Author:Justin Richards

On some days, New York is one of the most beautiful places on Earth.
This was one of the other days…
Melody Malone, owner and sole employee of the Angel Detective Agency, has an unexpected caller. It’s movie star Rock Railton, and he thinks someone is out to kill him. When he mentions the ‘kiss of the Angel’, she takes the case. Angels are Melody’s business…
At the press party for Railton’s latest movie, studio owner Max Kliener invites Melody to the film set of their next blockbuster. He’s obviously spotted her potential, and Melody is flattered when Kliener asks her to become a star. But the cost of fame, she’ll soon discover, is greater than anyone could possibly imagine.
Will Melody be able to escape Kliener’s dastardly plan – before the Angels take Manhattan?
Giraffe is rich, difficult to describe...blade-sharp imagery...Giraffe is important as a work of art. It will probably change your life and if it does it will be for the better
—— Todd McEwan , Scottish Review of BooksGiraffe is a work of obvious passion and great skill
—— Alex Gibbons , New StatesmanAn outstanding debut, sparking with ideas and poetic qualities
—— Sam Phipps , Saturday Herald[P]oetic, multilayered prose...the strangeness of the giraffes' short-lived "migration'' to Czechoslovakia, Ledgard has found an effective symbol for what he calls "the brief communist moment''
—— Elena Seymenliyska , Daily TelegraphThere's plenty to like in Legard's novel: not least the wondrous, and gentle, giraffes
—— James Flint , GuardianA weird and wonderful tale
—— EsquireThe writing lies between poetry and prose... Beautifully written
—— Simon Baker , Literary ReviewA deeply eccentric novel, often beautifully written, with a haunting atmosphere
—— Kate Saunders , The TimesA novel of grave emotional weight and colour. Whether she describes terrible or magical events, to read Ginny Baily is to pick up riches in every paragraph... It's a rare achievement
—— Sam NorthGinny Baily writes with perception and insight, telling the stories of her many characters with great skill and eventually weaving them together into a satisfying whole. She clearly knows Africa and the people who live there, as her affection and understanding shine out. It's a compelling read, carrying you along effortlessly, each section creating its own momentum long before the connections become clear
—— Clare MorrallSuch is the exquisite, gossamer construction of Murakami's writing that everything he chooses to describe trembles with symbolic possibility
—— GuardianVintage Murakami [and] easily the most erotic of [his] novels
—— Los Angeles Times Book Review[A] treat...Murakami captures the heartbeat of his generation and draws the reader in so completely you mourn when the story is done
—— Baltimore SunMurakami's most famous coming of age novel of love, loss and longing
—— Dazed and ConfusedCatches the absorption and giddy rush of adolescent love... It is also, for all the tragic momentum and the apparently kamikaze consciousness of many of its characters, often funny and quirkily observed.
—— Times Literary Supplement[A] treat . . . Murakami captures the heartbeat of his generation and draws the reader in so completely you mourn when the story is done.
—— The Baltimore SunOne of the most poignant and evocative novels I have ever read
—— PalantinatePoignant, romantic and hopeless, it beautifully encapsulates heartbreak and loss of faith
—— Sunday TimesQuinn brings the period in question vividly to life: his research is exemplary, and his subject absorbing
—— Lucy Scholes , ObserverAll the ingredients of an upmarket page-turner
—— Max Davidson , Mail on SundayAmbitious, gripping and disturbingly well done
—— Kate Saunders , The TimesBeyond its splendid feel for the era’s chat and patter, the novel pits philanthropy and opportunism, ideals and selfishness, bracingly at odds
—— Boyd Tonkin , IndependentThis novel is refreshingly different and contains a cornucopia of wonderful material and evocative descriptions
—— Good Book GuideThe best book I’ve read in ages… You have to read it.
—— Hilary Rose , The Times