Author:Enrique Vila-Matas,Jonathan Dunne
Marcelo, a clerk in a Barcelona office who might himself have emerged from a novel by Kafka, inhabits a world peopled by characters in literature. He once wrote a novel about the impossibility of love, but since then he has written nothing. He has, in short, become a 'Bartleby', so named after the character in Herman Melville's short story who, when asked to do something, always replied: 'I would prefer not to.'
One day Marcelo sets out to make a search through literature for all those other possible Bartlebys, and with this in mind he has the engagingly original notion of keeping a diary and writing footnotes to an invisible text. His references to authors, both real and invented, provide the reader with extravagant doses of humour that are at once hilarious, irreverent and stimulating.
Vila-Matas has had the brilliant idea of tracking down literature's slackers - Bartleby and Co proposes a shadowy history of literature
—— Alberto ManguelIngenious... An Excellent book... A work of honesty and profound beauty
—— John Burnside , Scotland on SundayBartleby and Co is set to become the book of the literary season... An enormously enjoyable and intelligent book, and if I am not mistaken, an important one
—— El PaisTold with considerable elegance and an admirable lack of melodrama
—— SpectatorIntense, elegant, despairing prose...deeply affecting
—— GuardianA transcendentally harmonious and compassionate work
—— Times Literary SupplementA surprisingly tender book... Amid the terror a classic story about love sneaks through: love lost, love imagined, love morphed into madness
—— New York Times Book ReviewBeautifully written... It puts a human face on the suffering inflicted by the Taliban... Disturbing and mesmerizing, The Swallows of Kabul will stay with you long after you've finished it
—— San Francisco ChronicleRiveting... Spare, taut, and pristinely clear prose... An uncanny knack for making moral tension palpable... Extraordinarily moving
—— Philadelphia InquirerA novel very much in the tradition of Albert Camus, not only in its humanism and concern with the consequences of individual choices but also in its determination to bear witness to the absurdities of daily life... [A] chilling portrait of fundamentalism run amok and its fallout on ordinary people
—— New York Times
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