Author:Arthur Miller
Arthur Miller's extraordinary masterpiece, Death of a Salesman changed the course of modern theatre, and has lost none of its power as an examination of American life.
'A man is not an orange. You can't eat the fruit and throw the peel away'
Willy Loman is on his last legs. Failing at his job, dismayed at his the failure of his sons, Biff and Happy, to live up to his expectations, and tortured by his jealousy at the success and happiness of his neighbour Charley and his son Bernard, Willy spirals into a well of regret, reminiscence, and A scathing indictment of the ultimate failure of the American dream, and the empty pursuit of wealth and success, is a harrowing journey. In creating Willy Loman, his destructively insecure anti-hero, Miller defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life'.
Played by Maggie Smith, who captured her every infuriating nuance, you could almost smell her...
—— Gillian Reynolds , The Daily TelegraphThis extraordinary first novel about love so strong it might kill us is too good to feel like a debut. Tender, creative, beautifully written, and with a great twist, Everything, Everything is one of the best books I’ve read this year
—— Jodi PicoultWith offbeat, pragmatic and sweetly romantic characters and an unconventional narrative style . . . “Everything, Everything” tells us something we will always need to hear, no matter our age: that it’s not the risks of love or heartbreak that might end us. It’s the fear of the pain we might experience along the way that keeps us trapped in our cocoons
—— New York TimesFresh, moving debut . . . far more complex than the sweet tale of first love it initially seems to be
—— Entertainment WeeklyThis heartwarming story transcends the ordinary by exploring the hopes, dreams, and inherent risks of love in all of its forms
—— Kirkus Starred ReviewAn absolute peach of a love story. Maddy’s unique history of isolation and solitude makes every incremental step towards intimacy crackle with impossible hope. Their chemistry rebounds off the page. And it’s beautifully written, too, with charm, wit and style as well as heart
—— Susie Day, author of MY INVISIBLE BOYFRIENDAn entirely unique and beautiful reading experience. Gorgeous writing meshes with original artwork to tell a love story like no other. You’ve never read a book like this
—— David Arnold, author of MOSQUITOLANDEverything, Everything has everything . . . Romance, heart, and intelligence. Nicola Yoon’s book and voice stayed with me long after I finished reading
—— Danielle Paige, author of DOROTHY MUST DIEEmotionally wrought and profoundly intelligent it will pull you into its troubled, wise world of jealousy, paranoia, grief, revenge and forgiveness in some of the most stunning prose you’ll read this year … Winterson masterfully interweaves layers of narrative and themes so that reading the novel is like listening to a Bach prelude and fugue … A supremely clever, compelling and emotionally affecting novel that deserves multiple readings to appreciate its many layers.
—— Hannah Beckerman , Mail on SundayEngrossing, almost soapily addictive
—— IndependentThe book is the first of a major new series, in which well-known novelists give Shakespeare a modern twist, and Winterson rises to the challenge with some ingenious touches.
—— Max Davidson , Mail on SundayAstonishing.
—— ElleSmart and witty... Compelling, entertaining and elegant
—— Sarah Crown , GuardianMoving, pacy... A clever book that explores themes of love, loss and forgiveness as parents screw up their children and do the unthinkable. A thrilling read.
—— Nicola Wilson , Irish NewsThere are passages here so concisely beautiful they give you goosebumps
—— ObserverOne of the most gifted writers working today... A shining delight of a novel... Winterson's great gift is in capturing the emotional heft of her stories with sentences that hum along, beautiful, unexpected and swift. Winterson wrestles wonderfully with a perplexing text and emerges with a complicated, satisfying and contemporary tale that stands wholly on its own.
—— New York TimesWith a few deft strokes Winterson creates Shakespeare’s characters in contemporary clothing keeping me in suspense throughout. It is a triumph and a good omen for this ambitious new project.
—— Daily ExpressReading Jeanette Winterson takes you to a place where words have power, and are capable of transforming people's lives.
—— Alex Klineberg , Huffington Post[A] witty and funky adaptation
—— Woman's WayWinterson largely and ingeniously stays faithful to Shakespeare’s magical realist plot… and captures the play’s quizzical, questioning, redemptive spirit while remaining impressively true to her own.
—— CA, four stars , MetroWonderfully imaginative
—— Juliet Nicholson , Evening StandardSpins through an exhilarating array of genres. The sensational opening chapter enmeshes the reader in a rollercoaster ride of tragedy, comedy, thriller, fantasy, chicklit, plus a few pages of raunchy sex
—— David Fothergill , GuardianThe Gap of Time takes nothing away from The Winter's Tale. If anything it might add to it, or at least to its resonance and mystery. It is an impressive achievement, especially as Winterson manages the contradictions of comedy and tragedy in a way which suits both their modern likelihood and their moral implications
—— Mary Leland , Irish ExaminerA witty retelling.
—— Joanna Kavenna , Literary ReviewHer new story retains the essence of Shakespeare, but filters his comedy and sentiment through feminism and technology.
—— The Culture TripFilled with her wit and seriously thought-provoking ideas, Winterson’s writing is a pleasure… This is a well told, beautiful, magical and wonderfully evocative story which resonates with our contemporary lives.
—— Eric Page , GsceneThe Gap of Time is an ingenious retelling of The Winter’s Tale… [Winterston] Made it new with her own bold and poetic prose and her insights into love and grief. There are passages here so concisely beautiful they give you goosebumps… Perhaps most surprising is how readily the plot translates to a modern context; how plausible this version seems, for all its knowing self-reference.
—— Stephanie Merritt , GuardianThose addicted to Shakespeare’s marvellous depiction of jealousy, guilt and teenage joie de vivre will be identifying and falling in love again with characters and their fateful lives… Plunge into The Gap of Time as a fresh, vibrant example of contemporary writing with an original, thought-provoking storyline… The Gap of Time is a top-quality novel.
—— Phillip Fisher , British Theatre GuideStylish and accomplished.
—— Peter Carty , International Business TimesThe Winter’s Tale meets House of Cards. Engrossing and ingenious, it deftly rewrites Shakespeare’s lamentation of destructive jealousy as an indictment of deregulated capitalism.
—— Peter Smith , Times Higher EducationWinterson charms with her playful translation of the cast from the courts of Sicily and Bohemia into our own quotidian life
—— Patricia Storace , The New York Review of BooksShe deftly captures all the magic and raw emotion of the original.
—— Irish Times