Perhaps the most famous work of fiction dealing directly with the disease

And what does Solzhenitsyn say about cancer? How does he reach me, in Australia, with his Russian book? He shows me something valuable that I discovered during my own medical treatment. The people who are involved in cancer -- the sufferer, the doctors, the nurses, the orderlies -- are often occupied less with the cancer than with each other. There are small societies of patients and medical workers in a hospital ward, and in those societies people share what they have: their love and resentment, their stories and observations.

Solzhenitsyn was a great writer as the result of the collision of a particular personality and an awesome subject matter

Solzhenitsyn is a man of genius…it is a privilege to be Solzhenitsyn’s contemporary

There has been no such analysis of the corrupting power of the police state in Soviet literature

He is one of the towering figures of the age, as writer, as moralist, as hero

Moody and atmospheric, with sardonic humor; a meaty slice of horror

Stewart is masterful. He weaves a chilling, supernatural plot with a playfulness and brings the darkest chapters back from the edge. I suspect Stephen King would be impressed

This eldritch escapade is certainly an option for kids too old to go trick-or-treating

Opening a novel by Nick Harkaway feels like stepping into a theme park for the mind – every page you turn brings new delights for the mind and the senses. Gnomon is brilliant and terrifying, full of pleasures big and small. Basically, everything I want in a book.

This is a book that is in love with books, and no reader can help but warm to that.

A bit like Terry Pratchett meets Franz Kafka … Harkaway seems like he must have a brain the size of a planet.

Woven with witty allusions to everything from obscure texts to pop songs, and warning against an unthinking sacrifice of privacy to paranoia, Gnomon will appeal to fans of William Gibson and David Mitchell.

A novel of energy and huge ambition … that confirms the emergence of major talent.

A psychedelic experience.

Stylishly mad

A book to get lost in.

Midwinter Break… has MacLaverty’s trademark clarity and some tremendous turns of phrase.

In this sympathetic, frequently witty portrait of ageing love… You won’t find a sharper, more intimate delineation of what marriage really adds up to.

Bernard MacLaverty’s first novel in 16 years is a heart-rending analysis of the weary affection and annoyances of a long marriage in its fragile twilight years.

A novel written with such subtlety and finesse you’re hardly aware of the artifice that enabled you to get inside the minds of this loving, unhappy couple.

Exquisitely written and profound.

It’s a very intimate portrait of a relationship between two older people… The best, and most moving, parts are flashbacks to their experiences during the Troubles.

Masterfully alternating the point of view of the book between them, he observes with his careful, forensic eye the habits of a long relationship, the shared memories, routines and irritations… Under MacLaverty’s careful, compassionate spotlight, we see the cracks beneath the surface, the way in which even those closest to us remain somehow unknowable… The best qualities of MacLaverty’s writing are present in Midwinter Break: the kind but unflinching eye, the unfussy description, which has a clarity which feels artless, but is not.

The writer’s generation will read it with wistful appreciation, and more than shudder at bad memories. Even before he shook loose the curse of Northern Ireland’s communal obligation for life in Islay and Glasgow, MacLaverty wrote beautifully. Across his wide later range his filmic gift of dialogue and scene-setting is constant.

His finest to date… Good fiction sheds light too, illuminating the peculiar facets that make up the human condition. MacLaverty’s novel casts such a glow, and creates effects that prove to be both compassionate and compelling.

In his first novel for 16 years, he provides thrilling proof that he’s lost none of his ability to tackle big issues in a way that’s unfailingly quiet and unfussy, but that ends up being completely piercing… The result is a pin-sharp but ultimately compassionate portrait of the frustrations and pleasures of a long marriage – and of how closely the two things are linked.

MacLaverty has always been his own man and his quietly penetrating insights yield many moments of recognition.

Compellingly spot on.

It is paced flawlessly, is lapidary of structure, and is delivered with a purpose and clarity and control that can shut out the noise of the world, of your own heartbeat, even: one of those precious books that, when at last you look up from its pages, you need a moment of re-adjustment, of decompression, so immersive is it… This is an achingly sad book, and essential in its sadness. It is illuminated with skill and application and labour and something very like love.

Over the four days of sightseeing, the reader is treated to a deep dive into a long marriage with all its quirks and foibles, and unique language… Midwinter Break may be bleak at times but, like the sun on a snowy day, is suffused with warmth, light and a lingering hope. It is further proof of MacLaverty’s talent.

This receptively low-key, unsettling novel is a portrait of what is perhaps the most difficult of alliances and affinities to sustain: a long marriage… It is a narrative of quiet, telling minutiae. MacLaverty brilliantly captures the couple’s sleeping patterns; the way non-sexual territory in bed is proportioned… And he captures superbly the unspoken nuances underscoring marital banter, the silent spaces that hover above decades of conjugality.

Sure-handed and captivating… MacLaverty’s novel is relatively short...but it feels like a more expansive work because of its unhurried pace and careful attention to each moment… It is an intimate book that makes wonderful use of the close third person… A restrained simplicity is also the stylistic hallmark of this novel… Contemplating the mysteries that lie at the heart of every marriage, Stella thinks, “Nobody could peer into a relationship – even for a day or two – and come away with the truth.” It’s a measure of MacLaverty’s achievement here that he has done exactly that.

Beautifully observed and emotionally resonant, this is a novel to linger over.

I love the clarity and sparseness of MacLaverty’s prose and his way of creating flawed, utterly believable characters.

A delicate, compassionate masterpiece.

It is hard to believe that writer Bernard MacLaverty left Northern Ireland in 1975 to take up a job and raise his family in Scotland. His is a voice that is so distinctively from here. His stories stretching back down the years can be poignant and heart breaking but are also at times distinctive of a time and place and often funny. He has not lost the true sense of who he is; his accent; his warmth; his sincerity.

MacLaverty is at his best when he exposes the minutiae of the Gilmore’s uneasy mix of affectionate rituals and barely disguised friction… The deceptively simple narrative style is subdued but compelling… The unhurried pace and intimate details magnify the distance between the couple. It would have been easy for MacLaverty to have made both characters unlikeable. Instead, they are subtly drawn, sharing many good qualities as well as flaws… Midwinter Break also explores love, loss and faith, and it at times achingly sad.

It's profoundly moving and sad – not the most uplifting read, especially when one's own parents are of a similar age – but exquisitely written and worth it for that alone.

A quietly powerful meditation on love in all its ragged glory. Subtly constructed and deceptively delivered, this neat novel chronicles a brief interlude, a midwinter city break in Amsterdam, in the lives of retired couple Stella and Gerry… The narrative power builds slowly, steadily and surely (including, towards the end, a brilliant summation of a life). Midwinter Break is a minor miracle of a book.

Why is Bernard MacLaverty not celebrated as one of the wonders of the world?

A heart-rending analysis of the weary affections and annoyances of a long marriage.

A quietly powerful meditation on love in all its ragged glory… Subtly constructed and deceptively delivered… The narrative power builds slowly, steadily and surely in what is a minor miracle of a novel.

Understated, unhurried and emotionally devastating.

By far the best novel I’ve read this year.

A tragicomic gem with rare emotional power.

With great tenderness and insight, MacLaverty peeled back a marriage creaking under the weight of longevity, drink and violence. Brilliantly crafted.

A beautifully written, perfectly poised novel... Exquisite.

Arguably [Bernard MacLaverty's] masterpiece.

From the first sentences of Midwinter Break you know you're in the hands of a master… [A] gentle, life-affirming novel, MacLaverty reminds us of the quiet poetry that surfaces when we stop and simply look