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Dead Souls
Dead Souls
Dec 31, 2025 4:18 PM

Author:Nikolay Gogol,Robert Maguire,Allan Corduner

Dead Souls

Brought to you by Penguin.

This Penguin Classic is performed by Allan Corduner, best known for his extensive stage and screen credits including Homeland, Da Vinci's Demons and portraying Sir Arthur Sullivan to Jim Broadbent's Gilbert in Mike Leigh's Topsy-Turvy. This definitive recording includes an introduction by Robert A. Maguire.

Chichikov, a mysterious stranger, arrives in the provincial town of 'N', visiting a succession of landowners and making each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying tax on them, and to use these 'dead souls' as collateral to re-invent himself as a aristocrat. In this ebullient picaresque masterpiece, Gogol created a grotesque gallery of human types, from the bear-like Sobakevich to the insubstantial fool Manilov, and, above all, the devilish con man Chichikov. Dead Souls (1842), Russia's first major novel, is one of the most unusual works of nineteenth-century fiction and a devastating satire on social hypocrisy.

'Gogol was a strange creature, but then genius is always strange'

Vladimir Nabokov

'I admire the way in which Maguire has kept his own brilliantly variegated vocabulary away from 20th-century phrases, without ever looking parodic or antiquarian'

A.S. Byatt, author of Possession

© Robert A. Maguire 2004 (P) Penguin Audio 2021

Reviews

Petterson's spare and deliberate prose has astonishing force

—— The New Yorker

Petterson is a profoundly gifted novelist

—— Richard Ford

Is there a living writer better at conveying the disconcerting relationship between time and memory?... There is pleasure, too, in watching Petterson shift through the gears from pleasure to unease in one of those gloriously sinuous sentences that have become something of a trademark

—— Adrian Turpin , Financial Times

Petterson is remarkably gifted

—— James Wood

Reading a Petterson novel is like falling into a northern landscape painting-all shafts of light and clear palpable chill

—— Time

Subtly incisive . . . Clean sentence after clean sentence, Petterson conveys both the melancholy and the demi-pleasurable sensation of being fundamentally untethered.

—— Stacey D'Erasmo , The New York Times Book Review

Readers will find that they're in the hands of a master whose quiet, unforgettable voice leaves you yearning to hear more.

—— The Boston Globe

Per Petterson stands unsurpassed among contemporary writers for existential truth-telling.

—— Financial Times

A rare insight into male vulnerability

—— Jessie Thompson , Evening Standard

Rendered with searing honesty, biting humour, and most importantly of all perhaps, layers of compassion that creep up on you like a fragile child, Elaine Feeney's As You Were is a comet’s tail of loss, regret, hurt, damage, sass, wit, and courage; an artfully braided paean to resilience, to not giving up, to the small ways we find to bandage our broken selves. We should be grateful for this wonderful debut.

—— Alan McMonagle

A beautifully manic soliloquy to life’s tickly pleasures and wacky distresses. What an absolute kick box of a novel. Just wow.

—— June Caldwell

I was totally gripped: the writing thrums with originality. Fierce, astonishing, perceptive - I loved As You Were!'

—— Danielle McLaughlin

[A] blistering flow of wild, full-on language and gritty life-story telling

—— Kerry Fowler , Sainsbury's Magazine

Feeney's voice is at once fresh and sharp, with an eye for the comedy of existential dread

—— Stephanie Merritt , Observer

Extraordinary... This is writing that often reaches into your heart and clutches it

—— Evening Standard

Inventive, entertaining and utterly original

—— i Newspaper

A powerful novel... Fierce and insistent, its stories continue to burn brightly long after reading

—— Irish Times

Exhilarating... While As You Were may seem at first glance to be a novel about facing death, it is gloriously full of life

—— Irish Independent

A deliciously lyrical novel . . . weaving between the dangerous yet excitable now and the years of ungodly traumas passed, this masterful tale of childhood love will wash over you like the refreshing, cold waters of The Paper Palace's nearby lake

—— BUZZ magazine

[Cowley Heller] brings to fiction an understanding of how to layer storylines, as well as an assured feel for dialogue and visual description . . . a skilful portrait

—— The Oldie, Book of the Month

The Paper Palace paints a vivid picture of family secrets and tensions, against the backdrop of a sun-soaked summer

—— Take A Break

Miranda Cowley Heller's debut The Paper Palace . . . finds Elle on the point of leaving her near-perfect family life for the visceral thrill of Jonas, green-eyed soul mate of her youthful vacations. With its atmospheric setting and rich backstory, the denouement is set to be an August talking point and a mini-series is already slated.'

—— Country and Townhouse

A stirring and sensual story

—— Woman's Weekly

This accomplished family saga is gripping and poetic, capturing the complexity of the human heart

—— Daily Mirror

A richly detailed family saga that nods to tales by Johns Cheever and Updike . . . this immersive novel makes for a lushly satisfying read

—— The Times

The novel unfolds like a set of dark short stories, with a different character narrating or guiding each one. But there's a twist: Luckenbooth is not just haunted by the realities of time and history, but also by the strong musk of the gothic imagination ... Thickly worked and carefully assembled, the novel functions as a claustrophobic chiller and as a testament to lives led beyond the margins and in the shadows.

—— Bidisha , The Observer

Luckenbooth ... is littered with lines like this. The sort of lines that demand to be read and reread: splendid in isolation, electric in combination. Fagan writes with drama. She can pick out the fine detail, in neat brush strokes, no doubt, but it is in drawing her arm back and attacking a story with great, sweeping lyricism that she propels Luckenbooth forward, dragging the reader through the 20th century, as experienced by a compelling cast of characters.

—— Buzz Mag

Slips and slides through layers of history, tears in the fabric of time and a series of strange shape shifting characters - it's a wonderful work that is a trip into a spectral interzone but also staged in a warped reality - great writing and a major talent.

—— John Robb , Louder Than War

A novel for readers with sophisticated tastes.

—— Fantasy Hive

Uniquely gripping visions of the hidden social, economic and spiritual forces at play in 20th-century Edinburgh.

—— Morning Star

Dazzlingly ambitious.

—— Douglas Stuart, author of Shuggie Bain , The Week

As sexy and horrifying as any fairy story, it is a book concerned, not only with a structure, but with structures: alphabetical, architectural, societal, what they are built upon and how they crumble

—— Bella Caledonia

Prize-winning author Jenni Fagan does not disappoint with her latest novel, Luckenbooth, which is easily her most compelling yet. In her usual poetic style, Fagan tells of a nine-storey Edinburgh tenement just off the Royal Mile that is creaking with secrets. Throughout this haunting novel, characters' secrets and memories live on in the howling gales of the spirit world, desperate to re-enter their lives. The narrative takes us through eight decades - from 1910 to 1999 - working its way up all nine floors of the building in hopscotch fashion, allowing for an intriguing interpretation of 20th-century life in the capital. Prepare to be transported into a Fagan's weird and wonderful imagination. It is a whirlwind read and one that I could not put down until the final page had turned.

—— Scottish Field

As sexy and horrifying as any fairy story, it is a book concerned, not only with a structure, but with structures: alphabetical, architectural, societal, what they are built upon and how they crumble.

—— Bella Caledonia

An Edinburgh tenement building is haunted by tall stories and unnerving strangers, from William Burroughs to the devil's daughter, in this weird and wonderful gothic confection.

—— Guardian

Her "world building" is highly effective, and each character fully inhabits their decade. Fagan's writing is anchored in societal issues, the wrongs done and the ways individuals have challenged those wrongs and asserted their individuality and sexuality in ways that might make them seem misfits, outcasts. Fagan certainly pulls no punches and is determined that these passionate, authentic stories should not be confined to the periphery.

—— Historical Novels Review

A deliciously weird gothic horror

—— The Washington Post

An ambitious and ravishing novel that will haunt me long after

—— The New York Times

Ambitious in scope… The physical atmosphere of the Bass Rock and its surroundings are wonderfully evoked… But it is the relationships between women in this tessellated work that triumph... I wholly recommend this book.

—— William Jolt , Tablet, *Novel of the Week*

Wyld is often praised for her lyrical prose, and The Bass Rock is most certainly a continuation of this form.

—— Julie Vuong , Skinny

[A] dark, beautiful and funny gothic family saga for the #MeToo generation… an atmospheric book that transports you within a few sentences… The tension is always building as the story takes on an otherworldly dimension.

—— Charlotte Cripps , Independent

The Bass Rock is complex, rich, challenging… Like David Mitchell’s Cloud Atlas, The Bass Rock offers a universal history of subjugation and oppressionViolenceruns through the book like veins in marbleVivid and gripping.

—— Irish Times

A gripping look at three women's stories across four centuries.

—— Joanne Finney , Good Housekeeping

Evie Wyld’s passion for horror shines through in the setting of this novel.

—— Chiara Rimella , Monocle

Utterly enthralling… [Wyld’s] eye for human foibles and idiosyncrasy is incredibly sharp, and this novel once again exhibits her bravura way with narrative structure… Dark, disturbing and very sophisticated.

—— William Boyd , Sunday Times

[An] intensely absorbing gothic novel, which weaves together the fate of three women across three centuries. That it can also comfortably accommodate episodes of off-the-wall, Fleabag-esque hilarity confirms the acclaimed Wyld's brilliance.

—— Stephanie Cross , Daily Mail *Best of Summer Books*

Wyld's thought-provoking plots separate this book from many others on the shelves... Wyld's three narratives are artfully crafted to suit the shifting time frames.

—— Scottish Field

Wyld's ingeniously linked narratives weave a haunting tale of fear and defiance.

—— Jane Shilling , Daily Mail

A novel of such subtlety and hope

—— Ross Raisin, author of A NATURAL , Observer, *Summer Reads of 2022*
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