Powerful… Poignant, bleak and haunting, this is a small masterpiece

Compulsively readable

Hill deploys her not inconsiderable power to weave a haunting story

Beautifully, even lovingly, told

There is something Hardyesque in the tragic momentum of this story

Gripping all the way to its unexpected end

A perfectly judged story of people living hard, narrow lives

Hill's beautiful, soulful descriptions of pit village life make this every bit as gripping as her longer spine-chilling stories

In this taught, tense story, written with that unsparing economy which is such a feature of Hill's recent fiction, everyone longs to escape... Ted is thoughtful, compassionate, loving and misguidedly chivalrous... The sparseness of Hill's style provides the perfect medium for exploring his predicament

Hill's taut prose exudes a constant darkness... you are left unsettled and haunted by the seeming inevitability of their troubled lives

Taut, tense story, written with that unsparing economy which is such a feature of Hill's recent fiction

The versatile Hill tells a perfectly judged story of people living hard, narrow lives

So well-written, so deeply imagined, that the reader will find delight even in the encircling gloom. Love may not conquer all, but Art can

[Hill] does what all good writers must set out to do: she made me read until I had the answer

Hill’s sparse style provides the perfect medium for exploring this family’s predicament

Hill does a wonderful job of evoking life in this enclosed community

A masterpiece of economy and control

Lustrum is a serious piece of storytelling, enormously enjoyable to read, with an insider's political tone which makes the dedication much more than a matter of convention or duty

Harris has taken the DNA of Cicero's great speeches and animated them with utterly believable dialogue...Harris's greatest triumph is perhaps in the evocation of Roman politics, the constant bending of ancient principles before the realities of power, and in his depiction of what it was like to live in the city: the mud, the guttering lamps, the smell of the blood from the temples ... I would take my hat off to Harris, if I hadn't already dashed it to the ground in jealous awe. *****

Gripping ... A compelling narrative, full of plots, murder, lust, fear, greed and corruption ... No writes is better at creating excitement over political theatre

The thrilling pace of the narrative does not let up from start to finish. Lustrum is an utterly engrossing, suspense-filled read

Dripping in detail it brings ancient Rome to vivid life, yet the political intrigue has echoes in today's ruling classes. And while the pace gallops along, the action is reined in just enough to crank the tension up. *****

Conspiracy, betrayal and political upheaval are the keys that turn this brilliantly researched page-turner

For a page turner...I would go for Lustrum (Hutchinson, £18.99) the second volume of Robert Harris's semi-fictional trilogy on the life of the Roman politician Cicero. The oldest stories really are often the best!

Harris is one of the consummate storytellers of the age, a master of narrative who - whatever genre he tackles - delivers books that are definitions of the word compulsive. In Lustrum, we have the mechanics of the thriller applied to ancient Rome, with immensely powerful results

A fine achievement: a hefty, politically serious thriller that effortlessly reanimates the dusty quarrels of Roman government while casting ironic and instructive sidelight on those of our own

Supreme story-telling

Deeply satisfying, impeccably researched and spectacularly topical ... a thriller to die for ... Harris brilliantly evokes Rome on the edge of political chaos through the eyes of Cicero's slave Tiro, who acts as his mater's secretary ... The pace never falters, and the politics are sharply relevant for today

Harris communicates such a strong sense of Imperial Rome - the book is awesomely well-informed about the minutiae of everyday life

Lustrum... was a fascinating world, a world of subtle political machinations and fine oratory and nuanced debate, and complex legislation, and intrigue, and an extremely absorbing one

It is a tribute to Harris's deftness of touch that this book feels so fresh ... he has a lovely dry, debunking style ... Harris writes about the life of politics with an insight rare among historical novelists ... It is as a pure thriller ... wry, clever, thoughtful, with a terrific sense of timing and eye for character

Lustrum offers a great insight into the psychology of political calculation. The story of Cicero's fall from power to the point where even sworn allies close their doors on him offers little consolation over the next few months for our own leader

What a storm it is. The five year period covered by the novel, the 'lustrum' of its title, has some claim to be the most thrilling in the entire span of classical history ... Remorseless it may be; but it is also, as one would expect of Harris, thrillingly paced and narrated. The excitements of a classic thriller, however, are almost the least of the novel's virtues: virtues which derive in large part, from Cicero himself. What grips most about Lustrum is the seriousness with which the political issues at stake are taken, and the vividness of the characterisation: both of which, in large part, reflect the closeness of Harris's reading of his hero's speeches and correspondence

Robert Harris brings the cut-throat republic to life... He understands politics and how to dramatise them.

Offers great insight into the psychology of political calculation

[Lustrum] stands on its own merits as a thoroughly engaging historical novel. Republican Rome, with all its grandeur and corruption, has rarely been made as vivid as it appears in Harris's book. The allure of power and the perils that attend it have seldom been so brilliantly anatomised in a thriller.

Harris never makes his comparisons between Rome and modern Britain explicit, but they are certainly there. And that's the principal charm of his ancient thrillers - their up-to-dateness.

Intrigue and excitement all the way, brilliantly read by Oliver Ford Davies.