Author:Eric Saward,Matthew Waterhouse

Tegan, the young air hostess who quite unintentionally became a member of the TARDIS's crew, wants to return to her own time, but when the Doctor tries to take her back to Heathrow Airport in the twentieth century the TARDIS lands instead on the outskirts of seventeenth-century London. The Doctor and his companions receive a decidedly unfriendly welcome - but it soon becomes clear that the sinister activities of other visitors from time and space have made the villagers extremely suspicious of outsiders. And as a result of the aliens' evil schemes, the Doctor finds himself on the point of playing a key role in a gruesome historical event... Matthew Waterhouse, who played the Doctor's companion Adric in the original BBC TV serial, reads Eric Saward's complete and unabridged novelisation, first published by Target Books in 1982.
Waterhouse’s return to Who is long overdue... as he marks a period of transition between the reign of Tom Baker and the arrival of Davison, as well as offering a fresh voice to add to those actors already involved in various audio releases. Let’s hope we hear more from him soon.
—— Matt Adams , http://www.elystandard.co.ukOlds, who has always had a gift for describing intimacy, has, in a sense, had these poems thrown at her by life and allowed them to take root: they are stunning – the best of a formidable career.
—— Kate Kellaway , Observer[A] brilliant and fearless poet.
—— Joyce Carol OatesA tremendous book of grace and gallantry which crowns the career of a world-class poet.
—— Carol Ann Duffy , Huffington PostTaut and beautiful poems.
—— Edna O'Brien , GuardianBrave, generous and very moving.
—— Mark Sanderson , Sunday Telegraph[It] amazed me...great, heartfelt, monumental book.
—— Toby Litt , New StatesmanEach image of Sharon Olds' searing Stag's Leap brands itself on retina and heart - how will I ever forget the "Tiny Siren" found by accident in the washing machine?
—— Gerda Stevenson , Morning StarThe most powerful piece of writing I've encountered in decades... The raw emotion of break up transcends every known cliché thanks to her generosity of spirit and the awe-inspiring choreography of her language.
—— Laura George , Image MagazineI read this poetry collection with my heart in my mouth.
—— Jamie Quatro , GuardianI treasure this collection of poems: so beautiful, so personal, so revolutionary. Every time I return to this book I find a line, a stanza that I understand better, differently, appreciate just a little more.
—— Cherie Jones , GuardianA devastating tale of subterfuge, poverty and privilege set in the cobbled streets of Victorian London.
—— Daily RecordMagnificent, bringing the Dickensian streets to grubby, teeming life
—— Eithne Farry , Daily MailCements his reputation as an accomplished and challenging novelist… Though it takes place 130 years ago, the questions that The Streets poses about how, as a society and individuals, we tackle deprivation arguably remain just as pertinent
—— Peter Stanford , IndependentQuinn blends his history, his political concerns, his ideals, his plot and his characters elegantly, with a light hand and the pace of a thriller
—— Louisa Young , Daily TelegraphQuinn’s most mature novel yet… His picture of poverty’s shaming, dehumanizing effect is powerful, and the recurrent call for pity heartfelt. Ms Eliot and Mr Dickens would surely approve
—— Holly Kyte , Sunday TelegraphAnthony Quinn is a terrific storyteller. He has a thrilling knack for turning familiar periods of history into something surprising and often shocking, and for making the fortunes and misfortunes of his characters matter
—— Juliet Nicholson , Evening StandardDisplays the unsentimental yet powerful flair for romance that characterized his previous novel, Half of the Human Race. Perhaps most exciting of all, there is a sense that he is still writing within himself
—— Tom Cox , Sunday TimesQuinn brings the period in question vividly to life: his research is exemplary, and his subject absorbing
—— Lucy Scholes , ObserverAll the ingredients of an upmarket page-turner
—— Max Davidson , Mail on SundayAmbitious, gripping and disturbingly well done
—— Kate Saunders , The TimesBeyond its splendid feel for the era’s chat and patter, the novel pits philanthropy and opportunism, ideals and selfishness, bracingly at odds
—— Boyd Tonkin , IndependentThis novel is refreshingly different and contains a cornucopia of wonderful material and evocative descriptions
—— Good Book GuideThe best book I’ve read in ages… You have to read it.
—— Hilary Rose , The Times






