Author:Susan Sontag
'The only transformation that interests me is a total transformation- however minute. I want the encounter with a person or a work of art to change everything.'
Brazen, brilliant and deeply searing, Sontag's diaries wrestle with the profound - exploring ideas and subjects as far-reaching as writing, war, desire and consciousness.
From the graphic destruction of war-torn Vietnam to her tumultuous romantic affairs, in the second volume of her diaries, Sontag is profoundly candid and insightful. This instalment charts the years when Sontag wrote the majority of her renowned essays, including the ground-breaking Against Interpretation in 1966. Riveting and enlightening, As Consciousness is Harnessed to Flesh illuminates the mind of one of the twentieth century's most significant intellectuals.
'Her diary entries combine her interests with bright, aphoristic turns of phrase....These diaries are a reminder of the value of the work that made her great, and also mysterious . . . ' The Economist
'It is a rare pleasure to read, in her diary, discoveries being made in real time. She applies her mind to itself with enthusiasm' The Guardian
'In its fragmentation and incoherence and passion, its combination of the erudite and the everyday, it is more true to life, both intellectual and emotional, than the most artful novel or careful biography. It may well be that Sontag's diaries, like Virginia Woolf's (which she knew and admired) will come to be seen as just as brilliant and important as anything she wrote.' The Telegraph
Revelatory in the most profound sense
—— The TimesGold dust
—— Sunday Times[J. O. Morgan] has quietly established himself as a gifted writer of the long poem... The Martian’s Regress is an imaginative leap… In portraying the variously hopeful, hopeless, comic and bleak ways of apparent aliens, Morgan brings us closer to ourselves.
—— Ben Wilkinson , GuardianThe Martian’s Regress is a powerful long poem… An interesting and always accessible variation on a dystopian theme… The story remains taut and reverberates…[and] draws elements of humour even from dark places.
—— BookmunchDark and immersive; a feast of storytelling that lingers long after the last morsel's been consumed.
—— SAM LLOYD, author of The Memory WoodThis beguiling and unsettling debut had me hooked from the first page . . . a unique, strange and defiant folk horror story which lingers long in the memory.
—— DAILY EXPRESSA bewitching, beguiling, and deeply unsettling tale of one woman's strange life. It will ensnare you from page one and keep you riveted until the end.
—— CAITLIN STARLING, author of The Luminous DeadIn this storytelling masterclass, everything is inverted.
—— DAILY MAILA glorious, pitch-black fairytale of a book. Lush, strange and defiant. As soon as I finished it, I went straight back to the start and read it again.
—— KIRSTY LOGAN, author of Things We Say in the DarkOdd and unsettling, this might not be for everyone, but we thought it was magic.
—— HEAT magazineDark and magical, one of the best books I've read this year.
—— Books, Bones & BuffyA fairytale, a psychological portrait and a bleak drama.
—— New Books MagazineA brilliant and sinister debut.
—— Ginger Nuts of HorrorBeautiful, strange . . . hideously dark, delights in unsettling.
—— The BookbagCreepy and disturbing right from the start.
—— Spooky Mrs GreenA disturbing but brilliant narrative . . . a rare treat.
—— WOMAN'S WEEKLYHas all the ingredients of a modern gothic.
—— Herald, Hot List 2020A debut novel that's carefully calibrated to make every single hair on the back of your neck stand up on end
—— Scotland on SundayA modern gothic thriller that draws on the author's own Highland childhood
—— Herald MagazineWith Pine, (Toon) … has passed the debut hurdle in striking style.
—— Harper's BazaarA haunting and heartbreakingly bewitching tale … Packed with folklore, magic and an eerie sense of foreboding every time you turn the page, Pine will captivate readers from the very first page
—— Her.ieA gothic stirring of folklore and legend
—— RTÉ GuideEerie and spell-binding
—— Irish ExaminerFrom the first page PINE casts a sense of slowly-rising unease that is completely compelling. It's both eerie and thrilling at once, and had me under its spell until the end
—— Sophie Mackintosh, author of THE WATER CUREAn atmospheric tale of memory and loss
—— Daily MirrorEerie and dark, you'll be mesmerised by this dramatic tale with its tightly-woven plot
—— WomanIf there's any doubt that the Gothic thriller is enjoying a boom, Francine Toon's debut should settle the matter. PINE, a moving study of memory and loss, is both spooky and tender; drenched in a sense of place and yet eerily timeless
—— Mick HerronCombines the Gothic sensibilities of Shirley Jackson with the psychologically astute suspense of Gillian Flynn ... will leave you gripped and transfixed
—— Sharlene Teo, author of PontiFrancine Toon's touching account of a flawed, yet tender, father-daughter relationship in PINE is all the more compelling against the starkly beautiful backdrop of the Scottish highlands
—— Livia Franchini, author of Shelf LifeA beautifully crafted gothic tale of isolation and not belonging. Thoroughly gripping and stunningly atmospheric
—— Lucie McKnight Hardy, author of Water Shall Refuse ThemAn atmospheric tale of memory and loss, movingly told through a child's eyes
—— Sunday Express MagazineMany of the themes familiar from Austen’s novels are deftly revisited by Hornby, and the letters that are reimagined are pitch-perfect, with deeply touching confidences shared in family correspondences. You can tell this book by its cover – it’s quite lovely.
—— IRISH TIMESBeautiful novel[…] light hearted historical fiction which resembles Austen’s novels, a really lovely read very suitable for incoming spring’
—— Excuse My Reading (Instagram)Gill Hornby unfolds it all in her imagination.
—— The TimesHornby combines a moving portrait of sisterly devotion with a comic depiction of the provincial life so brilliantly evoked in Austen's own novels
—— DAILY MAIL[A]t the heart of it all there's a romantic twist..."Hornby is at her best describing the complex bonds between the excellent women of her story. She describes the horrors, but also the pleasures of spinsterhood"
—— THE TIMES