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Auto-da-fé/Free Spirit/Fule’s Gold (Storycuts)
Auto-da-fé/Free Spirit/Fule’s Gold (Storycuts)
Aug 23, 2025 10:04 PM

Author:Joanne Harris

Auto-da-fé/Free Spirit/Fule’s Gold (Storycuts)

In 'Auto-da-fé', a man's car defines him. Until the Rep of the Year, in his smart blue BMW, goes head-to- head in a showdown with V-man in his smug black Volvo saloon. But who is the real loser in this game?

In 'Free Spirit', a wanderer, a party animal, goes wherever the wind blows, going home to bed with one person after another, old or young, healthy or corrupt, male or female. And then moves on, without regrets, without ever looking back...

In 'Fule's Gold', Mr Fisher has taught at St Swithin's for over forty years, but is resigned to the total lack of imagination of the boys in his creative writing class. Until the day he opens one exercise book and discovers the Holy Grail of literature: an essay of total freshness and originality. But is it just too good to have been written by a mere schoolboy?

Part of the Storycuts series, these three stories were previously published in the collection Jigs & Reels.

Reviews

Miles funnier and ruder than anything else of its kind

—— Evening Standard

Delicious cleverness and funniness . . . slips down as easily as strawberry soufflé

—— Sunday Telegraph

Fabulously funny . . . ace

—— Heat

David Malouf writes with the voice of a poet; his graceful fiction deals in truth and is always beautiful... This is a book that will engage and inspire... In writing this novel Malouf is honouring a great work and also making his own

—— Irish Times

In bringing something radically new, yet sensitively overlaid, to an already powerful epic, Malouf proves that an "untold tale" can be every bit as rewarding as its ancient original

—— Philip Parker , Financial Times

David Malouf has written a rich, moving and sometimes disturbing novel, one to read, as it demands, in a sitting and then to return to and read slowly. It is a worthy tribute to Homer and to the enduring fascination with the Iliad and Odyssey exert on our imagination

—— Allan Massie , The Scotsman

This is a great story...Malouf's beautiful language puts fresh flesh on to these ancient characters

—— Claire Allfree , Metro

Few writers possess the natural lyric grace of Malouf

—— Eileen Battersby , Irish Times

Malouf's poetic yet muscular prose is wonderful

—— Ronald Wright , Times Literary Supplement

A marvel- beautifully written, surprisingly moving, quietly rather brilliant

—— Harry Ritchie , Daily Mail

While Malouf's chief interest is in the human impulses that lie behind the epic deeds, he remains faithful to the beliefs and values of the ancient world

—— Edmund Gordon , Times Literary Supplement

immensely moving, modern novel

—— Elizabeth Speller , Independent

A dignified performance ... in writing this novel Malouf is honouring a great work and also making a great work of his own ... his graceful fiction deals in truth and is always beautiful

—— Eileen Battersby , Irish Times

Beautifully written and very moving, Ransom is a reimagining that respects Homer's original while expanding expertly on its themes.

—— Alastair Mabbott , Herald

Malouf captures the moving humanity of Priam's grief

—— Robert Collins , Sunday Times

Lyrical reworking of the final scenes of The Iliad

—— Metro

This superb novel goes by in a heartbeat, so smooth and engrossing is David Malouf's prose...It is a touching tale, full of pain, but rendered beautifully by Malouf's humanity

—— Lesley McDowell , Independent on Sunday

An audacious reworking of Homer's Iliad.

—— Holly Kyte , Sunday Telegraph

David Malouf...has given Homer's epic fresh life in this haunting mood piece...a graceful, eloquent text dominated by rage and sorrow

—— Eileen Battersby , Irish Times

This novel explores the timeless motifs of epic, in miniature

—— The Times

You know it ends in death, and so do Malouf's haunted protagonists, but this telling, at once unfussy and wonderfully poetic, breathes warm life into a great epic

—— James Smart , Guardian

Breathtaking skill...an extraordinary emotional charge.

—— Colm Toibin , Guardian, Christmas round up

A finely honed, writerly and wise revisiting of one of the most famous episodes in The Iliad, when Priam the King of Troy goes to bring home the body of his dead son Hector. No-one in prose has managed to better Malouf's imaginative recreation of the Homeric world.

—— Robert Crawford , Sunday Herald, Christmas round up

a potent new yarn... Beautifully written in simple language freighted with meaning, Ransom explores a king's impulse to act as a mourning father.

—— James Urquhart , Financial Times
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