Author:Simon Guerrier
Annie has learned quite a bit about her new friend Gemma: she's from Bristol, she used to work in a pharmacy, and she's never forgiven herself for the suicide of her teenage son. She also died ten years ago and doesn't know why she's come back through that door.
Perhaps it has something to do with the new road they're building through the rundown part of town. The plans are sparking protests, and Annie knows those derelict houses hold a secret in Gemma's past. Will stopping the demolition help Gemma be at peace again? Annie, George and Mitchell get involved in the road protest, but they're more concerned by mysterious deaths at the hospital. Deaths that have also attracted the attention of the new Hospital Administrator...
Featuring Mitchell, George and Annie, as played by Aidan Turner, Russell Tovey and Lenora Crichlow in the hit series created by Toby Whithouse for BBC Television
Kinda Buffy meets This Life...it's sharp, dead funny and sexy
—— GuardianThis is dead good
—— Sunday TimesBBC3's best-ever drama... Required viewing
—— HeatA delightful balance of modern coming-of-age dramedy and horror fantasy . . . If you could imagine the love child of Friends and Dexter you'd be close.
—— Los Angeles TimesWitty, affectionate and unashamedly tear-jerking
—— RedHonest and beautifully written
—— Woman & HomeTissues are essential. You'll ricochet between delicately watering eyes at the romance of it all and howling sobs at the unbearable tenderness
—— HeatIt would be a hard heart indeed that remained unmoved . . . the tender feelings that Noble engenders in her readers are to be cherished
—— Daily ExpressSo fluid, the pages turn themselves
—— Daily MirrorIrresistible comfort read
—— GlamourNoble is the mistress of the tearjerking message of love
—— ExpressLudo is a fascinatingly flawed narrator, and the language is alive with livid, unsettling imagery
—— Sunday TelegraphJames Scudamore again achieves something magical
—— Ben East , The GuardianSlinkily assured... a steamlined fantasy summons up a teeming citadel where the wealthy take to their helicopters "like fat flies", leaving migrant workers to swarm below
—— Emma Hagestadt , IndependentThere is so much... brilliantly at work in James Scudamore's Heliopolis that it seems arbitrary to praise one element over another
—— Megan L McCarthy , The Irish TimesSinister, shocking and extremely powerful
—— Woman & HomeWonderful
—— RedHer writing is always thrilling and this is much more than simply a page-turner
—— Jane Wheatley , The TimesA successful novel, well made and written with a light touch
—— Alex Clark , The GuardianIt is beautifully written, and elegantly edited, and manages to pack in vivid characterisations built on tragic family histories... With its strong structure and interesting themes, it could be a textbook example of how to write a modern novel
—— Third WaySatisfying death-blow to place-in-the-sun escapism
—— Boyd Tonkin , Independent Summer ReadsA compelling novel
—— TatlerA wry family black comedy, a study in revenge, and an unlikely, if sinister, thriller...a characteristically intelligent, well constructed narrative... The prose is precise and fluent, the tone is neutral, and Tremain makes effective use of the fact that many adults remain children
—— Eileen Battersby , The Irish TimesA criss-crossing, sinuous tale of muted passion and sibling rivarly - and affection - set in the Cevennes. Its peculiar, particular atmosphere is conjured perfectly
—— Erica Wagner , The Times, Christmas round upA haunting and perfectly poised tale of incest and antiques.
—— Frances Wilson , Daily Telegraph, Christmas round upCreepily affecting
—— Katy Guest , Independent on Sunday, Christmas round upChilling and vivid
—— Charlotte Vowden , Daily ExpressSurely one of the most versatile novelists writing today... The scene-setting opening is languorous and beautiful, giving full rein to Tremain's descriptive gifts... A disturbing tale and one rich in detail
—— Daily ExpressIntriguing
—— James Urquhart , Financial TimesTremain expertly heightens the tension in a cleverly fashioned and astutely observed novel that reads like a cross between Ruth Rendell and Jean de Florette
—— Simon Shaw , Mail on SundayTremain's extraordinary imagination has produced a powerful, unsettling novel in which two worlds and cultures collide
—— Cath Kidson MagazineTremain writes about this part of France so well because she has known it since childhood, and she captures a sensuality in the landscape that is both attractive and eerie... It is an enthralling book about the catastrophic disruption honesty can bring
—— Siobhan Kane , Irish TimesThe novel has all the formal structure of a medieval morality tale, along with its traditional dichotomies: rus and urbe, avarice and asceticism, chastity and lust
—— GuardianRose Tremain's thrilling Trespass is set in an obsure valley in Southern France... To be read slowly; Tremain's writing is too exquisite to hurry
—— The TimesTimeless but rooted; tangible but otherworldly. Meticulously plotted, with the musty sadness that comes of cleaving to the past, Trespass will reward your reading time
—— Scotland on SundayRose Tremain's novel begins with a scream and barely loosens its grip amid the sumptuously written pages that follow...subtly harnesses the stifling heat and dangerously feral landscape of southern France to unspool a psychologically disconcerting story of family skeletons and outsider tensions
—— MetroLike a sinister edition of A Place In the Sun directed by Alfred Hitchcock, with the depth and subtlety that make the book far more than a mere thriller
—— You Magazine (Daily Mail)