Author:Virginia Woolf,Gillian Beer,Stella McNichol,Gillian Beer
'One of the great writers of the twentieth century' Guardian
It is June in 1939, and the inhabitants of a country house prepare to host the annual village pageant in its grounds. It will tell the stories of English history, as it does every year. Yet the coming of war broods over the whole community, changing the meaning of past and present, and heralding a new act. Through her characters' passionate musings and private dramas, and through the enigmatic figure of the pageant's author, Miss La Trobe, Virginia Woolf's playful final novel both celebrates and mocks Englishness, and re-creates the elusive role of the artist.
Edited by Stella McNichol with an Introduction and Notes by Gillian Beer
Filled with light and shade, love and tragedy ... if it was a song you could sing it
—— Anne EnrightIt’s furious, it’s moving, it’s darkly funny, it punches you right in the gut, the writing is effortlessly wonderful, and every one of the wide variety of voices rings utterly true.
—— Tana French , New York TimesDonal Ryan is the real deal … A brilliantly realised, utterly resonant state-of-the-nation landscape
—— Sunday IndependentDonal Ryan’s precise and evocative debut … is a textured account of a community as it was during a brief moment of time. … unexpectedly tender … Ryan’s prism of life and lives is compellingly humane. … This is an exciting, relevant and believable contemporary novel about the lost and the wounded that listens to the present without discarding either the sins of the fathers or the literary legacy of the past.
—— Eileen Battersby , The Irish TimesThere’s a powerful sense of place and shared history binding Ryan’s many voices, their inner and outer selves, distilling a linguistic richness comparable to Under Milk Wood. . . . Ryan’s novel . . . seems to draw speech out of the deepest silences; the testimony of his characters rings rich and true – funny and poignant and banal and extraordinary – and we can’t help but listen.
—— The GuardianPowerful and affecting . . . [a] superb, unforgettable and topical debut.
—— The TimesHumane, funny, moving and relevant, this is extremely impressive stuff.
—— Daily MailA formidable debut, with snatches of the savage comedy of Patrick McCabe and a wistful cadence all its own.
—— Daily Telegraph[A] beguiling debut. … This may be the work of a debut novelist, but it is one who reads plenty and knows his business. … His salty, damaged characters give voice to the anger and heartache of a town snared by Ireland’s collapse. For this, we are in his debt.
—— The Sunday TimesI was hugely impressed by The Spinning Heart. There will be many novels which explore the effect of the crash on the people of Ireland but I can't imagine a more original, more perceptive or more passionate work than this. Outstanding.
—— John BoyneMost beautifully written and plotted. What a writer! It is amazing to read about such grief and pain and yet end up elevated by the quality of the writing. A wonderful book.
—— Jennifer Johnston…a first novel that's … up-to-date in its concerns but that also transcends the merely topical in its bleak, if often savagely funny, vision of a rural Ireland … There are echoes … of Patrick McCabe's stray sod country, though Tipperary-born Donal Ryan has an imaginative insight into his characters that's all his own and a furious energy to his prose that gives arrestingly vivid life to these blighted souls. … a darkly persuasive debut.
—— John Boland , Irish IndependentFunny, moving, technically inventive … serves as a microcosm for Ireland in the aftermath of the financial crisis. … Structurally the novel gestures to William Faulkner’s As I Lay Dying, while Ryan’s sensitive observations on Irish life seem responsive to the work of his compatriot Patrick McCabe. That Ryan does not look out of place in such literary company is a measure of his achievement.
—— Financial TimesThe portrait of a whole town facing sudden crisis naturally packs quite a punch. Even so, the most impressive aspect of this overwhelmingly impressive novel is the sheer quality of those 21 narrations. … The unambiguous announcement of a genuine and apparently fully-formed new talent.
—— The SpectatorBeautifully written… extraordinary reading… captured the essence of the sad part of what’s happening in Ireland. This book just got me by the throat. A stunning, stunning read… It comes with the highest imaginable endorsement from me... A modern literary masterpiece.
—— Ryan Tubridy , RTE RadioThe most significant book to come out of Ireland since Angela’s Ashes … has the smack of authenticity. I’ve read many good books this year – new and old – but this is my book of 2012.
—— Guy Pringle , Newbooks magazineIt is hard to believe that such beautiful but controlled writing could come from a debut author, but The Spinning Heart is just that. Each chapter is narrated by a unique voice from one member of an Irish community, building by the end of this slim novel a precise and fully formed portrait of the devastation of the financial crash on both a personal, private and public level. It is full of warmth and wit, but is also a haunting and a complex story. There’s murder, adultery, scamming and gossiping, alongside love and heartbreak, in this perceptive gem of a novel.
—— Emma Herdman , The Bookseller[A] gem of a novel. With a sure sense of place, and a convincing portrayal of life lived at the edgy margins, it vividly plots the landscape of the heart en route to a gripping and ultimately redemptive finale.
—— Daily MailRaw and redemptive.
—— Sunday Business PostGripping and beautiful.
—— Image magazineRyan's third novel is an elegant, unflinching, entirely brilliant look at the waywardness of desire. . . . searing honesty that is raw but utterly riveting.
—— Psychologies magazineA powerful story that will pull you into a whirlwind of emotion and pain, but also the faintest glimmer of hope.
—— Irish Country magazineShines through its female characters.
—— Irish TatlerA stunning story that deserves great success.
—— Good HousekeepingAll We Shall Know blew me away, left me blubbering on my commute and wide awake at 2 a.m. . . . He excels at first-person narrative, and it's this that makes All We Shall Know unforgettable.
—— Stylist magazineAn intense, dramatic story . . . rather touching.
—— Mail on SundayHis best yet . . . I kept re-reading paragraphs and whole pages to savour Ryan's remarkable prose. The book imbues profanity with poetry, and the characters, for all their flaws, are beautifully and sympathetically drawn.
—— Hot PressUnflinching.
—— Radio TimesA wonderful novel.
—— S MagazineIn a word, this book is stunning.
—— The BooksellerMcEwan muses on love, empathy and the morality and ethics of artificial intelligence… very good.
—— Richard Dismore , Daily Mirror, *Book of the Month*An important literary contribution to the AI debate, one of the great questions of our time.
—— Country and TownhousePrecisely rendered and well observed… [McEwan] neatly delineates humanity’s remorseless self-demotion from the centre of the universe to flotsam.
—— Lionel Shriver , Standpoint[An] undeniably another excellent novel from McEwan, who demonstrates that he can conjure up challenging characters, witty dialogue and moral ambiguity when dealing with sex robots just as brilliantly as he does on literary turf.
—— Hilary Lamb , Institution of Engineering and TechnologyDexterous, utterly gripping and intensely thought-provoking.
—— attitude, *Book of the Month*Deeply unnerving… What starts out as a darkly funny ménage à trois becomes an unsettling examination of the human condition. Bold, clever.
—— Laura Powell , Sunday TelegraphThe latest novel from my favourite author tackles the subjects of artificial intelligence and what it is to be human. He does this in a surprising, original way, and Adam, the strong, seductive “robot”, is a character that will haunt me for a long time.
—— Victoria Hislop , The Week[This] new, gripping, beautifully written and constructed, disturbing, and provocative novel…is a thrilling read… the chilling conclusions that hyper-rationalism can come to are brilliantly described.
—— Roger Jones , BJGPMcEwan maintains his status as a master of fiction.
—— Maria Crawford , Financial Times, *Summer Reads of 2019*A new collection of stories that explores the complex - and often darkly funny - connections between gender, sex, and power across genres.
—— The Week, *Summer reads of 2019*Ian McEwan’s sublimely playful new novel transports you back to the Eighties but with some major changes, including eerily life-like robots… Dark and slyly funny, it’ll also give your brain a workout.
—— Neil Armstrong and Hephizbah Anderson , Mail on Sunday, *Summer Reads of 2019*