve read this year.
—— Diarmaid Ferriter , Irish IndependentA tragicomic gem with rare emotional power.
—— Malcolm Forbes , The NationalWith great tenderness and insight, MacLaverty peeled back a marriage creaking under the weight of longevity, drink and violence. Brilliantly crafted.
—— Madeleine Keane , Irish IndependentA beautifully written, perfectly poised novel... Exquisite.
—— William Leith , Evening StandardArguably [Bernard MacLaverty's] masterpiece.
—— Ciaran Carty , Irish TimesFrom the first sentences of Midwinter Break you know you're in the hands of a master… [A] gentle, life-affirming novel, MacLaverty reminds us of the quiet poetry that surfaces when we stop and simply look
—— Emma Cummins , Quietus






