Author:Peter Shaffer
Self-consciously staging itself in the psychotherapy sessions of a disturbed young man, Peter Shaffer's Equus is a shocking exploration of the limits of faith, of the intersecting worlds of the sacred and profane, and of the paltry value of a 'mundane' life, published in Penguin Modern Classics.
When a deranged boy, Alan Strang, blinds six horses with a metal spike he is sentenced to psychiatric treatment. Dr Dysart is the man given the task of uncovering what happened the night Strang committed his crime, but in doing so will open up his own wounds. Dysart struggles in secret to define sanity, to justify his marriage, to account for his career, and finds himself questioning the 'normality' of his way of life. Ultimately, he must ask himself: is it patient or psychiatrist whose life is being laid bare? The most shocking play of its day, Equus uses an act of violence to explore faith, insanity and how the materialism of modern life can destroy humanity's capacity for pain and passion.
Peter Shaffer (b. 1926), born in Liverpool, is an English playwright. Among his plays are The Salt Land (1954), Equus (1973) which won Shaffer the 1975 Tony Award for Best Play, as well as the New York Drama Critics Circle Award and Amadeus (1979) which won the Evening Standard Drama Award and the Theatre Critics Award for the London production, as well as being adapted into a 1984 film starring F. Murray Abraham and Simon Callow.
If you enjoyed Equus, you might like Tennessee Williams's A Streetcar Named Desire, also available in Penguin Modern Classics.
'Sensationally good'
Guardian
'A very important play'
The New York Times
Bold and moving
—— GuardianAn assured tour de force of passion...the power with which it reclaims spiritual and sexual strength for women cannot be ignored
—— Time OutBy her rich use of symbols and metaphor she transforms feminist cliché into something alive and moving
—— Times Literary SupplementA complex and highly original novel
—— Sunday TimesA wistful daydream about innocence and happiness
—— - , SpectatorThe high mid-summer pomps of tree and flower are evoked with gusto
—— - , The Times Literary SupplementI really enjoyed Pay It Forward and its powerful message. I very much admire the work and philosophy of Catherine Ryan Hyde and I thank her for what she is doing and for what she is writing. It's a powerful reminder of the difference one person can make.
—— President Bill ClintonKaroo is a very good and very funny novel of the old-fashioned American kind, the tragi-comic story - familiar from Philip Roth and JP Donleavy - of a selfish but vulnerable and oddly lovable monster whose own shortcomings don't disqualify him from saying some sharp things about the hypocrisies of the allegedly better-balanced types who despise him
—— HeraldAdulterous alcoholic and pathological liar, it is, nevertheless, hard not to love Karoo, whose sardonic observations are both poignant and extremely funny. This is comic writing at its best. Clever, well crafted and proof that Tesich was master of the medium
—— The TimesBrilliantly funny in its early chapters, but also very wise, the virtuosic irony turns to bitterness as a tragic story develops. Tesich died just after completing this marvellous, heart-felt valediction.
—— Scotland on SundayA sad novel with a jaunty, upbeat tone that disguises the tragedy of Tesich's magnetic characters
—— ObserverA feisty read you won't want to put down
—— WomanA must-read for empty nesters ... this is Trollope at her most poignant
—— Guernsey Now
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