A dazzling anthology of short stories by some of our most popular and well-loved writers to raise money for Breast Cancer Care:
Diana Appleyard, Charlotte Bingham, Elizabeth Buchan, Mavis Cheek, Tracy Chevalier, Amanda Craig, Edwina Currie, Helen Dunmore, Barbara Erskine, Nicci Gerrard, Maeve Haran, Wendy Holden, Angela Lambert, David Lodge, Val McDermid, Hilary Mantel, Edna O'Brien, Imogen Parker, Sandi Toksvig, Barbara Toner, Joanna Trollope, Lynne Truss, Salley Vickers. It also includes three stories from the winners of the Woman & Home Short Story Competition and a foreword by Jerry Hall.
At least a £1 from every book sold will go to Breast Cancer Care: www.breastcancercare.org.uk
Like a lot of people I read 'The Lottery' when I was young, in an anthology of short stories from the New Yorker, and never forgot it. Let Me Tell You is a rich, enjoyable compendium of Jackson's unpublished short fiction and occasional writings, kicking off with a story of a dozen pages, 'Paranoia', which I won't forget, either
—— Tom Stoppard , TLS Books of the YearThe stories range from sketches and anecdotes to complete and genuinely unsettling tales, somewhat alarming and very creepy ... For those of us whose imaginations, and creative ambitions, were ignited by 'The Lottery', Jackson remains one of the great practitioners of the literature of the darker impulses
—— Paul Theroux , New York TimesAnyone reading this collection jsut for pleasure should start at the end of the second volume and work backwards...it would quickly bring you to four outstanding stories by women...each of these, though quickly over, leaves a lasting mark in the mind
—— John Carey , The Sunday TimesBig and clever...three cheers then, for this chunky two-volume anthology, edited by Philip Hensher with imagination and a dash of mischievous wit
—— Robert Douglas-Fairhurst , The TimesMade me shiver with pleasure
—— Michele Roberts , The Financial TimesCharted a very personal view of the form's development from the early 18th century to the present day'
—— Tim Martin , TelegraphIt's been a big year for anthologies and few come bigger than The Penguin Book of the British Short Story. Philip Hensher's introduction is spiky and thought-provoking and Volume I: From Daniel Defoe to John Buchan and Volume II: From P.G. Wodehouse to Zadie Smith (Penguin Classic, £25 each) offer readers the chance to enjoy the varieties and mutations of British stories across four centuries.
—— Max Liu , IndependentIn two handsomely designed volumes ... you have to admire Hensher's championing of unfamiliar names alongside established greats
—— Neville Hawcock , FTFull of moments of risk, which Kennedy's characters handle self-consciously and with care... She strings lyrical sentences together effortlessly.
—— Sheena Joughin , Times Literary SupplementBeautifully crafted... It would be impossible not to admire these stories.
—— Cressida Connolly , SpectatorKennedy dissects the small intimacies of inner thought and holds them palm-up, naked, there for our observation and evaluation. Her prose is typically direct, her sentences clear cut and yet capable of great tenderness.
—— Clare Wigfall , ObserverFull of heartache and the ways in which we hurt each other, and ourselves... Fans of Kennedy's quirky expressionism won't be disappointed.
—— Sunday TimesEvidence that, at her best, there’s no-one to touch Kennedy.
—— Neil Stewart , CivilianFull of challenges and beauty.
—— StylistThis is a sure-footed and intelligently organized collection. These small pieces encompass an extensive emotional territory
—— Chris Power , GuardianAn arresting collection that blends poetic imagery, raw emotion and cerebral insight
—— Juanita Coulson , LadyVivid and unsettling. Johnson’s brilliant short stories will haunt and taunt you.
—— PsychologiesFen is uncanny and fantastic: it will be really exciting to see what Johnson does next.
—— Emerald Street, Book of the YearAn absorbing read, blending dark magical realism and social critique… The stories are made memorable by their uncanny imagery and the rich originality of the language. But a strongly conjured atmosphere is the driving force, with the damp, liminal qualities of the setting seeping into every aspect of the narratives. A brilliant debut.
—— LadyTremendously strange short stories but they stay with you.
—— William Leith , Evening StandardA strange, fantastical squelch through watery East Anglia...one of the most impressive collections of short stories in recent years
—— Alex Preston , ObserverA superb first novel . . . [it is] a significant achievement to produce a book of this quality . . . [there is] a wonderful sense of place.
—— Graham FarmeloReminiscent of David Mitchell’s Cloud Atlas and just as ambitious
—— StylistAn impressive debut.
—— The Writes of WomenAlready on the longlist for the Baileys Prize, this is an island story told in daisy-chain sequence, a series of succinct vignettes that come together as a vivid portrait of the Shore itself, until you can almost smell the salt air and the stench of slaughtered chicken.
—— For Books SakeSome extraordinary images . . . a wonderful first novel.
—— Michael ArdittiTaylor’s prose is dreamy and surprisingly playful.
—— S magazine (Sunday Express)A wonderful read.
—— InterzoneExuberant, magical and incredibly ambitious, but Sara Taylor pulls it off with style.
—— The BookbagTaylor shows a special affinity with the lives of women that makes for a powerful debut