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Doctor Who: Shroud Of Sorrow
Doctor Who: Shroud Of Sorrow
Jan 18, 2026 3:52 AM

Author:Tommy Donbavand,Frances Barber

Doctor Who: Shroud Of Sorrow

23 November, 1963. It is the day after John F. Kennedy's assassination - and the faces of the dead are everywhere. PC Reg Cranfield sees his late father in the mists along Totter's Lane. Reporter Mae Callon sees her grandmother in a coffee stain on her desk. FBI Special Agent Warren Skeet finds his long-dead partner staring back at him from raindrops on a window pane. Then the faces begin to talk, and scream... and push through into our world. As the alien Shroud begins to feast on the grief of a world in mourning, can the Doctor dig deep enough into his own sorrow to save mankind? Shroud of Sorrow is read by Frances Barber, who played Madame Kovarian in the Doctor Who episodes A Good Man Goes to War and The Wedding of River Song.

6 CDs. 5 hrs 42 mins.

Reviews

Shroud of Sorrow is one of the best Doctor Who novels in memory... a great and worthy story for the 50th Anniversary year.

—— Emrys Matthews , http://blogtorwho.blogspot.co.uk

Barber throws herself wholeheartedly into the project, vocalising sound effects such as “Flash!”, “Bang!” and “Putter, putter, chuff!” as well as providing decent imitations of Susan, the Second Doctor and Jo during flashbacks.

—— Richard McGinlay , http://www.sci-fi-online.com

They say people can’t write stories anymore. Tell that to Hammond Innes

—— Sunday Times

Hammond Innes is a master of suspense

—— Spectator

Mr. Innes's readers were addicts when it came to his books, which were cinematic in sweep and sold 40 million copies

—— New York Times

The uncrowned Poet Laureate...he writes in the language of the soul.

—— Christopher Rush

Immensely powerful

—— Independent on Sunday

A wonderfully funny, original novel ... joyous and life-affirming

—— Guardian

This small but perfectly formed third novel from Kitty Aldridge is over too soon but is impressively accomplished, nailing the distinctive voice of its protagonist… Inventive coming-of-age tale

—— Metro

Kitty Aldridge’s latest novel mixes pathos and bathos in industrial quantities…he [Lee Hart] is an immensely likeable protagonist and Aldridge has absolutely captured his engagingly open inner voice

—— Scotland on Sunday

An uplifting tale of life after death. Dead good

—— Time Out

Wonderful… I am completely convinced by Lee and drawn along with his narrative voice which Kitty Aldridge has pitched to perfection… Kitty has taken a taboo subject and achieved that fine balance, writing engagingly and openly, and with great sensitivity and humour about something most of us just don't like to think or talk about

—— Dove Grey Reader

Aldridge’s writing is a rare find: startlingly original without being showy, skilfully crafted but not selfconsciously literary, a genuine, honest voice… Harrowing and hilarious, profound but unpretentious, this book conjures up a compelling world and an eminently likeable protagonist. For all the dead bodies and thwarted lives, it is surprisingly uplifting

—— Juanita Coulson , The Lady

Peebles' keen eye for social observation adds a comic touch to the narrative, expertly showing how black humour is used in bleak times.

—— Rowena McIntosh , The Skinny

Peebles writes poetic prose, capturing Aggie's imaginative character and her need to find meaning in the puzzle of circumstances she finds herself in. The insight into dementia and its impact upon a family is poignant, with Aggie desperate to recapture the history of a beloved Gran who is disappearing in front of her eyes. The novel strongly evokes the Scottish countryside, its link to the past and the secrets it keeps. The story may be a slow burner, but keep going because its gentle pace builds up to a satisfying conclusion

—— Penny Batchelor , We Love This Book
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