A triumph! A powerful tale layered in history and myth, at its core is a love so vivid and fierce...

Marvellous... It is a large canvas that Gabaldon paints, filled with strong passions and derring-do.

Wonderful, original and sustaining poems.

He is a marvellous poet, a man who knows his artichokes.

Adam Foulds is a young British novelist of striking talent and eclecticism. His style is first-rate, combining precision with a rich poetic imagination. He is able to do more with language, and at greater depth, than most other British novelists of his generation.

The pellucid elegance of Foulds’s fictional voice is entirely his own. He conjures with exhilarating assurance the sense of a postwar collapse of order so complete as to be almost voluptuous.

Ambitious and diffuse... Foulds is a master of concision and clarity, and his prose is "poetic" in the best sense: never florid or rambling, each short sentence weighed and parcelled out.

The bleakness of Foulds’s message…is not reflected in the richness of the prose or characterisation of this deep, dark, demanding tale.

[Foulds] matches his flair for rhythm with a skilful ownership of both his prose and a complex narrative. All delivered with a minimalist restraint.

There's much to admire in this novel. Foulds has a searching eye for detail and an apparently helpless compulsion to wring imagery from his subject.

Foulds’s writing invites...returning to consider each layer of the composition...there is a prismatic quality to the language which allows various levels of interpretation to be separated out and refined.

Wonderfully enticing.

Individual scenes are often gripping, shocking or moving.

The bloody horrors of conflict are captured with visceral aplomb in this fine, minimalist novel.

Some of the most vividly evoked battle scenes I've read – he doesn't shy away from taking risks … chilling and touching all at the same time.

Foulds has the literary intelligence to turn the commonplace on its head.

A high-class thriller … Foulds has a literary novelist's feel for [Sicily's] harsh beauty.

Foulds’ prose is superb… It reads like Catch-22 written by Evelyn Waugh.

It’s an ambitious book and the writer relates his story with poetic precision

Told in a language that is both lyrical and stark The Tusk that Did the Damage should win Tania James praise and laurels from those readers who long for a more penetrating look at environmental issues and the moral questions which accompany them’.