A sizzling debut about goddesses, vampires and rock 'n' roll, you'll love Debbie Johnson's sassy page-turner.

If future instalments build on the strength of this debut, they’ll be ones to look out for.

A sassy and often very funny fantasy romp, lifted above the mass by the wit of protagonist Lily and her best friend, the fabulously ballsy Carmel… Clever and full of sharp wisecracks … a deftly told entertainment that shows there is certainly room in the world for a Liverpudlian Charlaine Harris.

very Mortal Instruments, very Secret CIrcle ... Yet, there is a little something extra to be found in Dark Vision ... she has the insight to blend in the right amount of otherwordly action, humour, Irish folklore and the magnificent setting of Liverpool

Eve is a fascinating, plausible creation, both alluring and monstrous in her all-consuming self-regard.

[A] pacy tale of marital breakdown on the London art scene… Eve is an engagingly spiky anti-heroine.

Annalena McAfee brings a woman’s art to such vivid life that the reader is drawn thrillingly into its creation. Art is no mere device in this novel, it is its beating heart. A lush and original novel.

Beautifully written, engrossing and provides insights into both the contemporary art scene and the individual artistic process. I loved each and every brushstroke

With this rich composition, Evaristo deserves a toast

Masterful... A choral love song to black womanhood in modern Great Britain

'Girl, Woman, Other is about struggle, but it is also about love, joy and imagination.

Threads together the diverse life stories of 12 black British women in ways that deliberately resist categorisation

Such a satisfying read, funny and true, the characters are so real you feel you know them already

A warm, humorous and ambitious novel, and one that is enjoyably playful in style. It is both a product of its time and unlike any book ever written about Britain

My favorite book of 2019 . . . the most absorbing book I read all year. This novel is a master class in storytelling. It is absolutely unforgettable. When I turned the final page, I felt the ache of having to leave the world Evaristo created but I also felt the excitement of getting to read the book all over again. It should have won the Booker alone. It deserves all the awards and then some.

'Girl, Woman, Other by Bernardine Evaristo is the best book in recent years to have embodied the idea that there are as many ways to be joyful as there are to be Black. Polyphonic and nuanced, it celebrates the lives of Black British women rather than commiserating with them, which is a crucial - and rare - distinction.'

Powerful… unsettling… humorous and full of sharply observed vignettes.

The Bass Rock is a gripping, moving insight into the age-old issue of toxic masculinity and the sixth sense that women have evolved to keep them safe.

Evie Wyld’s powerful new novel…[is] a feminine counterforce to the masculine violence that pulses viscerally throughout… No wonder Wyld’s rage erupts from the page as she bears witness to the women who fail to survive and searches for ways that others might.

Evie Wyld is one of our most exciting young writers and her latest book is being touted as her breakthrough. An epic novel.

Evie Wyld…[is] one of our most distinctive and vital voices.

Wyld is the most stupendous of writers, daring, heartfelt, explosive. The Bass Rock reminds us of all her power and brilliance, it thrums with an anger it is impossible not to feel.

The Bass Rock is a multi-generational modern gothic triumph. It is spectacularly well-observed, profoundly disquieting and utterly riveting. Like all Evie Wyld's work it is startlingly insightful about psychological and physical abuse. It is a haunting, masterful novel.

A brutal portrait of male violence, as unchanging down the centuries as the coastal rock of the title… Cleverly constructed, full of electric scene-making, and harnessing an eerie energy…the novel ends in hope.

Everything [Evie Wyld] has published has left me excited and slightly (very) envious of her ability… And then came The Bass Rock… Something extremely special… The book takes on an immense power. This is the best book of the #MeToo era… An absolute blinder.

Vividly told and compelling… The Bass Rock is…beautifully written and powered by blistering force and righteous anger.

Evie Wyld is exceptionally good at the gruesome… Her bewitching third novel…The Bass Rock is beautifully written and its particular brand of macabre is all Evie Wyld’s own. The tension, foreboding and sense of inevitability are hard to shake off, even once the final page is turned. Its atmosphere is so powerful that you feel you need to go for a walk afterwards.

A dark, gristly marvel of a novel. The Bass Rock held me in thrall from cover to cover. Evie Wyld is a gothic genius: her narrative of the violence inflicted on women throughout the centuries and the seething, female anger left in its wake left me with a deep sense of disquiet that will doubtless remain for years to come.

A fierce novel exploring the subjugation of – and violence against – women through the ages.

I savoured this wonderful novel; it is so extraordinarily clear-eyed and vivid, sharply disturbing yet deeply compassionate. What an amazing achievement.

Wonderfully subtle and magnificently savage.

Evie Wyld's vivid, visceral writing has long been in a class of its own – and as beautiful as it is terrifying, as moral as it is furious, The Bass Rock is her at her unflinching best.

Amazingly good. The Bass Rock will fill the air around you with angry ghosts and you will be glad in their company.

Wyld’s The Bass Rock is her third novel and best so far… this is Wyld’s masterpiece – as majestic and monumental as the landmark it’s named after.

A bewitching and atmospheric novel, laced with dread. It reveals the haunted house of society, with its echoes of damaged and extinguished lives, but is also illuminated by beautiful observation about people, and their capacity for both violence and empathy.

I loved The Bass Rock and found it menacing, sophisticated, magical and also very funny – the best book yet by a wonderful writer.

Evie Wyld’s The Bass Rock sounds fascinating… Wyld has a luminous prose style, and to see how she copes with 300 years and Scottish doubleness (or tripleness) is high on my list of “to reads”.

Beautifully written, [The Bass Rock] is a reminder of female folklore and the power of giving words to women.

Ambitious in scope… The physical atmosphere of the Bass Rock and its surroundings are wonderfully evoked… But it is the relationships between women in this tessellated work that triumph... I wholly recommend this book.

Wyld is often praised for her lyrical prose, and The Bass Rock is most certainly a continuation of this form.

[A] dark, beautiful and funny gothic family saga for the #MeToo generation… an atmospheric book that transports you within a few sentences… The tension is always building as the story takes on an otherworldly dimension.

The Bass Rock is complex, rich, challenging… Like David Mitchell’s Cloud Atlas, The Bass Rock offers a universal history of subjugation and oppression… Violence…runs through the book like veins in marble… Vivid and gripping.

A gripping look at three women's stories across four centuries.

Evie Wyld’s passion for horror shines through in the setting of this novel.

Utterly enthralling… [Wyld’s] eye for human foibles and idiosyncrasy is incredibly sharp, and this novel once again exhibits her bravura way with narrative structure… Dark, disturbing and very sophisticated.

[An] intensely absorbing gothic novel, which weaves together the fate of three women across three centuries. That it can also comfortably accommodate episodes of off-the-wall, Fleabag-esque hilarity confirms the acclaimed Wyld's brilliance.

Wyld's thought-provoking plots separate this book from many others on the shelves... Wyld's three narratives are artfully crafted to suit the shifting time frames.

Wyld's ingeniously linked narratives weave a haunting tale of fear and defiance.

A novel of such subtlety and hope