Author:Michael Williams

'Diamonds for everyone.' That's what fifteen-year-old Patson Moyo hears when his family arrives in the Marange diamond fields, leaving his previous life, school and friends behind with hopes for a better life. Soon Patson is working in the mines along with four friends in the Gwejana Syndicate – teen diamond miners, secretly pooling their profits and hoping to find the priceless stone that will change everything. But when the government's soldiers come to Marange, Patson's world is shattered.
Set against the backdrop of President Mugabe's brutal regime in Zimbabwe, this is the story of a young man who succumbs to greed, but finds his way out through a transformative journey to South Africa in search of his missing sister, in search of freedom, and in search of himself.
Harris's best so far, rapid and compelling in narrative, copious in detail, thoroughly researched but also, which is more important, thoroughly imagined... Irresistible
—— Allan Massie , Sunday TelegraphIn Harris's hands, the great game becomes a beautiful one
—— The TimesGenres ancient and modern have rarely been so skilfully synthesised... Gripping and accomplished
—— Tom Holland , The GuardianA joy to read in every way, and as a mirror to the politics of our present age has no equal
—— The IndependentHarris deploys the devices of the thriller writer to trace the perils and triumphs of Cicero's ascent ... A finely accomplished recreation of the power struggles of more than two millenniums ago
—— The ObserverFascinating … Imperium masterfully dramatises issues not only pertinent to a vanished world but to our own
—— Peter Kemp , The Sunday TimesHarris [is] a truly gifted, razor-sharp writer... Enormously
entertaining
Asunder exists with an intensity stronger than that of most novels. Reading it is absorbing and enlarging to the imagination
—— Diana AthillSet amidst the stillness of museums and the magic of indeterminate urban spaces, this is a subtly lyrical novel about the lasting seductions of art, the ubiquitous processes of decay -- and the surprising renewals that can come from these. Chloe Aridjis writes about sensations at the edges of perception, capturing experiences rarely included in fiction. A surprising sensibility and an effortlessly original voice
—— Eva HoffmanMarie, the narrator of this charming novel, has the ideal job for someone who likes a quiet life. She’s a guard at the National Gallery in London... but she’s starting to long for change. In a story this elegant, it had to be Paris where her shell will be cracked.
—— Sunday Times[A] fine, ghostly novel. Aridjis has admirably tight control over her themes throughout – fittingly, for a book about visual arts, its mise en scene feels meticulous – and this control permits the book to be discursive without ever feeling meandering. [A] wise and haunting book.
Lyrical and intense…lucid and captivating writing. Asunder is full of beautifully painted intricate detail yet also forms the canvas for an exploration of powerful wider themes
—— Francesca Wade , Literary ReviewEschewing a conventional narrative, this absorbing, episodic novel deceptively contains a crackling energy within its understated, artful prose
—— Sunday Times CultureA dark tale, nicely turned
—— William Leith , Evening StandardChloe Aridjis’s anticipated follow-up to her debut, Book of Clouds, haunts and beguiles as much as its predecessor
—— Daily TelegraphAridjis tells an improbable tale with enough details to give it authenticity, and to make her genuinely creepy story something thoughtful and original
—— Lesley McDowell, 4 stars , Independent on SundayThis is an incredibly atmospheric novel, seen through the eyes of Marie, a consummate outsider
—— Bath ChronicleAridjis is a fantastic new voice in fiction with a real gift for character and location
—— Bath MagazineSet against London’s rain-soaked streets, it is an astute portrait of the alienation of urban life
—— Anna Savva, 4 stars , LadyA beautiful tale examining the processes of life
—— Good Book GuideEschewing a conventional narrative, this absorbing novel deceptively contains a crackling energy within its understated, artful prose
—— Francesca Angelini , Sunday Times