Author:Gabriel Garcia Marquez
Collected Stories brings together many of Gabriel Garcia Marquez's spellbinding short stories, each brimming with a blend of the surreal, the magical, and the everyday that Nobel-Prize-winner and author of One Hundred Years of Solitude Marquez is known for.
Sweeping through crumbling towns, travelling fairs and windswept ports, Gabriel Garcia Marquez introduces a host of extraordinary characters and communities in his mesmerizing tales of everyday life: smugglers, bagpipers, the President and Pope at the funeral of Macondo's revered matriarch; a every old angel with enormous wings, stranded in a young couple's back garden; a town plagued by dying birds that fall from the sky and an awestruck village captivated by a beautiful drowned sailor. Teeming with the magical oddities for which his novels are loved, Marquez's stories are a delight.
'These stories abound with love affairs, ruined beauty, and magical women. It is essence of Marquez' Guardian
'Of all the living authors known to me, only one is undoubtedly touched by genius: Gabriel Garcia Marquez' Sunday Telegraph
'It becomes more and more fun to read. It shows what "fabulous" really means' Time Out
Marquez writes in this lyrical, magical language that no-one else can do
—— Salman RushdieBarrett's artful, unsparing and unsentimental stories confirm the arrival of a major talent.
—— Teju Cole, author of Open CityIt left me in tears. He is the most exciting writer producing right now. He has an incredible range, a unique voice, and has the power to move.
—— Binyavanga WainainaA. Igoni Barrett is a writer who has succeeded in making colloquial literature without seeking spurious attention by vulgar daring. Here is a reader’s entry to hearing on the page how contemporary communication, not only in his Nigeria, can be inventive. Love Is Power, or Something Like That is, to paraphrase its title: something alive, like that
—— Nadine Gordimer, winner of the Booker and Nobel Prize for LiteratureA. Igoni Barrett does for Lagos what Chekhov did for Saint Petersburg and what Joyce did for Dublin, namely, to give a real face to a place that is too often maligned or mythologized
—— Jeffery Renard Allen, author of Rails Under My Back and Holding PatternA bewitching juxtaposition of the grotesque and uplifting, rotten and humane
—— Michela Wrong, author of It’s Our Turn to Eat: The Story of a Kenyan WhistleblowerBarrett captures both the quotidian and the elevated with a gaze that is as relentless as it is sympathetic. Here’s a writer to watch
—— Helon Habila, author of Oil on WaterBrilliant, unforgettable, violent, compassionate
—— Carolyn Cooke, author of Daughters of the RevolutionIf you loved Out Stealing Horses, you won’t be disappointed by his razor-sharp debut… The language is simple, beautiful and cleansed of literary affectation. There is not a single superfluous word
—— Ekstrabladet (Denmark)There is both humour and tenderness… Petterson masters the art of writing simply of big subjects. As a reader, you have to read slowly and attentively to register everything, or read the book twice, which you gladly will
—— Kristeligt Dagblad (Norway)Dreamy and evanescent, [the stories] recall the opening pages of James Joyce’s A Portrait of the Artist as a Young Man
—— Jon Michaud , Washington PostFull of heartache and the ways in which we hurt each other, and ourselves... Fans of Kennedy's quirky expressionism won't be disappointed.
—— Sunday TimesEvidence that, at her best, there’s no-one to touch Kennedy.
—— Neil Stewart , CivilianFull of challenges and beauty.
—— StylistThis is a sure-footed and intelligently organized collection. These small pieces encompass an extensive emotional territory
—— Chris Power , GuardianAn arresting collection that blends poetic imagery, raw emotion and cerebral insight
—— Juanita Coulson , LadyAs subtle as the colour of Kitsune's silk
—— M John Harrison , GuardianRussell is an amazing storyteller, and this book certainly whets the appetite for her next offering
—— Irish Times‘[Barrett] cuts across all kinds of boundaries of class and education to produce immensely tender portraits of living characters.
—— Anne Enright , Irish ExaminerThis is an exceptional debut, and one of the best collection of short stories that I have read in years.
—— Louise O’Neill, 5 stars , Irish PostAn exciting debut
—— Sunday TimesI don’t think I’ve ever read a better collection by somebody I had never heard of
—— William Leith , Evening StandardA technically-assured collection that never disappoints
—— Country & Town House