Author:Ian C Esslemont

Fantastic world-building meets spellbinding storytelling in this must-read fan-favourite from Esslemont. Ideal for fans of Steven Erikson, David Gemmell and Brandon Sanderson.
'This book hits all the right notes at all the right times' -- FANTASY BOOK REVIEW
'Highly entertaining . . . streamlined, tightly-plotted and structured' -- TOR.COM
'An awesome read' -- ***** Reader review
'Esslemont at his best' -- ***** Reader review
'Totally absorbing' -- ***** Reader review
'You'll find this hard to put down' -- ***** Reader review
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It was once a land ravaged by war, minor city states, baronies and principates fighting for supremacy. But when the rival cities of Tali and Quon formed an alliance, Quon Tali came into being.
However that was generations ago, that dynasty has collapsed and the regional powers are now clawing at each others throats once more. But at the heart of Quon Tali lies the powerful city state of Li Heng which has for centuries enjoyed relative stability under the guidance of the powerful sorceress known as the "Protectress".
She is not someone likely to tolerate the arrival of two particular young men into her domain: one is determined to prove he is the most skilled assassin of his age; the other is his quarry - a Dal Hon mage who is proving annoyingly difficult to kill.
And now, under a new and ambitious king, the forces of Itko Kan are marching on Li Heng from the south. His own assassins, the Nightblades, have been sent ahead into the city, and rumours abound that he has inhuman, nightmarish forces at his command. So as shadows and mistrust swirl and monstrous beasts run rampage through Li Heng's streets, it seems chaos is come - but in chaos, as a certain young Dal Hon mage would say, there is opportunity . . .
For fans of the Malazan world, be it Erikson or Esslemont, Dancer’s Lament is a brilliant return to one of the most majestic and mystifying fantasy worlds ever to be created. Filled with rooftop knife fights, devastating magery and underworld evil, this book hits all the right notes at all the right times.
—— FANTASY BOOK REVIEWWhen I finished this I was desperate for the next one. . . I think this book really lets his abilities as an author shine. Great storytelling, brilliantly entertaining characters, well-paced and engaging structure, and a tight focus that allows him to play with those aspects of the world that serve the narrative. Dancer’s Lament is a must read for Malazan fans, and fans of fantasy that like a well told story. I loved it and couldn’t put it down.
—— THE CRITICAL DRAGONA fun and enjoyable book and moreover a very solid addition to the Malazan universe.
—— BOOK PLANKHighly entertaining . . . streamlined, tightly-plotted and structured.
—— TOR.COMAn old tale of scientific hubris that walks the line between comedy and horror
—— New York TimesVital and important.
—— Washington PostThere are probably a dozen novelists whose new books, every one, I’m predisposed to read. Jonathan Lethem is one of them. I like his fundamental literary ratios — plot-to-pensées, comedy-to-tragedy — and the prose is a pleasure, lucid sentences that swerve and surprise without being show-offy
—— Kurt Andersen , New York Times Book ReviewJonathan Lethem’s new novel combines a little of the intrigue of James Bond with all the sexiness of backgammon. The result is a literary game that’s shaken not stirred.
—— Ron Charles , Washington PostThis novel is a tragicomedy; it plays at its best like a “Twilight Zone” episode filmed by the Coen brothers … Lethem has intense gifts; nothing he writes is a waste of time.
—— Dwight Garner , New York TimesLethem's 10th novel is a romp in which history, both personal and collective, can't help but assert itself... Think Thomas Pynchon, especially in the scenes set in Berkeley, a landscape of hipster burger shops and lost souls still longing for a revolution that washed out in an undertow of drugs and dissolution decades before. [A] fitting follow-up to Dissident Gardens (2013)... Lethem takes real pleasure in the language and writes with a sense of the absurd that illuminates his situations and his characters... In this tragicomic novel, nothing is ever exactly as it seems.
—— Kirkus, *Starred Review*A humorously surreal and articulate story of Bruno's search for himself after having his face and brain rearranged, both by surgery and by modern life in general, this is, among other things, a great Berkeley novel like Michael Chabon's Telegraph Avenue.
—— Library Journal, *Starred Review*An intensely autobiographical novel that spares no one...this young French writer has captured a candid, unaffected voice that resonates... Publisher's hype all to often fails to deliver, but not this time
—— Eileen Battersby , Irish TimesThe book's directness about violence, sex, his family, and those in his neighbourhood is stunning. But it is also far more than a just memoir, it is a scathing condemnation of the cycle of poverty and violence inflicted upon those he grew up with, those same people who tormented him for much of his early life
—— Bruno Bayley , ViceMichael Lucy’s translation conveys both the scorching sorrow and the cool intelligence of a book that – half-misery memoir, half radical tract – finds a voice for so much pain. The scapegoat of Hallencourt has become its spokesman
—— The EconomistIt’s more than an unflinching autobiography… it’s a sociological study, holding up a mirror to working-class life and the norms of masculinity
—— ShortlistRemarkably brave… This is a devastating achievement
—— Catherine Humble , The Times Literary SupplementA remarkable book which looks at its subject with, in equal parts, revulsion, lust, love and anger. The clarity with which Louis examines the interweaving causes and effects of masculinity, adolescence, shame and community on the working class are unparalleled in anything I’ve read before. It is ultimately the story of growing up as an economic and sexual outsider; a vital piece of work for our time
—— Andrew McMillanThe End of Eddy is a remarkable book, powerful, frank, moving and, at the same time, carefully crafted and devoid of sentimentality or self-pity. Most importantly, in writing reminiscent of the unflinching gaze of Zola's social novels, The End of Eddy reveals the huge damage done by poverty and ignorance in a society that, for all its affluence, reduces its most vulnerable to a condition of banal horror
—— John BurnsideThe End of Eddy is lean and poignant and masterfully tells the tale of growing up gay, poor, and bullied. No one has told this story as eloquently
—— Edmund WhiteLike a cannonball spilled off the side of a ship, Édouard Louis makes straight for the deeps. The End of Eddy is heart-crushing, soul-stabbing, astonishing, exhilarating. Édouard Louis is exactly the kind of writer we need right now: honest, fearless and, yes, tough
—— Laird HuntÉdouard Louis speaks of violence, both social and familial, with tremendous force and feeling. Revelatory, queerly tough, as intellectual as it is impolite, The End of Eddy is a book to shake you up
—— Justin TorresA bracingly pitiless account of the psychic and physical violence that lies at the root of masculine identity. Louis's remarkably visceral story of growing up queer in working class France quickly transcends its setting precisely because it delivers us into it with such emotional force
—— Adam HaslettIn stark, unsentimental prose Louis… unblinkingly documents the violence, masochism and racism of rural France in a book that pulses with power
—— Donal O'Donoghue , RTE GuideEdouard has produced a critical study of the conservatism of small communities, and an exploration of how we reconcile our individual nature with what is expected of us
—— UK Press SyndicationAn absorbing story… It’s become food for thought for the masses, a type of which the political elite never approve
—— Carina McNally , Irish ExaminerA scarifying joy
—— Philip Hensher , ObserverA savage account of growing up poor, gay and victimised in rural France.
—— Justine Jordan , Guardian[A] densely written, masterfully told tale.
—— Esquire, Book of the YearA new, short, highly concentrated novel…meditating in brief paragraphs on the art and compromise with power over 50 years in the life of the composer Shostakovich.
—— David Sexton , Evening StandardMoving and often genuinely tense.
—— Reader's DigestA brilliant reflection of one man’s consciousness, amid the fear and terror of authoritarian rule. Completely gripping and informative and entertaining, it is a classic Barnes concoction.
—— MumsNetPulsing with riffs on love, music and honesty both personal and artistic, it depicts a man who knows he’s a coward, even if his scores are courageous… Barnes also captures the farcical side of life in Soviet Russia.
—— Hephzibah Anderson , Mail on SundayA tour de force by a master novelist at the top of his game.
—— Huston Gilmore , Daily ExpressBarnes’s prose is thoughtful and elegant.
—— Eoin McNamee , Irish TimesA great novel.
—— BookmunchBarnes pulls together all the strands of an artlessly diffuse and meticulously imagined portrait of life under tyranny. It is masterfully done.
—— UK Press SyndicationA distinctive and, as always with Barnes, highly readable marriage of suave execution and chilly, grown-up subject matter.
—— Keith Miller , Literary ReviewWith its three-act structure, dramatic tension, lyrical passages and recurring motifs, the novel has an operatic quality. Offering an intimate portrait of the artist and an overview of Russia’s troubled past, it’s a compelling read.
—— Juanita Coulson , The LadyYou’ll love this.
—— Anne Sexton , Hot PressThe Noise of Time is a brilliant impersonation, both as a novel and as a portrayal of the “real” historical Shostakovich.
—— Sheila Fitzpatrick , London Review of BooksA gripping story, a fascinating portrait of a period of history, and a brilliantly in-depth character study… Beautifully written… Philosophically and intellectually enriching.
—— Winq MagazineA thoughtful, moving read about integrity, compromise and courage.
—— Good HousekeepingBarnes has some striking setpieces in this probing, intellectually robust novel.
—— Ronan Farren , Irish IndependentThe fear, danger and paranoia felt in those times rise memorably from the pages.
—— Choice MagazineBarnes stands out, so vivid are his images and so poignant his insights. His works stand among the classics of the postmodern era, and for good reason.
—— Ben Craik , UpcomingA marvellous meditation on the Cold War era and particularly the battles of conscience that besiege a man living under tyranny.
—— Richard Fitzpatrick , Irish ExaminerThe tone is intimate and aphoristic, the paragraphs succinct.
—— David Gutman , GramophoneA fascinating account of the life of Dimitri Shostakovich… Perceptive, symbolic… The Noise of Time is an essential read, and not only for musicians.
—— Classical MusicA finely-tuned masterpiece... Barnes' prose is supreme.
—— Western Morning NewsAn intimate portrait of a public intellectual living in a totalitarian atmosphere… Immersive… The Noise of Time presents a compelling story in engaging and original prose.
—— Conor O'Donovan , HeadstuffKaleidoscopic portrait… Barnes deftly constructs a life history... A masterfully told story of survival. *****
—— Nick Shave , BBC Music MagazineBeautifully composed.
—— Jenny Comita , W MagazineWithout a doubt, Barnes has succeeded the high expectations of the people who waited with bated breath for the release of The Noise of Time. In a work that feels both original and authentic, he encourages us to consider the importance of art, in whatever form, and the influence it can have on us all.
—— Beth Blakemore , Student NewspaperBarnes at his best...a poignant fictional recreation of the artistic agonies of the composer Shostakovich.
—— Sunday TimesA very sensitive account of how art can be in conflict with naked political power.
—— ObserverA book I’d like to tuck myself away for a day to read. It’s short in length but by all accounts big on ideas and power.
—— Susie Dent , Radio Times Christmas Gift GuideHis Dmitri Shostakovich is completely believable.
—— Margaret MacMillan , New Statesman, Book of the Year[A] brilliant study of the relationship between art and an oppressive regime… A compelling depiction of the country’s history and a richly imagined close-up of the artist.
—— Lady, Book of the YearA poignant and thoughtful portrait of the persecuted artist.
—— Brad Davies , i, Book of the Year[It is] elegant.
—— Duncan White , Daily Telegraph, Book of the YearAnother Brilliant reinvention by Barnes.
—— Daily Telegraph, Book of the Year #26My favourite book of this year is The Noise of Time.
—— Margaret MacMillan , New Statesman, Book of the YearHis best for ages. It is gripping, outward-looking, generous with plot and atmosphere and far beyond the powers of McEwan, Amis, Ishiguro, Rushidie et al…. This book grabbed me by the nuts like nothing of his since Starting at the Sun.
—— Giles Coren , The Times, Book of the Year[A] haunting novel on the agonies of Shostakovitch under Stalin and his successors… I recommended it to a friend who for years was one of the great reviewers at the Washington Post. His reply: “It’s an extraordinary book. It’s a book that makes me wish I were reviewing again.”
—— Alex Russell , Financial Times, Book of the YearA mini-masterpiece.
—— Rebecca Rose , Financial Times, Book of the YearAn elegant portrait of Shostakovitch.
—— Ali Smith , Guardian, Book of the YearWritten with Barnes’ characteristic low-key elegance, the book becomes a meditation on artistic integrity and its limits in a brutal regime
—— Irish Independent, Book of the YearAn impressive narrative of personal integrity.
—— G. Van Der Zwaan , Times Higher Education, Book of the YearAs a portrait of the composer and his time this book is a complete success… The Noise of Time is also convincing in the details… A book in which a certain grim humour is never too far away.
—— Nicholas Lezard , Guardian[A] gem of a novel.
—— Mail on SundayA compelling read that combines sharp insights, lyrical passages and dramatic tension.
—— LadyBlack humour and retrospective anguish prevail in Julian Barnes’s latest novel.
—— Lara Enoch , GuardianA beautifully told story, this is subtle and powerful.
—— William Leith , Evening StandardThis small novel is an elegant and unflinching account of a life lived under extreme pressure, during Stalin’s Great Terror. Julian Barnes fleshes out the life of the composer Shostakovich whose life is under threat. A powerful story, well-crafted and beautifully written about the humanity and torments of a creative soul… An informative, thought provoking read.
—— Western Morning NewsAn immense emotional and intellectual punch.
—— Sunday Times