Author:Ian C Esslemont,John Banks

Tens of thousands of years of ice is melting, and the land of Assail, long a byword for menace and inaccessibility, is at last yielding its secrets. Tales of gold discovered in the region’s north circulate in every waterfront dive and sailor’s tavern and now adventurers and fortune-seekers have set sail in search of riches. And all they have to guide them are legends and garbled tales of the dangers that lie in wait - hostile coasts, fields of ice, impassable barriers and strange, terrifying creatures. But all accounts concur that the people of the north meet all trespassers with the sword - and should you make it, beyond are rumoured to lurk Elder monsters out of history’s very beginnings.
Into this turmoil ventures the mercenary company, the Crimson Guard. Not drawn by contract, but by the promise of answers: answers that Shimmer, second in command, feels should not be sought. Also heading north, as part of an uneasy alliance of Malazan fortune-hunters and Letherii soldiery, comes the bard Fisher kel Tath. With him is a Tiste Andii who was found washed ashore and cannot remember his past and yet commands far more power than he really should. It is also rumoured that a warrior, bearer of a sword that slays gods and who once fought for the Malazans, is also journeying that way. But far to the south, a woman patiently guards the shore. She awaits both allies and enemies. She is Silverfox, newly incarnate Summoner of the undying army of the T’lan Imass, and she will do anything to stop the renewal of an ages-old crusade that could lay waste to the entire continent and beyond. Casting light on mysteries spanning the Malazan empire, and offering a glimpse of the storied and epic history that shaped it, Assail brings the epic story of the Empire of Malaz to a thrilling close.
Maugham has given infinite pleasure and left us a splendour of writing which will remain for as long as the written English word is permitted to exist
—— Daily TelegraphA formidable talent, a formidable sum of talents...precision, tact, irony and total absence of pomposity
—— SpectatorGripping and entertaining
—— The Daily Telegraph on 'The Letter'A shrewd, still-relevant examination of women's roles, the nature of love and the manners and mores of marriage
—— Variety on 'The Constant Wife'Tim Parks’s brilliant new comedy is an invigorating twist on the male mid-life crisis novel… A very funny, very clever novel that shows with tremendous verve how life is so often a beleaguering collision between the absurd and the profound.
—— Daily MailA frantic and minutely observed comedy of family, marriage, life and death. There is something in the synaptic twitch of Parks’s prose that brings us closer to the pressures and rhythms of a lived life than the work of any other contemporary writer I can think of
—— Mike McCormack , New StatesmanBlazingly funny, full of squirmy physical comedy and weaselly shilly-shallying
—— Anthony Cummins , ObserverIn Extremis is a novel about death and family and religious faith, about fidelity and infidelity… It is intelligent, comic, sad and at times disturbing… Parks has a remarkable talent for presenting the waywardness of thought… Good fiction makes you think and feel at the same time. This novel does that very well, at times comically, at times distressingly.
—— ScotsmanA tense, believable black comedy
—— Melissa Katsoulis , The TimesBeyond the fierce and questioning intelligence are both humour and artfully constructed and invariably gripping plots
—— Independent on SundayThis is what a novel should be - gutsy, moving, funny, tragic, true – and with a syntax to die for. Tim Parks is in a league of his own. He makes every other English author of his generation look lame. In Extremis, in exacting detail, depicts the naked truth of marriage and aging, sex and death, family. Brilliant, brutal and all too quick – like life.
—— Henry SuttonA master of emotional complexity
—— Sunday TelegraphIn Extremis is simply spellbinding and quite unique in my reading experience; very funny and very existential, compact and chatty, complicated and raw. Parks has written a masterpiece.
—— Per WästbergA thrillingly unsentimental—thrilling because unsentimental—meditation on every aspect and orifice of the human body.
—— David ShieldsParks writes with wit and intelligence
—— The TimesA writer of considerable intelligence and great technical skill...tremendously readable
—— GuardianAn exceptionally acute observer of modern life
—— Daily TelegraphIn Extremis is by turns funny, poignant and thought-provoking. Structured with subtle intricacy, superbly controlled, and emotionally intelligent, this is a book to love
—— UK Press SyndicationThe Parks remains one of Britain’s most seriously under-celebrated novelists… In Extremis is often hilarious… The humour, clever asides, effortless plotting, astute characterisation, sense of everyday chaos and compelling readability will come as no surprise to his seasoned readers, yet the telling achievement of what is his finest book to date lies in its unexpected tenderness and beauty… Intuitive and humane, funny and sad – as real as life and death, as is Thomas Sanders, warts and all. This likely Man Booker contender is a British novel possessed of a sophisticated European resonance
—— Eileen Battersby , Irish TimesThe dreamlike quality of the stories in Men Without Women is undoubtedly one of its chief attractions… Murakami’s womenless men live in perpetual daydreams, a state of mind often prompted by a loss of some kind… Murakami’s latest is a hypnotising study of male loneliness
—— Paddy Kehoe , IndependentPotent storytelling and a generous cast of minor yet memorable characters… make for a helter-skelter read that’s clever, comic and pulsing with humanity
—— Mail on SundayThematically taut and compulsively paced.
—— Edmund Gordon , Sunday TimesA very good novel of anxiety, embarrassment and also, somehow, the depths of Englishness.
—— Evening StandardMarvellous, original and intelligent. Kunzru writes like a master storyteller... There's simply nothing [he] couldn't manage in prose
—— Literary ReviewPublisher's description. Electrifying, subversive and wildly original, White Tears is a ghost story and a love story, a story about lost innocence and historical guilt. This unmissable novel penetrates the heart of a nation's darkness, encountering a suppressed history of greed, envy, revenge and exploitation, and holding a mirror up to the true nature of America today.
—— PenguinCompulsively readable, masterly - a tour de force
—— Rachel KushnerRiveting from the very first page, I was completely addicted... A literary thriller and a timely, unsparing excavation of the very real spectre of race in America's past and present. White Tears is proof that Kunzru is one of the finest novelists of his generation...
—— Mirza WaheedHari Kunzru is an incredibly versatile writer who is alert to the inequalities in the world... Powerful and complex, White Tears is a novel about abuses of wealth and power. Brilliantly orchestrated, unforgettable and devastating
—— Bernardine EvaristoHari Kunzru is one of our most important novelists
—— Independent on SundayKunzru's engagingly wired prose and agile plotting sweep all before them
—— New YorkerElizabeth Strout's My Name is Lucy Barton shouldn't work, but its frail texture was a triumph of tenderness, and sent me back to her excellent Olive Kitteridge
—— Cressida Connolly , The SpectatorA rich account of a relationship between mother and daughter, the frailty of memory and the power of healing
—— Mark Damazer , New StatesmanThis physically slight book packs an unexpected emotional punch
—— Simon Heffer , Daily TelegraphA novel offering more hope
—— Daisy Goodwin , Daily MailMy Name Is Lucy Barton intrigues and pierces with its evocative, skin-peeling back remembrances of growing up dirt-poor.
—— Ann Treneman , The TimesMasterly
—— Anna Murphy