Author:James Nelson
From bestselling author James Nelson, an enthralling, swashbuckling naval adventure set in the American War of Independence, perfect for fans of C.S.Forester and Patrick O'Brian. You'll be gripped from the first page!
"Authenticity runs throughout the book, carrying total conviction" -- Patrick O'Brian.
"This is another great author, who knows what he writes about." - ***** Reader review.
"There is action and plot twists right up to the last page, I couldn't put it down." - ***** Reader review.
"A fine adventure series...first-rate action writing" -- PUBLISHERS WEEKLY
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FORCED TO SACRIFICE THE SHIP HE LOVES. CAPTURED BY THE ENEMY. CAN HE CHANGE HIS FATE?
1775. The American War of Independence is starting in earnest and Captain - and smuggler - Isaac Biddlecomb, pursued by HMS Rose, sacrifices his ship, the Judea, rather than surrender to the British.
Forced to go on the run, and to disguise himself as a lowly ship's mate on a brig bound for Jamaica, he finds himself captured by the enemy.
Can he use his wits to survive a life of servitude under the deranged captain and sadistic crew of the HMS Icarus...?
By Force of Arms is the first novel in James Nelson's Revolution at Sea series. Biddlecomb's story continues in The Maddest Idea.
Authenticity runs throughout the book, carrying total conviction
—— Patrick O'BrianFirst rate action writing
—— Publishers WeeklyGripping... This is a memorable, richly allusive story, skillfully interweaving thoughts from Kafka to the poet Elizabeth Bishop. Barrett probes not only the surface but the depths of who we are
—— Anita Sethi , ObserverWonderfully imagined, and very funny… a dazzling first novel by one of Africa’s best young writers
—— Kate Saunders , The TimesAs well as being a fable about race and identity, Blackass is in large part a love letter to Lagos… For Barrett, race is inevitably one part of a person’s identity, but it is one that asserts itself principally through the eyes of others, through how they “read” those they encounter. People will inevitably discuss this book, and Barrett’s work in general, in the context of a resurgent Nigerian literary scene that includes writers such as Teju Cole, Chimamanda Ngozi Adichie and Helon Habila. But, to read him only as a Nigerian writer would be to do him a disservice. For Blackass is a strange, compelling novel, and Barrett has something to tell us all.
—— Jon Day , Financial TimesA bold riff on Kafka’s Metamorphosis... Igoni Barrett’s greatest asset is his ability to satirise the ridiculous extents people, especially Lagosians, go to in order to appear important. His characters’ every foible is captured and amplified for effect.
—— Helon Habila , GuardianAn inventive and playful take on power and identity in modern Nigeria... [with] nods to Achebe and Yeats
—— Sarah Gilmartin , Irish TimesA highly original story about selfishness, inequality and perceptions
—— VoiceA confident, original and occasionally laugh-out-loud-funny novel which may have an agenda but is certainly not hijacked by it
—— Lucy Chatburn , BookmunchA suitably surreal cocktail of Kafka, Lagos life and Nigerian wit
—— Christine Wallop , TelegraphA really interesting and different novel from many of the things I have read, or have seen published, this year. You can simply read it as a darkly witty escapist fairytale/myth/fable or you can or as a wonderful, satirical and occasionally daring way to look at society and questions of class, gender and race. Either way you are going to have a great read ahead of you
—— Savidge ReadsBarrett’s novel forces the reader to consider important questions regarding the human condition and is a worthwhile read precisely because of the difficult questions it raises.
—— Cristina Tomàs , Totally DublinBarrett reworks Kafka’s family drama as an urban odyssey and make a stunning success of it.
—— Ainehi Edoro , Guardian