Author:Terrance Dicks,Carole Ann Ford

Carole Ann Ford reads this classic TV novelisation featuring the First Doctor, as played on TV by William Hartnell. The Doctor is feeling confident: this time the TARDIS has landed on Earth; in England; in 1963. But when he and his companions Susan, Ian and Barbara venture outside, they are soon lost in a maze of ravines and menaced by gigantic insects. However, the insects are dying - every living thing is dying…
Meanwhile, in a cottage garden on a perfect summer's day, the man from the Ministry arrives to put a stop to the production of DN6, a pesticide with the power to destroy all life-forms. But the men who invented DN6 will stop at nothing-not even murder-in their desire to see DN6 succeed.
Can the one-inch-tall Doctor foil their plans? Carole Ann Ford, who played Susan in the original TV series, reads Terrance Dicks's novelisation. Duration: 2 hours 30 mins approx
BBC Audio's team gives these releases a hallmark of quality
—— Doctor Who MagazineMore than just a jolly romp with political undertones is the way it captures the peculiar flavour of Eastern European immigrant life . . . a very rich mixture indeed, as well as very enjoyable reading
—— Daily ExpressFunny, gritty, original ... one I adore
—— IndependentRemarkable, a lovely novel
—— Sunday TelegraphAn extraordinary read . . . nothing short of amazing. A rare treat, all too easy to gulp down in one greedy sitting
—— SpectatorOutstanding
—— Literary ReviewExtremely funny
—— The TimesIntelligent, lively, well written and compassionate
—— Financial TimesPloughs a rich comic furrow
—— Daily TelegraphA clever, touching story
—— EconomistMad and hilarious
—— GraziaHilarious
—— The TimesA delightful first novel . . . an understanding of history, a profundity, and yet a lightness of touch, that are a joy... funny and touching
—— The Daily MailHugely enjoyable . . . yields a golden harvest of family truths
—— The TimesMemorably inventive, unexpectedly moving
—— Daily TelegraphWit, humour, sparkling dialogue, vivid characterization and generous spirit. Food for thought and a great read
—— Daily MailEnthralling
—— Sunday TimesThought-provoking, uproariously funny, a comic feast. A riotous oil painting of senility, lust and greed
—— TLSMore than just a jolly romp with political undertones is the way it captures the peculiar flavour of Eastern European immigrant life . . . a very rich mixture indeed, as well as very enjoyable reading
—— The TimesA delightful first novel . . . an understanding of history, a profundity, and yet a lightness of touch, that are a joy . . . funny, touching and completely convincing
—— The SpectatorAbsorbing… Serious without being solemn, sweet without being sickly, it’s an elegant tale about the unexpected places where kindness and sympathy can flourish and deepen.
—— Charlotte Heathcote , ExpressKennedy’s comedy is ruthlessly observed – an anti-romance that warms into something moving and profound. It’s also a brilliant portrait of city living.
—— Saga MagazineTwo lonely people go about their day in London in this typically Kennedian and utterly wonderful novel… but they find their way towards each other in an agonising love story that’s all about morality and decency in a careless world… Kennedy is a stand-up comedian, and observational comedy runs through this novel in interior monologues that are heartbreakingly familiar and laugh-out-loud sad. Her sentences are some of the best in modern fiction (there’s a springer spaniel called Hector with “black, bewildered ears… [that] made him look as if he’d recently heard dreadful news and still hadn’t adjusted.”) and reading her prose is like eating those fizzy sweets that are both sweet and sour make you wince at the back of your mouth – then go back for more… It’s gorgeous.
—— BooksellerConsistently raw and powerful… emotionally exhausting… But there’s a lot to be said for a novel which sets so much store by “affection and tenderness”, and in which the emotional peaks and the possibilities of redemption and renewal are marked by the simple holding of hands.
—— Alastair Mabbott , HeraldSweetly funny, The Idiot rejects the doctrine of omitting needless words in favour of marvelling…at the complexities of language and communication.
—— Hannah Rosefield , New StatesmanCharming… A gentle coming-of-age novel drawing on Batuman’s time at Harvard in the mid-1990s… It’s in such acute portrayals of early adulthood’s uncertainties that this pleasantly rambling tale leaves its most vivid impression.
—— Alex Dean , ProspectA delightfully digressive campus novel.
—— Kate Loftus O'Brien , AnOtherThere is more than one idiot in this delightful and slyly funny coming-of-age novel... Will strike a chord for any former fresher who felt the same way. (That would be all of us.)
—— Sarra Manning , RedBatuman, in seemingly writing a novel about nothing, has produced an incredibly complex, accurate and funny novel.
—— Rachael Revesz , IndependentI never want to finish it, so I’m reading it very slowly.
—— Lauren Waterman , ELLEEvery page is thicketed with jokes, riffs, theories of language. It’s a portrait of an intellectual and sentimental education that offers almost unseemly pleasure.
—— Parhul Sehgal , New York TimesElif Batuman is a real writer, and should be allowed to write whatever the hell she likes.
—— Daniel Soar , London Review of BooksSelin’s deadpan narration is often very funny indeed
—— Leaf Arbuthnot , Sunday TimesThis is a capacious book that creates an alternative world
—— Lara Feigel , GuardianAt once clever and clueless, Batuman’s heroine shows us with just how messy it can be to forge a self
—— London Property SouthOne of the best novels I read all summer... a painstakingly accurate depiction of the balancing act that is student-life. As clever as it is funny, Batuman's debut novel allows us to laugh at our own stupidity, and celebrate our own cluelessness.
—— VarsityThe Idiot... manages the trick of being laugh-out-loud funny while not actually being a comedy. It just observers life, in all its truth and is hilarious for page after page.
—— Patrick Ness , GuardianI finally read The Idiot by Elif Batuman and everyone is correct, she is clearly a genius
—— White Review, *Books of the Year*






