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E. Nesbit: A BBC Radio Collection
E. Nesbit: A BBC Radio Collection
Jul 8, 2025 10:49 AM

Author:Edith Nesbit,Rosamund E. Nesbit Bland,Martin Jameson,Penelope Keith,Timothy Spall,Patricia Hodge,Prunella Scales,Jenny Agutter,Julia McKenzie,Frances Jeater,Victoria Carling,Paul Copley,Full Cast

E. Nesbit: A BBC Radio Collection

A BBC Radio collection of dramatisations of E. Nesbit's finest children's books with extra magical readings plus an original drama by Martin Jameson

E Nesbit is widely regarded as the first modern children's writer. Her ground-breaking novels have influenced authors from Oscar Wilde to Jacqueline Wilson, and over 100 years after their first publication, they remain perennially popular.

This wide-ranging collection comprises some of her very best children's fiction, commencing with her timeless tale The Railway Children. Starring Victoria Carling, Daniel Eyssen and Kate McEnery, Frances Jeater this enchanting dramatisation tells the story of three suburban children forced to move to the countryside after their father is mysteriously taken away.

Martin Jameson's sequel Roberta, Peter and Phyllis revisits them 13 years later, in 1919, to reveal how their lives have changed. Fiona Clarke, James Alper and Emma Hughes-Jones star as the titular siblings.

Also included is Nesbit's classic 'Psammead' trilogy. In Five Children and It, Five children are granted a series of wishes by a sand fairy - but inevitably, things do not go to plan...

Cast includes Julia McKenzie, Simon Carter, James Richard, Justyn Towler.

Patricia Hodge reads the second book in the series, The Phoenix and the Carpet, in which the discovery of a mysterious egg in an old carpet heralds the start of a magical adventure. And in The Story of the Amulet, a full-cast dramatisation the children voyage through history on a quest for an ancient lucky charm. Featuring the same cast as Five Children and It

Penelope Keith stars as E Nesbit in The House of Arden, a time-travelling fantasy tale about the hunt for a lost family treasure; Other cast includes Timothy Spall andKelly Bright.

Prunella Scales reads five stories from Nesbit's delightful compendium The Book of Dragons: 'Last of the Dragons', 'Kind Little Edmond', 'The Deliverers of their Country', 'The Book of Beasts' and 'The Dragon Tamers'. Concluding this anthology are two fantastic feline fables from Cat Tales, co-written by Nesbit and her adopted daughter Rosamund E Bland: 'The White Cat', read by Jenny Agutter, and 'Too Clever by Half', read by Helen Clapp.

Cast and credits

Written by E Nesbit

Cat Tales written by E Nesbit and Rosamund E Bland

Roberta, Peter and Phyllis written by Martin Jameson

First published 1901 (The Book of Dragons), 1902 (Five Children and It), 1904 (The Phoenix and the Carpet, Cat Tales), 1906 (The Story of the Amulet, The Railway Children), 1908 (The House of Arden)

The Railway Children

Dramatised by Marcy Kahan. Produced by John Taylor

First broadcast BBC Radio 5, 3-24 January 1991

Roberta, Peter and Phyllis

Produced and directed by Gary Brown

First broadcast BBC Radio 4, 4 January 2005

Five Children and It

Dramatised by Malcolm McKee. Directed by Rosemary Watts

First broadcast BBC Radio 4, 31 August 1998

The Phoenix and the Carpet

Abridged by Penny Leicester. Produced by Marion Nancarrow

First broadcast BBC Radio 4, 28 March-1 April 1994

The Story of the Amulet

Dramatised by Malcolm McKee. Directed by Rosemary Watts

First broadcast BBC Radio 4, 30 August 1999

The House of Arden

Dramatised by Chris Curry. Produced by Mary Kalemkarian

First broadcast BBC Radio 4, 23 April-25 June 1989

The Book of Dragons

First broadcast BBC Radio 5, 7-11 December 1992

Cat Tales

The White Cat

First broadcast BBC Radio 3, 3 January 2000

Too Clever by Half

First broadcast BBC Sounds, 23 July 2019

© 2022 BBC Studios Distribution Ltd (P) 2022 BBC Studios Distribution Ltd

Reviews

Poetic, tender, joyous.

—— Guardian

Heartbreaking... You suspect this uniquely troubling writer is far from done yet.

—— Observer

Louis' project, at once aesthetic and political, is..."to create a new language for the left", capable of articulating contemporary working-class experience.

—— New Statesman

Tash Aw's sensitive translation captures the vividness of Louis's voice... Movingly, the book demonstrates the pain that moving from one social class to another entails.

—— Times Literary Supplement

A tenderness of observation... translated into English with unobtrusive flair by Tash Aw.

—— New York Times

The key to Louis's literary appeal is that he engages with complex themes while keeping things relatively simple. His elegant concision [...] ensures that candour never lapses into self-indulgence.

—— The Spectator

Penetrating . . .Louis delivers an incisive portrait of the ways oppression and social forces brought chaos to their lives, and how they found freedom through compassion.

—— Publishers Weekly

Louis's intimate narrative creates a pathway to understanding the complex, symbiotic nature between systems of power...Louis is in service to those overlooked by the privileged and an excellent role model for how men can become better allies to women.

—— The Brooklyn Rail

In his incandescent autofiction, Édouard Louis has remade his painful youth as literature...Louis' most hopeful book to date.

—— Los Angeles Times

The first great story founded upon the normal events of a normal woman's existence. It is as great and as rich, as simple and as profound, as such a story should be

—— Des Moines Register

No other novelist, past or present, has bodied forth the medieval world with such richness and fullness of indisputable genius. . . . One of the finest minds in European literature

—— New York Herald Tribune

A master . . . writing in a prose as vigorous, articulate and naturalistic as the novel it re-creates, Tiina Nunnally brilliantly captures a world both remote and strangely familiar

—— Judges’ citation, PEN/Book-of-the-Month Club Translation Prize

Frank, funny and unputdownable, Isabel Kaplan's NSFW takes you on an ambitious young woman's wild ride through Hollywood. Her mother's a famous feminist lawyer, and she's a rising executive star, mistress of her destiny. But behind the glitter and the justice, everyone is tarnished and compromised - including even our narrator. Kaplan, with her sharp and nuanced eye, sees it all, and tells it brilliantly.

—— Claire Messud , -

A frank account of the inherent filthiness of leaning in. A study of the psychological, and at times literal, gymnastics that are required of striving women.

—— Raven Leilaini , -

I read this steely investigation of workplace ambition and patriarchal complicity in one sitting, my alliances shifting with every page. Funny, insightful, and enraging in all the best ways, NSFW is a fiercely smart debut that turns its gaze back on the reader, forcing you to ask just how far you'd go - and who you'd throw under the bus - for a seat at the table.

—— Julie Buntin , -

A stunning portrayal of intergenerational family love and the complications of the human condition. I was swept up in the world of the Aylward women: in their power and pain and mostly, in their fierce resilience. A novel full of compassion and honesty, where love triumphs. The prose is pitch perfect.

—— ELAINE FEENEY

Hymn to the warp and woof of life; celebration of the flip-flop way of family; soaring testimony to the endurance of the human spirit. And all delivered with his trademark compassion, empathy, humour and brio. A gift of a book.

—— ALAN McMONAGLE

A compelling read

—— SAINSBURY'S MAGAZINE

Big-hearted, generous and brimful of emotion, this is a gorgeous, life-enhancing novel.

—— Mail on Sunday

Ryan's writing is like poetry and he has a real gift for creating characters who live in full technicolour. Highly recommend

—— Good Housekeeping

In Ryan's hands the mundane and the everyday is transformed into a thing of beauty, thrumming with significance.

—— REFINERY 29

Tender with comic observation ... a topsy-turvy emotional rollercoaster

—— DAILY MAIL

Magical

—— OBSERVER

Exquisitely rendered. It reads like musical sounds, full of light and lilting melody...it's funny and sad, and sparks with the most tremendous, tart, wit.

—— INews

The characters are compelling and vividly drawn, the dialogue is profane and frequently hilarious; the prose drips like honey off a spoon.

—— SUNDAY TIMES

A jewel of a novel that will surely become a classic... enthralling and unmissable

—— DAILY EXPRESS, 'Fiction Highlights of 2022'

A celebration of love and loyalty among women.

—— IRISH INDEPENDENT

Big-hearted, generous and brimful of emotion, this a gorgeous, life-enhancing read

—— IRISH MAIL ON SUNDAY

It is a beaut. It's a celebration of women and of womanhood. I see my mother in this, I see my sister ... This book is a joy.

—— RYAN TUBRIDY

If language - lyric, lovely and funny, steeped in County Tipperary - and women (men come and go, rarely center a chapter and are often useless, sometimes cruel) are of no interest to you, The Queen of Dirt Island is not your next read. Ryan's book is a celebration, in an embroidered, unrestrained, joyful, aphoristic and sometimes profane style, of both ... The Queen of Dirt Island gives the women their due, and the reader is rewarded.

—— NEW YORK TIMES

Donal Ryan's The Queen of Dirt Island is a little Irish miracle ... there's as much implicit wisdom in these pages about how to live as how to write ... Ryan has his own emotional range and a way of capturing the largeness of what look like tiny lives but aren't

—— WASHINGTON POST

Ambitious, unsettling and funny, this book is full of desire and mischief with surprising results.

—— Platinum, *Summer Reads of 2022*
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