Author:Simon Robson
Catharine wakes to an empty bed. Her husband Tom, a human rights lawyer, is away on business and it's the first time she has woken alone in their cottage since they moved there from London five months ago.
She is, as she confesses, a serious woman; realistic and practical. She has relinquished her hold on past ambitions, her music and her career, in preparation for family life. Now, without distraction, she wonders what she is to do.
Time progresses, and in encounters both real and imagined - with the village's inhabitants, with her best friend Maria and with Tom - Catharine plucks at the fabric of her life until it is threadbare. From assured beginnings the day rushes to a realisation of her very worst fears, and to a denouement of devastating poignancy.
Courageous and well-crafted ... a potent work, clear evidence of a promising talent
—— James Urquhart , IndependentRobson is astute and gentle in his observations
—— Francesca Segal , ObserverRobson's writing tends to complexity, and is both effective and lovely
—— Guardian, Hilary MantelPrecise, poetic prose
—— SpectatorAstute, perceptive observations
—— Simon Humphreys , Mail on SundayAn alert, witty, unpredictable novel which brings a sharp fresh eye to bear on English character and English compromises
—— ObserverMetroland is a delicious book, sharp and witty and observant
—— The ListenerOne of the best accounts of clever English schoolboyhood I've read
—— Times Educational SupplementFlighty, playful… Barnes succeeds in vividly recreating teenage precociousness, particularly what it feels like to be a young male encountering love and sex
—— Los Angeles TimesA dazzling entertainer
—— New YorkerConsummately elegant
—— Sunday TimesHe writes perceptively about the shift from self-absorbed teenager to adult.
—— The TimesIf all works of fiction were as thoughtful, as subtle, as well constructed and as funny as Metroland there would be no more talk of the death of the novel
—— New StatesmanIt's one of the best accounts of clever English schoolboyhood I've read
—— Times Educational SupplementIrony and imagery are deployed with a finesse even Flaubert wouldn't wince at...consummately elegant
—— Sunday TimesSinister, shocking and extremely powerful
—— Woman & HomeWonderful
—— RedHer writing is always thrilling and this is much more than simply a page-turner
—— Jane Wheatley , The TimesA successful novel, well made and written with a light touch
—— Alex Clark , The GuardianIt is beautifully written, and elegantly edited, and manages to pack in vivid characterisations built on tragic family histories... With its strong structure and interesting themes, it could be a textbook example of how to write a modern novel
—— Third WaySatisfying death-blow to place-in-the-sun escapism
—— Boyd Tonkin , Independent Summer ReadsA compelling novel
—— TatlerA wry family black comedy, a study in revenge, and an unlikely, if sinister, thriller...a characteristically intelligent, well constructed narrative... The prose is precise and fluent, the tone is neutral, and Tremain makes effective use of the fact that many adults remain children
—— Eileen Battersby , The Irish TimesA criss-crossing, sinuous tale of muted passion and sibling rivarly - and affection - set in the Cevennes. Its peculiar, particular atmosphere is conjured perfectly
—— Erica Wagner , The Times, Christmas round upA haunting and perfectly poised tale of incest and antiques.
—— Frances Wilson , Daily Telegraph, Christmas round upCreepily affecting
—— Katy Guest , Independent on Sunday, Christmas round upChilling and vivid
—— Charlotte Vowden , Daily ExpressSurely one of the most versatile novelists writing today... The scene-setting opening is languorous and beautiful, giving full rein to Tremain's descriptive gifts... A disturbing tale and one rich in detail
—— Daily ExpressIntriguing
—— James Urquhart , Financial TimesTremain expertly heightens the tension in a cleverly fashioned and astutely observed novel that reads like a cross between Ruth Rendell and Jean de Florette
—— Simon Shaw , Mail on SundayTremain's extraordinary imagination has produced a powerful, unsettling novel in which two worlds and cultures collide
—— Cath Kidson MagazineTremain writes about this part of France so well because she has known it since childhood, and she captures a sensuality in the landscape that is both attractive and eerie... It is an enthralling book about the catastrophic disruption honesty can bring
—— Siobhan Kane , Irish TimesThe novel has all the formal structure of a medieval morality tale, along with its traditional dichotomies: rus and urbe, avarice and asceticism, chastity and lust
—— GuardianRose Tremain's thrilling Trespass is set in an obsure valley in Southern France... To be read slowly; Tremain's writing is too exquisite to hurry
—— The TimesTimeless but rooted; tangible but otherworldly. Meticulously plotted, with the musty sadness that comes of cleaving to the past, Trespass will reward your reading time
—— Scotland on SundayRose Tremain's novel begins with a scream and barely loosens its grip amid the sumptuously written pages that follow...subtly harnesses the stifling heat and dangerously feral landscape of southern France to unspool a psychologically disconcerting story of family skeletons and outsider tensions
—— MetroLike a sinister edition of A Place In the Sun directed by Alfred Hitchcock, with the depth and subtlety that make the book far more than a mere thriller
—— You Magazine (Daily Mail)