Author:David Fisher,John Leeson,Lalla Ward

The Leisure Hive on the planet Argolis is an entertainment centre for galactic travellers. At the heart of the Hive is the Tachyon Recreation Generator, a machine with a most extraordinary performance capability and vital to the continued existence of the Argolin after their devastating war with the reptilian Foamasi... While visiting the Hive, the Doctor and Romana are sucked into a whirlpool of treachery and deceit, and are eventually arrested on suspicion of murder. Soon the Doctor is on trial for his life... Lalla Ward, who played Romana in Doctor Who, reads David Fisher's complete and unabridged novelisation, first published by Target Books in 1982. The voice of K9 is provided by John Leeson.
Romana actress Lalla Ward admirably lends her dulcet tones to the reading
—— http://www.hertsad.co.ukA interesting contrast to its lavish TV original, this is closer to Fisher’s concepts, and is brought to life well.
—— Paul Simpson , http://scifibulletin.comHuberman has a light touch, but she handles well the realities of big themes like marital breakdown, defeated ambition
—— Sunday IndependentFun, bubbly, gutsy and lively
—— U MagazinePoignant and laugh-out-loud funny . . . proof not just that Huberman can write, but that she can do so with wit, insight and charm
—— Irish TimesSpirited and sisterly . . . like Jane Austen on ecstasy
—— Sunday Independent on Hello, HeartbreakA funny romantic comedy - a bit like Bridget Jones on Viagra
—— Irish Daily Mail on Hello, HeartbreakShe can really write . . . a deserved No 1
—— Irish Independent on Hello, HeartbreakReinhardt is a fine and subtle psychologist . . . with a keen eye for the perverse ways in which capitalism exploits all levels of society and leaves behind smoking ruins. Anyone who begins this book will not quickly put it down
—— Trouw (The Netherlands)An unsettling and challenging read.
—— PsychologiesA disturbing and elusive novel about manipulation and desperate friendship.
—— Kirkus ReviewsNadzam has a crisp, fluid writing style, and her dialogue is reminiscent of Sam Shepard's . . . it's a fine first effort: storytelling as accomplished as it is unsettling.
—— Publishers Weekly