Author:Albert French
In the small Mississippi town of Banes in 1938, time passes slowly and the town's inhabitants follow the same daily rhythm as they have done for years. The streets are hot and dusty and the old people watch the world go by from their porches. But Banes is a town torn apart by tragedy, divided by racial prejudice and haunted by the tale of Billy-Lee Turner, a ten-year-old boy executed for the murder of a white girl.
Spanning four years, this sequel to Albert French's outstanding novel Billy focuses on his mother, Cinder, a woman whose beauty has always set her apart. It is a powerful story of heartbreak, community, history, and the ties that bind.
Comparable to the groundbreaking work of Toni Morrison, Cinder is a valuable addition to the chronicle of African American literature and is destined to become a literary classic
—— Big IssueAnyone who has read the fiction of William Faulkner will be familiar with this world... French is a poet at heart...there are moments of astonishing vividness throughout
—— GuardianThe idiom of his characters is rhythmic, expressive, ultimately poetic, and brings William Faulkner to mind
—— IndependentAbove the usual class of post-baby fiction...an intelligent and funny look at modern parenting
—— EveThis will have you laughing out loud with empathy
—— Star MagazineThe chaotic tale of the hapless Lucy will strike a chord with any woman who hasn't quite mastered the art of being a domestic goddess
—— Instyle UKAn hilarious read
—— Sainsbury’s MagazinePerfect for failed domestic goddesses everywhere
—— heatSmart, funny, and well-observed...a must read for any woman who loves to laugh at the often unintentional humor in domestic life
—— Karen Quinn, bestselling author of The Ivy ChroniclesThe latest literary sensation
—— The SunNeill bucks the chick-lit trend with prose that's clever and endearing, and frazzled parents will love the way she nails the sticky, hair-pulling mania of domestic life
—— Washington PostA deftly executed domestic comedy
—— Boston GlobeHilarious . . . Plays with the chaos and comedy of 30-something metropolitan maternity and brings it to an unexpectedly moving conclusion
—— Anna Wintour , Vogue