A liberating and lacerating critique of American racial madness, capitalism, and white superiority . . . Black No More resists the push toward preaching and the urge toward looking backward into history. Afrofuturist before such a term existed, it insists, instead, on peering forward into what could come to be.

A lot of fun. A wonderful, sad dream of what might have happened

An explosive new book

Sittenfeld's RODHAM offers the catharsis of uncomplicated regret

While telling a compelling story, RODHAM provides an insightful analysis of the function of sexim in our political discourse. Sittenfeld is at her wittiest when recreating the men who dominate American politics

A nauseating, moving, morally suggestive, technically brilliant book that made me think more than any in recent memory about the aims and limits of fiction

Hugely enjoyable

This isn't just fiction as fantasy, this is fiction as therapy. A serious work of literary fiction designed to rally the spirits of liberal readers

‘An ingenious yet plausible glimpse of an alternative reality, and so involving that it occasionally comes as a shock to realise that there is a different reality, and we are living in it’

‘By tilting history on its side, Sittenfeld makes Hillary seem a fresh character and remarkably sympathetic’

‘RODHAM explores the mysterious territory between the inner and outer lives of a person who has long been a source of fascination, adulation and loathing’

‘Getting inside a living person’s head sounds like a colossally bad idea, but Sittenfeld makes it convincing here, just as she did with a character based on First Lady Laura Bush in her 2008 novel, AMERICAN WIFE’

Deviously clever . . . Sittenfeld’s Hillary is both a player in the Game of Thrones and a romance novel heroine. She’s a brilliant badass who has found her voice and knows how to use it. She’s whoever she wants to be

As Hillary finds her groove, so the momentum and entertainment builds, as does your admiration for how ingeniously and plausibly Sittenfeld has re-written the script

A counterfactual novel ... throbs with energy

A fascinating glimpse into an alternative future

Pacy... plenty of sex and gossip - and a cameo from a certain yellow-haired, orange-faced president-to-be... ripe for TV adaptation

A brilliantly smart re-imagining

Sittenfeld's writing is so fine, her characters so vivid, her empathy so profound that she manages to absorb the reader on a level that transcends partisanship. In 2020, that was a remarkable achievement and an enormous gift to her readers

It ends up being a love letter to a type: the female intellectual, who is given none of the licence of her less talented male peers. At the end, i found myself saying Oh My God

A triumphant feminist reinvention. Sittenfeld is the bard of presidential female adjacents

RODHAM is wide- ranging political anthropology, concerned not so much with what makes Hillary tick as it is with the culture around her and how she might have shaped events, and been shaped by them, if the pieces of reality's jigsaw were rearranged just so. It's stippled with clever mischief

A smartly structured character study and a stay- up- all- night plot . . . A captivating and durable story containing rooms within rooms. RODHAM turns into a high- speed bildungsroman about a woman of formidable intellect and self- insight.

It's the genius of Sittenfeld's prose that we come to understand this ambivalence,as well as the deep conflicts in this complicated character. In the longing and loneliness, the anger as well as ambition, this Hillary makes RODHAM a compelling portrait of a future that might have been.

Tantalizing . . . part thought experiment, part wish- fulfillment fantasy . . . delectably discussable, a book tailor- made for book clubs.

Wildly compelling . . . What RODHAM is interested in is examining what feminine ambition looks like when it is untethered from a man. . . . Sittenfeld is free to invent, and the reality she builds is deliciously dishy.

Thought-provoking and compelling

A moving feat of feminist and novelistic imagination

Hypnotising... you won't want to put it down until the very last page

You'll find sisterhood at the heart of this ambitious book

Galgut is a terrifically agile and consistently interesting novelist, certain up there with Nadine Gordimer and JM Coetzee as a chronicler of his nation's anguished complexity

[A] magnificent new novel. Galgut sweeps his ruthlessly forensic gaze over each of the protagonists...as well as the country at large

Labelled a masterpiece and one of the best novels of the year within a week of publication... Galgut is on his finest form as he explores grief, despair and love in his inimitable style. Read this book if nothing else this year.

[A] gripping, profound tale... a damning commentary on South Africa's many broken promises

Ingenious... The most distinctive element of the novel, and its greatest pleasure, is the effortless way Galgut flows from mind to mind and body to body, whether male, female, pubertal, menopausal, maturing, ageing or dying. It's almost uncanny

Surrender to the music of Galgut's prose, however, and the rewards are considerable

Excellent... The Promise is a powerful novel of character... [an] ambitious novel but, remarkably, Galgut rarely needs to strain for impact... his ability deftly to shift perspective from one character to the next creates a distinctive polyphonic effect

A convincing and heartfelt novel

Politically chastening and technically superb. It's hard to see any novel beating it

A powerful read

This is the finest of all Damon Galgut's extraordinary novels. It reads as if the author has liberated himself from certain shackles he has needed in the past to convey the feelings of repression and social discomfort his people suffer... The writing - so impish, so playful - is a constant joy

Vivid and suggestive, moving and often very funny

Damon Galgut is the most worthy winner of the Booker prize we've seen for many years... The book trembles in the hand with its political relevance

A sobering allegory, to be sure, but also a giddy pleasure, thanks to Galgut's restlessly acrobatic narrative voice, which darts and zooms unpredictably around the action

One of the world's great writers

A dazzling feat of kaleidoscopic storytelling

I would have chosen this novel before it won the Booker... What makes it special is the humanity with which it is written and Galgut's cinematic prose, which shifts seamlessly from one perspective to the next

The Promise...is a remarkable tale of four generations of one South African family and of the country itself. Like his earlier books, it reveals him as a master of human complexity. No wonder it won the Booker

A complex, clever, wryly observant tale of one family's decline amid a nation's birth

[A] masterful, sweeping novel... a piercing dissection of a country at a decisive historical junction and the intersection of socio-political events and private life

The Promise is just 300 pages long, but Galgut shows his skills as a concise and piercing novelist by packing so much into this exceptional book

A layered, clever and sometimes uncomfortable read, but with a gripping story

A remarkably successful combination of formal discipline and finely observed characterisation, it was a worthy winner of the 2021 Booker prize

The judges of this year's Booker prize rightly crowned this outstanding multigenerational saga... The morally chewy scenario is given extra zest by an acrobatic narrative voice full of trickery

The Promise...is mesmerising

A joyful masterclass in fiction... a dizzying adventure that underlines one of the most appealing things about fiction: it is the closest we can ever get to inhabiting other perspectives

Inventive and full of energy

Gentle, precise, insightful, melancholy but warm