Historically important... Theater of great scope and grand design

The full range of the human and the divine is called into play

There is a manifest integrity about his work, a ruthless self-exposure, and a determination to venture into territory where few dramatists dare to tread

In this take on Aeschylus' The Oresteia, O'Neill substitutes the New England House of Mannon for the House of Atreus and concocts a typically over-the-top cocktail of sex, envy, adultery, matricide and inescapable guilt

Wang Xiaobo's 1990s knockabout satire is a revelation. His tale of China's Cultural Revolution is no sombre lesson, but an antic and anarchic extravaganza

An ironist, in the vein of Kurt Vonnegut, with a piercing eye for the intrusion of politics into private life… Long after his death, of a heart attack, at the age of forty-four, Wang’s views still circulate among fans like a secret handshake

Golden Age (a title oozing irony) is an ultra-modern blast of thrillingly wrong-footing licentiousness. Determined to smash taboos, it revels in the anti-authoritarian power of lust

One of China's modern masterpieces ... a political satire fuelled by sex, love and humour

Wang Xiaobo is a truly unique writer, and there are very few writers like him. He had a remarkable ability to blend illusion with reality, distorting our understanding and infusing our feelings into the narrative of his language. This blending is so absurd, so real and palpable. Perhaps only a select few are capable of expressing their life experiences, imagination, and sexuality in relation to a vast and omnipresent political environment as Wang Xiaobo did.

What made Wang Xiaobo's writing so successful was his ability to use the most commonplace language to express the most heartfelt emotions in his inner world, and the most unspeakable real. When we encounter this kind of real while reading, we are left speechless; when "real" reaches a certain level, it all feels so unfamiliar and strange to us. It is precisely when this feeling of unfamiliarity emerges that the power of real reveals itself in Wang Xiaobo's words

In this excellent translation by Yan Yan, Golden Age demonstrates that Wang Xiaobo is one of the most original writers in post-Mao China. At once hilarious and charged with serious political discourse, Golden Age is a tour de force. It is as playful as Animal Farm by Orwell and as complex as Master and Margarita by Bulgakov. Anyone who is interested in modern China should read this book

Every page is a surprise. The novel is outrageous, startling, and very, very funny

One of the great writers to have emerged in post-Mao China. Wang Xiaobo excels in writing about love and sex - and coming of age - in an arid and bizarre world. With beautiful simplicity, he fills the reader with aching poignancy, and yet makes them want to laugh out loud

Like a Chinese Kurt Vonnegut. By turns lyrical and satirical, Wang Xiaobo's sexual comedies set during the Chinese Cultural Revolution are as improbable as that genre sounds. His long overdue publication in English comes as a gift. Golden Age is funny and brave and profound

An iconic writer with a cult status who influenced an entire generation of Chinese writers, Wang Xiaobo culls a different personal memory from the days of the Cultural Revolution. A secret sexual affair between two youths sent to the countryside for reeducation opens a window unto love and punishment, ideology and privacy, reason and absurdity. The wistful triumph in Golden Age bespeaks a time when sanity was survival at its minimum. For all its dark humor, irony, and matter-of-fact fornication, the novel carries tremendous heart in what it encourages the individual to feel. A must-read novel

Until reading Wang Xiaobo's Golden Age, I had not seen a work that captures the ironies and contradictions Wang Er endures living in a communist country in a decidedly capitalist world. Just my saying this sounds academic, but the novel is not academic. It's hilarious, loose, surprising and so smart. I am reminded of Heller's Catch 22, but whereas circularity was the enemy for Yossarian, it might well be Wang Er's ally

Startlingly funny, darkly profound, Golden Age is one of the most memorable novels published in Chinese language in the past hundred years, and it will still be read a hundred years from now

A comic take on oppressive regimes . . . wonderful euphemisms, wide-ranging irreverence, abetted by a voice that is variously smart, quirky, or sarcastic . . . entertaining . . . An unusual writer worth discovering for his humor and flair

A novel of lust and loss during China's Cultural Revolution . . . The idea of how to stand up to power underlies Golden Age

Startling and direct . . . Golden Age has long been admired by Chinese readers for its clever take on sexual rebellion, and its innovative voice and narrative style. Using the language of the state to highlight the absurdity of their laws, Xiaobo made a satire that is both amusing and effective. This fable remains relevant decades later and thousands of miles away

Wang Xiaobo was arguably the most influential intellectual of the post-Tiananmen generation, a nonchalant provocateur as well as an unconventional, anti-authoritarian thinker whose writing has stood the test of time

Golden Age, long admired in many circles, may prove a revelation to readers outside China. Wang Xiaobo steeped himself in the literatures of East and West, and the blending of influences - including Proust and Twain - makes for a searingly funny and fearless narration full of brilliant head-long riffs on sex, time, history, and the terrifying absurdities of the Cultural Revolution. Bawdy, earthy, cerebral, outrageous, bleakly hilarious and off-handedly brave, this novel is like nothing else

Admired for his cynicism, irony, humor, readers and critics around the world now widely regard Wang Xiaobo as one of the most important modern Chinese authors ... His [writing is] considered crucial to understanding China's recent past

Chinese author Wang Xiaobo died aged just 44 in 1997, but his masterpiece, Golden Age (Penguin, April), has now been translated into English in full for the first time by Yan Yan. It's a scabrous, bawdy novel set in the years of the Cultural Revolution. It's also very moving.

No solemn, reverent account, this is a book of many erections ... playful, though undercut with cynicism

A love letter to the strength of female friendship and how women can really be there for each other

A stirring tale of sisterhood, survival and being seen

A heartfelt story of mix-ups, mess-ups and making the most of second chances

Praise for Jojo Moyes

Moyes is on dazzling form in this big-hearted story

Raw, funny, real and sad, this is storytelling at its best

Blisteringly good

This truly beautiful story made us laugh, smile and sob like a baby - you simply have to read it

Entertaining, immersive and moving

Dazzling

Moyes somehow manages to break your heart before restoring your faith in love

A genuinely entertaining book, a really cracking story