Author:José Saramago

No food, no water, no government, no obligation, no order.
Discover a chillingly powerful and prescient dystopian vision from one of Europe's greatest writers.
A driver waiting at the traffic lights goes blind. An ophthalmologist tries to diagnose his distinctive white blindness, but is affected before he can read the textbooks.
It becomes a contagion, spreading throughout the city. Trying to stem the epidemic, the authorities herd the afflicted into a mental asylum where the wards are terrorised by blind thugs. And when fire destroys the asylum, the inmates burst forth and the last links with a supposedly civilised society are snapped.
This is not anarchy, this is blindness.
‘Saramago repeatedly undertakes to unite the pressing demands of the present with an unfolding vision of the future. This is his most apocalyptic, and most optimistic, version of that project yet’ Independent
Extraordinary...a tour de force of thought-experiment and feeling-experiment
—— ObserverThis is a shattering work by a literary master...a book of real stature
—— Boston GlobeSaramago repeatedly undertakes to unite the pressing demands of the present with an unfolding vision of the future. This is his most apocalyptic, and most optimistic, version of that project yet.
—— IndependentHe writes a prose of particularly luminous intensity, brilliantly rendered into English by his regular translator Giovanni Pontiero...Sweepingly ambitious
—— The TimesA powerful fable
—— ScotsmanBlistering, unrelenting, horrifying, yet still somehow luminously redemptive
—— White Review, *Books of the Year*Bannister's exemplary world building brings a sense of awe to Creation Machine - you can't help but marvel at his descriptive prowess . . . a beautiful space opera.
—— SCiFiNOWGreat action, surprisingly morbid humour and great characters . . . enjoyable and accessible.
—— SFBOOKREVIEWSA spectacular plunge into the deep end of wide-screen space opera . . . such an engaging novel with a good plot, plenty of sense-of-wonder, style and brio propelling matters . . . with Creation Machine we could be witnessing the birth of a new star in the SFnal firmament. Sun glasses please, we are in The Spin.
—— Concatenation.orgIf you enjoy fast-moving adventures set on strange planets and involving alien species, inventive technology, heroic class warriors, Machiavellian politics — and heavy drinking in space bars — you will welcome this new British writer with open arms. And, if you do, you’ll be pleased to hear that a sequel, set 10,000 years later, is due out any day.
—— MORNING STAR ONLINEIt’s a poignant portrait, like stained glass; a rich picture made up of all the small stories that make up a marriage, that make up a life.
—— Natasha Tripney , ObserverTim Parks is a writer with acute perception of human nature.
—— Shelia Grant , NudgeTim Parks, always sharp on domestic details… is good on the subtleties of office politics. And good on stormy passion, too.
—— William Leith , Evening StandardFeatured in 'Best Books for Children's and Teens 2017
—— Independent OnlineThis is an original and highly compelling read; heart-breaking on occasions, but ultimately uplifting
—— Teach SecondaryA heart-warming story about a space-obsessed boy's quest for answers
—— Angels & UrchinsA poignant debut
—— Event Magazineemotional, raw, deeply moving and…funny too
—— The Scotsman...a really rather good YA crossover ... while Khorsandi's novel tackles some pretty big subjects, it does so while making you laugh out loud
—— MetroI really couldn’t put this book down. It’s not just for young people but if you have a teenage daughter, please make her read it.
—— The SunI am loving Shappi Khorsandi's Nina is Not OK, she is making me care about 'Nina' so much that I get anxious on her behalf
—— Jenny EclairThematically taut and compulsively paced.
—— Edmund Gordon , Sunday TimesA very good novel of anxiety, embarrassment and also, somehow, the depths of Englishness.
—— Evening StandardMarvellous, original and intelligent. Kunzru writes like a master storyteller... There's simply nothing [he] couldn't manage in prose
—— Literary ReviewPublisher's description. Electrifying, subversive and wildly original, White Tears is a ghost story and a love story, a story about lost innocence and historical guilt. This unmissable novel penetrates the heart of a nation's darkness, encountering a suppressed history of greed, envy, revenge and exploitation, and holding a mirror up to the true nature of America today.
—— PenguinCompulsively readable, masterly - a tour de force
—— Rachel KushnerRiveting from the very first page, I was completely addicted... A literary thriller and a timely, unsparing excavation of the very real spectre of race in America's past and present. White Tears is proof that Kunzru is one of the finest novelists of his generation...
—— Mirza WaheedHari Kunzru is an incredibly versatile writer who is alert to the inequalities in the world... Powerful and complex, White Tears is a novel about abuses of wealth and power. Brilliantly orchestrated, unforgettable and devastating
—— Bernardine EvaristoHari Kunzru is one of our most important novelists
—— Independent on SundayKunzru's engagingly wired prose and agile plotting sweep all before them
—— New YorkerElizabeth Strout's My Name is Lucy Barton shouldn't work, but its frail texture was a triumph of tenderness, and sent me back to her excellent Olive Kitteridge
—— Cressida Connolly , The SpectatorA rich account of a relationship between mother and daughter, the frailty of memory and the power of healing
—— Mark Damazer , New StatesmanThis physically slight book packs an unexpected emotional punch
—— Simon Heffer , Daily TelegraphA novel offering more hope
—— Daisy Goodwin , Daily MailMy Name Is Lucy Barton intrigues and pierces with its evocative, skin-peeling back remembrances of growing up dirt-poor.
—— Ann Treneman , The TimesMasterly
—— Anna Murphy