Author:Alan Isler

Edmond Music, Catholic priest and director of Beale Hall research institute, has a secret: he doesn't believe in God. And that's not all. For the past forty years he has shared a bed with his housekeeper, Maude Moriarty from Donegal. In fact Edmond Music isn't even Edmond Music. He's Edmond Music, French child of Hungarian parents - and a Jew.
As he sees out his days in his Shropshire mansion, devoting his time to kabbalistic studies, his buried pasts threaten to end the charade. Fred Twombly, professor of English from Joliet, Illinois, and half-century-long enemy, has arrived, determined to destroy him. What may be Shakespeare's lost masterpiece has disappeared from the Hall's famous library. Edmond must be to blame.
A delightful mix of both wit and profundity. The combination of rich vocabulary, a decent plot, and Isler's unnerving ability to assume the identity of his characters can't help but result in a novel you'll wish was longer!
—— Time OutAlan Isler, as usual, manages to combine almost Wodehousian comedy with painful, unsentimental tragedy
—— Sunday TimesA superb new comic novel... wildly funny... Like the stories of Malamud and Singer one senses that the true hero of Clerical Errors is the story itself
—— Independent on SundayTerrifically funny. Isler has once again come up with a winning voice for his narrator, by turns witty, bawdy and lugubrious
—— Financial TimesA rich, rambunctious novel
—— The TimesThrough Father Music's rambling all-embracing voice, Isler gives us one of the funniest, most moving novels of faith, love and loss in years
—— RedAn affectionate picture of a free-thinking, beatnik lifestyle now regarded as batty, but which was underpinned by a real desire to change the world. We could all do with a bit more of that
—— The HeraldLewycka is a warm and humane writer
—— GuardianWonderfully funny . . . a dizzy, eye-watering treat . . . Lewycka is somewhere between Hilary Mantel in her satirical mode and Sue Townsend
—— IndependentMarina Lewycka's latest novel is wonderfully funny with moments of pure farce in the best tradition of social satire . . . this inventive and witty book fizzes along from beginning to end
—— Daily ExpressLewycka is not only witty but astute . . . it is a charming, beautifully observed novel, and those who label Lewycka a merely whimsical or quirky comic writer woefully underestimate her abilities
—— Independent on SundayHer imagination is undoubtedly of unbounded proportions, and she creates a refreshingly unique community and seductively charms the reader...[Russell] is a refreshing change from the usual.
—— PlatformAva's narrative occupies fertile territory half-way between realism and fantasy, innocence and experience... Russell leaves just enough for us to question our reading of events, so that when the scales fall from Ava's eyes we are implicated in her naivety
—— London Review of BooksWe unanimously loved it - to the point where words like 'genius' and 'masterpiece' were being bandied around. With figurative language enriching every sentence, Russell effortlessly transports the reader
—— Cambridgeshire JournalThis novel [is] beautifully written and very witty, yet often extremely sad too
—— Thebookbag.co.ukOn one level, this is a sweet, slightly sentimental comin-of-age story; on another, it is a postmodern satire
—— Scarlett Thomas , GuardianRussell is really finding her feet with this one, making good on the promise of her eerie debut
—— Alastair Mabbott , HeraldA testament to a truly vivid imagination
—— LadyRussell creats a vivid sense of how reality and fantasy can intertwine in a child's mind and become indistinguishable... What comes through most powerfully in Russell's fertile prose is the humid, mosquito-ridden atmosphere of the Florida swamp and the beguiling strangeness of the creatures - humans included - that make it their home
—— Killian Fox , ObserverThe novel is an experiment in how children's minds comprehend loss, and Ava is a compelling guide...Russell's strength is her use of language: each sentence is vividly rendered and the pages are as dense with images as the island is with life
—— Fiona Wilson , The TimesMight be read as a quietly suspenseful, and angry, judgement on postwar culture
—— Boyd Tonkin , Independent, Books of the YearA seemingly slight work that is, in fact, possessed of almost infinite depth. It's an elegant inquiry into what we can know and how we can know it - and it's gripping too
—— Erica Wagner , The Times, Books of the YearIt sets off a moving meditation on ageing, regret and the unreliability of memory
—— Sunday Express, Books of the YearHas rightly been praised for its economy and elegance
—— Margaret Drabble , Guardian, Books of the YearBelatedly and deservedly, this was the year of Julian Barnes
—— Mark Lawson , Guardian, Books of the YearExquisitely written and deeply engaging
—— Lorrie Moore , Guardian, Books of the YearElegant verbal exactness, analytic finesse and a witty portrayal of contemporary and 1960's life complement the intricate plot
—— Peter Kemp , Sunday Times, Books of the YearA worthy Booker laureate of this or any other year, our most versatile novelist...a perfect present in these last days of the book as a singular object
—— Philip French , Observer, Books of the YearA worthy winner of this year's Booker prize: short, but certainly not slight, precise and insightful
—— Kate Cunningham , Herald, Books of the YearThis novel packed more emotion into its 150 pages than any other I have read this year
—— Bob McDevitt , Herald, Books of the YearMelancholic, suspenseful and thought-provoking
—— Kirsty Wark , Herald, Books of the YearSeveral plot twists later, what started off as a thoughtful (and fascinating) meditation on memory becomes something close to a full blown thriller
—— James Walton , Daily MailEssential reading for any writer, aspiring or otherwise
—— Patrick Keogh , GuardianA meditation on memory and regret slyly conveyed through the unreliable voice of a complacent man whose past gives him a nasty surprise
—— Justine Jordan , GuardianA deserving winner
—— Éibhear Walshe , Irish Times, Books of the YearMasterful, gripping and, above all, surprising
—— Victoria Hislop , The Week, Books of the YearBarnes has always has an ear for the bleak comedy of the first person
—— Olivia Cole , GQNovel, fertile and memorable
—— Justine Jordan , GuardianJulian Barnes’ Man-Booker prize-winning novel has extraordinary power and emotional density
—— Simon Shaw , Mail on SundayAn eloquent meditation on relationships, emotional arrogance and the discomfort of remorse
—— James Urquhart , Financial TimesThe key to this slender, tantalizing mystery is on its opening page: what you end up remembering isn’t always the same as what you have witnessed
—— Katie Owen , Daily TelegraphHis art is artful, often openly so, but never showy or obvious
—— Colm Toibin , New York ReviewDescribed in Justin Cartwright’s review as 'a very fine book, skillfully plotted, boldly conceived’
—— Guardian, Holiday ReadsI am eager to read it, though I hear it needs to be read twice to be fully appreciated
—— Colm O'Gorman , Independent