Author:Wilkie Collins,John Sutherland,John Sutherland

An innovative novel featuring an astonishingly wicked female villain, Wilkie Collins's Armadale was regarded by T.S. Eliot as 'the best of [his] romances'. This Penguin Classics edition is edited with an introduction and notes by John Sutherland.
When the elderly Allan Armadale makes a terrible confession on his death-bed, he has little idea of the repercussions to come, for the secret he reveals involves the mysterious Lydia Gwilt: flame-haired temptress, bigamist, laudanum addict and husband-poisoner. Her malicious intrigues fuel the plot of this gripping melodrama: a tale of confused identities, inherited curses, romantic rivalries, espionage, money - and murder. The character of Lydia Gwilt horrified contemporary critics, with one reviewer describing her as 'One of the most hardened female villains whose devices and desires have ever blackened fiction'. She remains among the most enigmatic and fascinating women in nineteenth-century literature and the dark heart of this most sensational of Victorian 'sensation novels'.
John Sutherland's introduction illustrated how Wilkie Collins drew on scandalous newspaper headlines and on new technology particularly the penny post and the telegraph - to lend extra pace and veracity to his tale. This edition also contains notes, further reading and an appendix on stage dramatisations of Armadale.
Wilkie Collins (1824-1889) was born in London in 1824, the eldest son of the landscape painter William Collins. In 1846 he was entered to read for the bar at Lincoln's Inn, where he gained the knowledge that was to give him much of the material for his writing. From the early 1850s he was a friend of Charles Dickens, who produced and acted in two melodramas written by Collins, The Lighthouse and The Frozen Deep. Of his novels, Collins is best remembered for The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868).
If you enjoyed Armadale, you might like Collins's No Name, also available in Penguin Classics.
He is by turns hilarious and subversive, a master of the cheekily surreal, whose conspiratorial mateyness often conceals a grinning skull
—— New StatesmanVery individual, imaginative, fresh work... The poems are disquieting, odd, dark, beautifully honed and cadenced
—— Ruth Padel , Financial TimesAlways original, genuine and generous, Matthew Sweeney's poetry has matured to the point where its artistry can be recognized. He's brilliant on stories that disclose the strange, the ironic, the sad
—— Douglas DunnHere are the small and great truths of the imagination that bursts forth out of our daily lives. Sweeney's poems are reflective, funny, supremely inventive and impeccably written. This is contemporary poetry at its very best
—— Charles SimicOne of our greatest authors... Greene had the sharpest eyes for trouble, the finest nose for human weaknesses, and was pitilessly honest in his observations... For experience of a whole century he was the man within
—— Norman Sherry , IndependentMr Greens' extraordinary power of plot-making, of suspense and of narration...moves continuously both in time and space and in emotion
—— The TimesHis style is spare, that's what is so beautiful. His novels are genuine romans philosophies - novels illustrating ideas
—— Piers Paul ReadIn a class by himself...the ultimate chronicler of twentieth-century man’s consciousness and anxiety
—— William Golding






