Author:Ippolito Nievo,Frederika Randall,Lucy Riall

An overlooked classic of Italian literature, this epic and unforgettable novel recounts one man's long and turbulent life in revolutionary Italy.
At the age of eighty-three and nearing death, Carlo Altoviti has decided to write down the confessions of his long life. He remembers everything: his unhappy childhood in the kitchens of the Castle of Fratta; romantic entanglements during the siege of Genoa; revolutionary fighting in Naples; and so much more. Throughout, Carlo lives only for his twin passions in life: his dream of a unified, free Italy and his undying love for the magnificent but inconstant Pisana. Peopled by a host of unforgettable characters - including drunken smugglers, saintly nuns, scheming priests, Napoleon and Lord Byron - this is an epic historical novel that tells the remarkable and inseparable stories of one man's life and the history of Italy's unification.
Ippolito Nievo was born in 1831 in Padua. Confessions of an Italian, written in 1858 and published posthumously in 1867, is his best known work. A patriot and a republican, he took part with Garibaldi and his Thousand in the momentous 1860 landing in Sicily to free the south from Bourbon rule. Nievo died before he reached the age of thirty, when his ship, en route from Palermo to Naples, went down in the Tyrrhenian Sea in early 1861. He was, Italo Calvino once said, the sole Italian novelist of the nineteenth century in the 'daredevil, swashbuckler, rambler' mould so dear to other European literatures.
Frederika Randall has worked as a cultural journalist for many years. Her previous translations include Luigi Meneghello's Deliver Us and Ottavio Cappellani's Sicilian Tragedee and Sergio Luzzatto's Padre Pio: Miracles and Politics in a Secular Age.
Lucy Riall is Professor of Comparative History at the European University Institute. Her many books include Garibaldi. Invention of a Hero.
'Of all the furore that came out of the Risorgimento, only Manzoni and Nievo really matter today' - Umberto Eco
'The one 19th century Italian novel which has [for an Italian reader] that charm and fascination so abundant in foreign literatures' - Italo Calvino
'Perhaps the greatest Italian novel of the nineteenth century' - Roberto Carnero
'A spirited appeal for liberté, égalité and fraternité, the novel is also an astute, scathing and amusing human comedy, a tale of love, sex and betrayal, of great wealth and grinding poverty, of absolute power and scheming submission, of idealism and cynicism, courage and villainy' - The Literary Encyclopedia
A sprawling story of love, valor, and the Risorgimento ... in a wonderful translation by Frederika Randall
—— Elizabeth Kolbert , New YorkerA wonderful blend of wit, political perspicuity and exuberant comic invention, The Confessions of an Italian has been called the great novel of the Risorgimento [...] Frederika Randall's admirable new translation now makes it available in all its sprawling, teasing, snook-cocking glory [...] This is a humane piece of fiction, funny and wise, but it is also a candid, astute account of what it feels like to combine lofty patriotic illusions about a People, with a realistic view of how ignoble and mistaken people generally are
—— Lucy Hughes-Hallett , The Times Literary SupplementUnfailingly lively ... a masterpiece ... The plot of Confessions is rich, picaresque, extravagant, and all is delivered in a fresh, lively prose ... The translator Frederika Randall has been remarkably successful in keeping the novel's flavor and sustaining Nievo's quirkiness and readability over so many pages ... As the governments of the post-Risorgimento period set about imposing a cultural homogeneity on the country, Alessandro Manzoni's conservative and very Catholic masterpiece, The Betrothed (1827), safely set in the distant past, was always going to be preferred to Nievo's rich and wild account of love and politics, where so much was dangerously close to home ... Yet there is no doubt in my mind which author English-speaking readers will prefer now that Confessions of an Italian is at last attractively translated in its entirety
—— Tim Parks , New York Review of BooksOf all the furore that came out of the Risorgimento, only Manzoni and Nievo really matter today
—— Umberto EcoThe one 19th century Italian novel which has [for an Italian reader] that charm and fascination so abundant in foreign literatures
—— Italo CalvinoPerhaps the greatest Italian novel of the nineteenth century
—— Roberto CarneroAll Italy is here, its history, its character, its flaws, and some of the things that Parks loves about the place
—— Anthony Sattin , Sunday TimesThe book is, as Tim Parks says, a search for the Italian character, which he evokes in dozens of gorgeously written scenes; but beyond that Parks is exploring the dynamic between tradition and innovation... Underneath everything, Parks is trying to come to a point of loving the world in all its confusion and frustration, and by the book's end he does, he does. Bravo
—— David ShieldsThis latest peg on which to hang another ruminative book about the character of Italy provides Parks with a first-class ticket to ride as a lively, erudite raconteur in salty daily negotiation with what he calls a ‘dystopian paradise’
—— Iain Finlayson , The TimesWith Paul Theroux apparently winding down, there might be an opening for Parks as a new laureate of international railways
—— Andrew Martin , ObserverParks is also a railway enthusiast and this delightful book is the story of his love-hate relationship with Italian trains
—— Literary ReviewThis is not a “railway book” in any conventional sense. It is sharp-eyed and sharp-tongued about the absurdities of ‘Italian ways’
—— John Lloyd , Financial TimesOver thirty years living among the Italians, [Parks] has developed an acute eye for their idiosyncrasies and, over the course of three previous books on Italy, he has created a style sharp and subtle enough to evoke them… As an inglese italianizatto insider-outsider he brings an ideal dual perspective… It is this double vision (along with his superb style) that elevates Parks’s books way above other recent Anglo-Saxon portraits of Italy… [it] adds in turn to the long tradition of excellent English writing on Italy established by Hazlitt, Lawrence and Norman Lewis
—— Thomas Wright , Daily TelegraphCompelling… Parks conveys a detailed, dense, oppressive sense of the inadequacies and idiosyncrasies of the national rail system…but Parks’s railway system in the end links families, reuniting Italian mamas with prodigal sons, and provides a wonderful space for the earwigging of intimate arguments conducted, as ever, on the telefonino
—— Emma Townshend , Independent on SundayTim Parks’ detailed descriptions will leave you rocking to the thrum of the tracks, and come dotted with his often bizarre but always comical experiences en route
—— Daisy Cropper , WanderlustA hybrid of travel and cultural history…and very amusing it is too… Parks has done Lecce and all Italy proud in this eccentric hosanna to railroad locomotion
—— Ian Thomson , Evening StandardItalian Ways gracefully tells you an enormous amount about Italy and its trains. Parks is also very funny, a master of the dry aside
—— Nick Rider , Sunday ExpressClosely observed and often amusing
—— Thomas Jones , GuardianAn entertaining look at Italian railways, the people who run them and the people who travel on them… Wry, thoughtful, funny, serious and cleverly capturing the essence of modern Italy, it is perfect armchair travelling
—— Simon Evans , ChoiceTruly extraordinary
—— Vitali Vitaliev , Engineering and TechnologyTim Parks embarks on his Italian train odyssey with humour, grim patience, and a great novelist’s insight…full of hilarious anecdotes and insight from a true Italophile
—— The Bath MagazineAn enjoyable and eccentric journey!
—— Good Book GuideWonderful
—— Robert Bound , MonocleParks is one of the best living writers of English, and this book is so good you don't want it to end
—— Nicholas Lezard , GuardianIf, like me, you relish Italy, railways and grumbling, this is the most transporting book
—— Christopher Hirst , IndependentA fun, informative and detailed journey
—— By the DartUnsurprisingly, every bit as good as the original [The Commitments], Doyle is one of those rare writers who never disappoints
—— Socialist UnityWise, wistful and poignant.
—— Sebastian Shakespeare , TatlerBittersweet.
—— Justine Taylor , Guardian OnlineLong-awaited sequel.
—— Mark Perryman , Huffington PostDoyle’s ear for dialogue is as acute as ever and there’s a lot of amusing asides about contemporary life in this revisiting of much-loved characters.
—— Irish IndependentA book full of Doyle's dark humour mixed with melancholy and wonderful moments of sheer madness.
—— Good Book GuideThe feat of The Guts is Doyle’s ability to create in Jimmy a character who hangs together even while so many of his certainties have collapsed. And to get a few good jokes in as well.
—— Mark Athitakis , Washington Post






