Author:Albert Camus,Stuart Gilbert
Caligula reveals some aspects of the existential notion of 'the absurd' by portraying an emperor so mighty and so desperate in his search for freedom that he inevitably destroys gods, men and himself. The dramatic impetus of Cross Purpose, however, comes from the tension between consent to and refusal of man's absurdity; it is the tragedy of a man who returns home to his mother and sister without revealing his identity to them. By the time of The Just and The Possessed, refusal and rebellion have taken over, and in these overtly political plays (the latter based on Dostoyevsky's The Devils) Camus dramatizes action and revolt in the name of liberty.
Albert Camus was born in Algeria in 1913. His play, Caligula, appeared in 1939. His first two important books, L'Etranger (The Outsider) and the long essay Le Mythe de Sisyphe (The Myth of Sisyphus), were published when he returned to Paris. After the war he devoted himself to writing and established an international reputation with such books as La Peste (The Plague 1947), Les Justes (The Just 1949) and La Chute (The Fall; 1956). He was awarded the Nobel Prize for Literature in 1957. He was killed in a road accident in 1960.
As beautifully written and as profoundly researched as all Julia Blackburn's work
—— SpectatorA remarkable evocation of another time and another frame of reference
—— Daily TelegraphJulia Blackburn has an extraordinary talent for thinking herlsef into other worlds... Reading her book, you experience the uncanny sensation that you have somehow always known these places
—— Evening StandardShe wears her talents like a modern Renaissance woman with elegance and affable ease
—— The TimesA brilliant and very readable portrait of the mother-daughter relationship
—— CandisBrown's winning debut teaches a hopeful truth: Sometimes, just as you're starting to drown, things fall back into place.
—— PeoplePart Desperate Housewives, part American Beauty - entirely gripping
—— ScarletA razor-sharp critique of the absurd expectations that, these days, have come to stand for ambition, "All We Ever Wanted Was Everything" is wrenching, riveting, and still manages to be great fun. This is a wise, intimate chronicle of one family's struggle to take off their masks and live in the place they most feared: the real, imperfect world
—— Meghan Daum, author of 'The Quality of Life Report'Rarely does a first novelist write with such confidence and grace. 'All We Ever Wanted Was Everything' is a marvelous book
—— Ayelet Waldman, author of "Love and Other Impossible PursuitsHill's taut prose exudes a constant darkness... you are left unsettled and haunted by the seeming inevitability of their troubled lives
—— StylistTaut, tense story, written with that unsparing economy which is such a feature of Hill's recent fiction
—— Matthew Dennison , The TimesThe versatile Hill tells a perfectly judged story of people living hard, narrow lives
—— ObserverSo well-written, so deeply imagined, that the reader will find delight even in the encircling gloom. Love may not conquer all, but Art can
—— Scotsman[Hill] does what all good writers must set out to do: she made me read until I had the answer
—— M J Hyland , GuardianHill’s sparse style provides the perfect medium for exploring this family’s predicament
—— Matthew Dennison , The TImesHill does a wonderful job of evoking life in this enclosed community
—— Emma Hagestadt , IndependentA masterpiece of economy and control
—— Good Book Guide