Author:Arthur Koestler

This was the third novel of Arthur Koestler's trilogy on ends and means - the other two are THE GLADIATORS and DARKNESS AT NOON - and the first he wrote in English. The central theme is the conflict between morality and expediency, and in this novel Koestler worked it out in terms of individual psychology. Peter Slavek starts out as a brave young revolutionary, but suffers a breakdown. On the analyst's couch he is made to discover, in Koestler's own words, 'that his crusading zeal was derived from unconscious guilt'.
Arthur Koestler has developed a descriptive power which is at once irresistible and unbearable...It is brilliantly done. Not the least impressive thing is the incidental picture, casually built up by a touch of colour here and there, of the city itself, with its polyglot population of every nation.
—— Daily TelegraphHis attitude is profoundly and honourably intellectual in that he sees life as a series of mental and moral problems to be solved, or at least to be clearly stated...I have criticised Arrival and Departure not as a current novel by which criterion the faintest doubt of its supremacy would be out of place, but as the enduring work of art which I believe it may prove to be. Its qualities are not only of a high but of an extremely rare order.
—— New StatesmanSuperbly poised between the magic of innocence and the melancholy of experience
—— The EconomistMichael Ondaatje's impressive new novel, containing dreams and fantasy between a ship's flanks...is, in the most etymological way, a wonderful novel: one full of wonders
—— Philip Hensher , Daily TelegraphAtmospheric, elegiac and at times, like Ondaatje's most famous novel, The English Patient, unbearably poignant
—— Sebastian Shakespeare , TatlerI love this book: the boys running wild on the long sea voyage, the slow revelation of the adult world they don't fully understand, the loss of the past and the beginning of the future, and even a sort of thriller in there! And the beauty of the sentences. Perfection
—— Salman RushdieWondrous
—— Financial TimesPart memoir, complete masterpiece... Written with tenderness, wisdom and sharp emotional recall, this is an exuberant elegy to innocence
—— Maggie Fergusson , Intelligent LifeGrave and playful at the same time, beautifully written and moving
—— The TimesIt's impossible to explain through any discussion of plot and character the hypnotic brilliance of The Cat's Table. The joy of boyhood and the darkness at its edges are conveyed in sense of extraordinary imagination... It is entirely...well, Ondaatje-esque
—— Kamila Shamsie , Guardian, Books of the YearVividly follows the passage from Ceylon to England of an 10 year-old boy on a line full of eccentric, mysterious passengers
—— Ann Saddlemyer , Irish Times, Books of the YearOndaatje's prose, flawless as ever, deals with loneliness, friendship and pre-pubescent love
—— Christine Dwyer Hickey , Irish Times, Books of the YearTranslators give their wits and craft selflessly in service of others' work; this is a triumph of fidelity and unpretentiousness.
—— The IndependentTom McCarthy's C... a novel blazing with energy and, for all its postmodern ambitions, a rich, old-fashioned yarn
—— Rosie Blau, on being a Booker judge , Financial TimesI surmise that it was because Tom McCarthy's C also hovers on an uneasy breaking-point, between fiction and philosophy, that I wanted it to win the Booker Man prize.
—— Andro Linklater , Spectator, Christmas round upMcCarthy's high-voltage writing runs through the reader like a charge.
—— Frances Wilson , Daily Telegraph, Christmas round upNew readers could grasp just how boldly he has tried to balance sumptuous period-fiction prose with a mischievous desire to sabotage his chosen form.
—— Boyd Tonkin , Independent, Christmas round upAn exciting, revealing and touching story
—— Lesley McDowell , Sunday Herald, Christmas round upThe novel's interest (or lack thereof) lies mainly in its stubborn refusal of anything resembling a narrative payoff...I loved it, right down to the prose, which, unspooling in a vaguely menacing present-continuous, sounds like screenplay instructions to a set designer
—— Anthony Cummins , The TimesA dazzlingly agile novel about the interconnectedness of things
—— MetroEntertaining as well as ambitious
—— The HeraldMcCarthy's descriptions of nature and of the everyday details of the era are vivid, surprising and true. And while the writing is often beautiful and ornate, the story has a bracing, Beckett-like severity
—— Irish Times