Author:Tom Baker,Tom Baker

In his first-ever Doctor Who novel, Tom Baker’s incredible imagination is given free rein. A story so epic it was originally intended for the big screen, Scratchman is a gripping, white-knuckle thriller almost forty years in the making.
The Doctor, Harry and Sarah Jane Smith arrive at a remote Scottish island, when their holiday is cut short by the appearance of strange creatures – hideous scarecrows, who are preying on the local population. The islanders are living in fear, and the Doctor vows to save them all. But it doesn’t go to plan – the time travellers have fallen into a trap, and Scratchman is coming for them.
With the fate of the universe hanging in the balance, the Doctor must battle an ancient force from another dimension, one who claims to be the Devil. Scratchman wants to know what the Doctor is most afraid of. And the Doctor’s worst nightmares are coming out to play…
Tom Baker himself reads this legendary Doctor Who adventure, a spine-chilling thriller forty years in the making.
Duration: 8h 40m
Written by Tom Baker with James Goss Storyline by Tom Baker and Ian Marter Additional voices by Nicholas Briggs
Deeply, deeply disturbing.
Katsu adds a rich vein of horror to her imaginative retelling . . . astonishingly atmospheric, with a strong sense of claustrophobia, despite the vast prairies and mountains . . . this is an enthralling and chilling read.
—— Laura Wilson , GUARDIANUneasy, nauseous, slow-burning tale that marries historical fiction with a hint of the supernatural. Great detailing; colourful characterization; some supremely ominous stuff, but always reined in at the final moment to rack up the tension even more. Loved it!
—— JOANNE HARRIS, author of ChocolatThis . . . is supernatural suspense at its finest. It is strangely ethereal, yet gritty, with one eye on the distant skyline and the other on the bloody journey. If historical novels are your thing, The Hunger delivers a believable, fully realized 19th-century America. But the best thing about The Hunger is that it will scare the pants off you.
—— Danielle Trussoni , NEW YORK TIMESAn absorbing thriller that had me digging into the history behind this tale as soon as I’d read the last page . . . Her descriptions of the land are movingly beautiful, but there is danger even here.
—— Alison Flood , OBSERVER 'Thrillers of the Month'Like The Revenant but with an insistent supernatural whisper. The setting and the story are utterly chilling. And the telling of it is so well done.
—— SARAH PINBOROUGH, author of Behind Her EyesBeautiful, lyrical, utterly grounded in the land, and the people, this is the best - and scariest - story I’ve read this year.
—— MANDA SCOTT, author of Boudica and Into the FireThe story she writes of human failings and despair is so powerful and so well written . . . Her account of the pioneers’ dawning realisation that pressing on, staying still and turning back all mean death is hauntingly good.
—— Antonia Senior , THE TIMESAlma Katsu's accomplished, engrossing novel weaves a cocoon of supernatural horror around historical tragedy . . . it is a beautifully intense read.
—— James Lovegrove , FINANCIAL TIMESIn an audacious twist, Alma Katsu has made something new and suspenseful from the legendary story of the Donner Party. The Hunger is filled with terror, pity, and grue.
—— KEITH DONOHUE, author of The Boy Who Drew MonstersAlma Katsu has taken one of the darkest and most chilling episodes in our history, and made the story even darker, even more terrifying. I swear I'm still shuddering. A fantastic read!
—— R. L. STINE, author of Goosebumps and Fear StreetThe Hunger is a bold and brilliant novel, heavy with foreboding and dread, and with a rich vein of humanity at its core. I challenge you to read it without experiencing your own hunger pangs.
—— TIM LEBBON, author of The SilenceThe Revenant by way of The Walking Dead and it works.
—— Paul Connolly , METROA terrific historical novel with a thrilling, bloody twist. Alma Katsu’s brilliant reimagining of the Donner Party’s fate is rich with character, laden with imminent doom, and propelled by chilling mystery. A novel that book clubs and dark fiction fans should devour with equal relish.
—— CHRISTOPHER GOLDEN, author of AraratKatsu injects the supernatural into this brilliant retelling of the ill-fated Donner Party . . . fans of Dan Simmons’s The Terror will find familiar and welcome chills.
—— PUBLISHERS WEEKLY (starred review)A riveting drama of power struggles and shifting alliances . . . the tensions [Katsu] creates are thrilling.
—— KIRKUS REVIEWSIf you think the story of the Donner Party can’t get more horrific, think again. In this gripping, atmospheric reimagining of that dark tale, Katsu has created a deeply unsettling and truly terrifying masterpiece.
—— JENNIFER McMAHON, author of The Winter People and BurntownFizzingly fresh and can't fail to lift your spirits
—— Sunday PostWhat an absolute treat – sheer joy from start to finish.
—— Lucy DiamondFast, furious and fabulous fun
—— Woman & HomeAnother heart-warming story from the Queen of feel-good fiction
—— The LadyA joy to read
—— USA TodayThis fun, super-readable breath of fresh air had us completely hooked
—— Fabulous magazine, Sun on SundayAn enjoyable read, funny and moving
—— Sunday PostA fun, frothy good-hearted read
—— Sunday MirrorA tale of long-term love and friendship told with Sophie’s blend of warmth and humour
—— SunHadley's writing is lyrical, perceptive and has great emotional heft. Go read [Late in the Day]!
—— Joanne Finney , Good Housekeeping *Book of the Month*Tessa Hadley's Late in the Day promises an intriguing study of the way members of a close-knit group of friends react to the sudden, unexpected loss of one of their number.
—— Allan Massie , Yorkshire PostHadley’s great strength is her wise, fine-grained observation of interpersonal relations… Hadley moves with ease between perspective and also back and forth in time.
—— Claire Lowdon , Sunday TimesTessa Hadley is easily one of my favourite authors writing today, and her new novel – Late in the Day... has been highly praised by everyone I know (and, crucially, trust) who's already got their hands on it.
—— Olivia Marks , VogueTessa Hadley is well-known for her inimitable portrayal of character and her latest effort, Late in the Day, is no disappointment... A smart exploration of human nature, desire, and friendship.
—— Vanity FairA penetrating observer of human behavior, [Hadley] has a gift for dialogue that bristles with what remains unsaid… vividly imagined… Hadley presents a masterly portrait.
—— Pamela Norris , Literary ReviewStrange, unsettling — eerily beautiful, discomfiting, stay-up-late-addictive, sometimes hair-raising... Always, it’s Hadley’s high-res magnification on the interplay of marital (and friendship, and parental) dynamics that supplies her work’s steady gold.
—— Joan Frank , San Francisco Chronicle[Hadley’s] prose is a form of civilised conversation... Late in the Day is a very good novel indeed… [Hadley] knows when to let silence speak, and she has the rare gift of writing dialogue which both rings true and hints at what had been left unsaid but is keenly and sometimes painfully felt.
—— Allan Massie , ScotsmanA clever, compassionate novel that sings to the possibility of renewal in late middle-age.
—— Claire Allfree , Daily Mail[A] splendid, perceptive book… Hadley has expertly examined the complications and intimacies of marriage and family in such novels as The Past, The Master Bedroom and Clever Girl. In Late in the Day she continues her persistent exploration of human frailty and resilience, moving easily between the present and the past to reveal the hard edges and silent compromises that shape all relationships.
—— Minneapolis Star TribuneHer prose has the penetrating quality of Henry James at his most accessible… and is alert, as Virginia Woolf and Elizabeth Bowen were, to how time sculpts, warps or casually destroys us... A quiet triumph.
—— Michael Upchurch , Seattle TimesLate in the Day is confident, brilliant, dark and interesting.
—— Iona McLaren , Daily TelegraphTessa Hadley’s brilliant new novel – an event that always sparks joy… [– is an] elegantly written, ironically witty book… [Hadley] is constantly being favourably compared to Virginia Woolf – as well as Jane Austen and Henry James.
—— Jackie McGlone , Herld ScotlandThis is not a novel filled with incident, its pleasures are perception, insight and the intense examination of emotions… A very grown-up read.
—— Eithne Farry , Sunday ExpressTessa Hadley’s compelling new novel, Late in the Day, is a subtle, delicate evocation of modern life… Hadley’s observation is pin-sharp: whether describing a contemporary student’s house, a late-night drive, or simply a quiet room with only the reading light turned on, there is a shapely intelligence at work… There is something of Iris Murdoch’s fierce attention to the physical here.
—— Philip Womack , IndependentTessa Hadley has become literary fiction’s chronicler-in-chief of the lives and loves of the English middle classes… Conveying their lifestyle with shrewd economy… Hadley relies on patient, persuasive observation to draw us into a satisfying family drama of hopes and regrets as viewed from the fag end of middle age.
—— Anthony Cummins , MetroTessa Hadley’s great success as a novelist lies in… examining her characters with an unusual degree of psychological subtlety. Her particular strength is to combine a deep excavation of human frailty with compassion for its effects.
—— Andrew Motion , GuardianClever and thoughtful… [Late in the Day] is wholly impressive.
—— Ella Walker , UK Press SyndicationHadley… [is] authoritative and powerful… a complex story structure juxtaposing present and past and featuring carefully timed revelations.
—— Michele Roberts , TabletThis is the perfect example of domestic fiction done well… Hadley's prose is measured, spare and utterly perceptive of the human condition.
—— Culture CallingExtraordinarily skilled and penetrating.
—— Philip Hensher , iThe language is poetic and beautifully crafted… [and it] is the measured intimacy of Hadley's language that allows her to capture in so few words, the whirring emotions that stir beyond the surface.
—— MancunionCrisp, considered prose.
—— Franklin Nelson , Cherwell NewspaperExquisitely written… A slow burn that’s as elegant as it is crushingly emotional.
—— Sunday Powell , Sunday TelegraphLate in the Day… [is] beautifully written with moments of real tenderness — I found it immensely enjoyable and thought-provoking.
—— Sharon White , Financial Times, *Summer Reads of 2019*A wonderfully involving, intelligent and subtle.
—— Sunday Times, *Summer Reads of 2019*One of the best literary offerings so far this year.
—— UK Press Syndication, *Summer Reads of 2019*A prime study of the modern condition.
—— Conrad Landin , Camden New JournalTessa Hadley is one of those rare authors who keep getting better and better… the writing is joyous, and the conclusion will set your heart singing.
—— Stephanie Cross , Daily Mail, *Books of the Year*Hadley’s prose is so elegant, her quiet observations on ageing, adultery, motherhood and art so penetrating, it is pure reading pleasure.
—— iUnflinching, intelligent and fascinating
Hadley’s elegant sentence-making is pure joy, combining scathing observation with careful compassion in a novel.
—— Claire Allfree , Metro, *Books of the Year*A stunning read by a masterly writer.
—— Emma Lee-Potter , Daily ExpressLate in the Day will delight fans of Tessa’s work and is an excellent introduction to her style for those unfamiliar with her novels. It’s a gentle yet impactful and deeply thought-provoking book that will leave you reflecting on your own choices and relationships – and makes a perfect beginning to a new year of reading.
—— Charlotte Griffiths , Cambridge EditionA brilliant, beautiful novel populated by multifaceted characters and lit by Hadley's insight and skill.
—— BN1Reflective, poignant and beautifully written, it reminds us that the constant in life is change.
—— Jane Shilling , Daily MailCompelling.
—— Eithne Farry , Daily Mirror[A] compelling novel… Hadley captures the way old feelings, longings and hidden secrets unravel tight-knit relationships.
—— Andreina Cordani and Eithne Farry , Daily Express






