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Doctor Who: The Nightmare Realm
Doctor Who: The Nightmare Realm
Dec 28, 2025 10:51 AM

Author:Jonathan Morris,Dan Starkey

Doctor Who: The Nightmare Realm

Dan Starkey reads this imaginitive original story featuring the Twelfth Doctor and Nardole.

"Time: the present. Place: Smalltown, USA. A town like any other. A sleepy world of white picket fences, front porch gliders and freshly-mown lawns, a Pontiac or Chevrolet in every driveway.

"But the streets are empty, with not a sound to be heard, and no-one to hear it if there was. Because this town is merely an empty stage, waiting for its players to take their parts. They're due to make their entrance any moment now, strangers in a strange land, somewhere in that timeless space known only as The Nightmare Realm."

It's into this strange world of shifting sands that the TARDIS propels the Doctor and Nardole, who think they're in 1950s suburbia until an apparent nuclear attack takes them into far darker territory, with a series of terrifying consequences...

Dan Starkey, who played the Sontaran Strax in the TV series, reads this unsettling original story by Jonathan Morris

(P) 2021 BBC Studios Distribution Ltd

Reading produced by Neil Gardner

Sound design by David Roocroft

Project editor: John Ainsworth

Executive producer: Michael Stevens

Reviews

[Victoria Mas's]... portrait of women who were unfairly banished to asylums often because they did not fit into the straightjacket of 19th-century society is moving... beautifully drawn.

—— THE TIMES

THE MAD WOMEN'S BALL is a darkly sumptuous tale of wicked spectacle, wild injustice and the insuppressible strength of women. Mas brings the world of La Salpêtrière to life with passion and fury, unveiling a hypnotic theatre that is as moving as it is macabre.

—— Emma Stonex, Sunday Times bestselling author of The Lamplighters

[An] essential story of women resisting the unjust exertion of male power.

—— SUNDAY TIMES

In this darkly delightful Gothic treasure, Mas explores grief, trauma and sisterhood behind the walls of Paris' infamous Salpetriere hospital.

—— PAULA HAWKINS, Sunday Times bestselling author of A SLOW FIRE BURNING and THE GIRL ON THE TRAIN

Elegantly written, Victoria Mas's slender, potent debut celebrates sisterhood, while also exposing the corrupt powers of the patriarchy at home and in the wider world.

—— DAILY MAIL

Enthralling and wonderfully imagined... written with terrific verve and sympathy.

—— LITERARY REVIEW

A deftly woven tale of hope and pain, judgement and redemption, cruelty and kindness. Utterly captivating and profoundly affecting, the story of The Salpêtrière lingers long in the mind after the stunning conclusion. I loved it.

—— Miranda Dickinson

A beautifully written debut set in Paris in 1885, Victoria Mas' characters come to life within a sentence while her storytelling compels you to turn the page. I loved The Mad Women's Ball and have absolutely no doubt it will be one of my favourite novels of 2021.

—— AJ PEARCE, author of DEAR MRS BIRD

'Beautifully written and captures the world so well. A delight to read.'

—— Renee Knight

A gothic, feminist book ...so cinematic it is already being turned into a film...it evokes the Brontës, with its dormitories, its phials and its ghosts. But thematically, it is bang up to date.

—— BIG ISSUE

The Mad Women's Ball is as lush on the inside as it is on the outside! It's richly immersive, taking us right into the heart of nineteenth-century Paris. From Genevieve, Eugenie and the women of Salpêtrière we learn what it is that keeps women locked up - and the extraordinary ways in which they might escape.

—— Shelley Harris, author of Jubilee

'Enter the dance of this little masterpiece and let yourself be dazzled. Assured of hitting the bestseller lists'

—— THE PARISIAN

A well-written historical novel... book groups will thoroughly engage with the plot and characters.

—— NB Magazine

Looks at the knife crime phenomenon from street level, rather than top down . . . Given the subject matter, the book is surprisingly hopeful

—— Max Daly , UnHerd

In a potent mix of personal anecdote, social history and politics, he interweaves the stories of people caught up in the violence, to show how society is fracturing along lines of race, class and postcodes. The result is a trenchant, page-turning and sometimes challenging reading, but also a blueprint for positive change

—— Caroline Sanderson , Bookseller, Editor's Choice

A crucial contribution and a compelling read. Thapar combines captivating narratives with a sophisticated understanding of the policy landscape - a must-read book for anyone interested in, or working to improve, the safety and well-being of children and young people

—— Keir Irwin-Rogers, Lecturer in Criminology, The Open University; lead criminologist to the Youth Violence Commission

Cut Short is at once a compelling memoir, a biting critique of Britain's hideous inequality, and a beautiful tribute to the remarkable strength and spark of London's youth - and those who work with them. Weaving together reflective autobiography, expert interviews and the stories of young people he works with, Ciaran Thapar paints a portrait of London's greatest assets and deepest injustices. Everyone - from teenagers to government ministers - can learn a lot about contemporary Britain from Cut Short

—— Luke Billingham, youth & community worker, co-author of the Youth Violence Commission Final Report

Big up Ciaran x10 on the new book. Ciaran was basically there from where we really started to take off and it's good to see him doing big things and always tryna encourage and give back to the youth 'cause they need that

—— Skengdo, rapper

Shout out Ciaran on the new book, everyone go cop that and take in the gems - real life issues being addressed. It's important to know that even though the book's called Cut Short your life don't have to be cut short, as long as you're breathing you got opportunities if you just focus and stay consistent

—— AM, rapper

This book strongly gives a voice to the voiceless . . . essential reading

—— Kenny Allstar, DJ

Takes us to the heart of London's street culture . . . more necessary than ever

—— Alistair Fraser , TLS
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