Author:Keith Donohue

Angels of Destruction is the mesmerising story of Norah, a nine-year-old girl who seems to materialise out of thin air when she arrives one bitterly cold night on the doorstep of Margaret Quinn. A widow who lives alone, Margaret has never got over the loss of her own child, a runaway called Erica who fled with her high school sweetheart, Wiley, to join a '60s-style band of West Coast revolutionaries known as Angels of Destruction.
Norah becomes Margaret's secret, a child possessed of magical qualities. But who is she really? And what is her purpose here? And what is this strange child's connection to Margaret's missing daughter?
Marvelous... Beautiful and wrenching
—— The Washington PostThis is a beautifully told story that's slightly eerie, compelling and sad
—— Natasha Harding , SunAn intriguing, intelligent tale... Donohue creates a world both strange and surprising while also touching and compassionate
—— Antonia Charlesworth , Big Issue'Like a Barbara Pym novel, though Joanna Trollope has a much stronger grasp than Pym on the tangled web of family life'
—— The TimesWe are astoundingly lucky to have Michael Moorcock. In his range, his skill, invention and his passion he exemplifies the very best of more than one literary tradition
—— China MievilleHere we have one of science fiction and fantasy's most respected and well-loved authors writing Doctor Who. What could possibly go wrong? The answer is absolutely nothing. This is a phenomenal book - 10/10
—— Total Sci FiExhilarating, funny and deeply peculiar...It's been years since the Doctor Who range put out anything as smart and engaging as this. Fingers crossed it's the first of many such volumes
—— SFXA bold, eccentric quasi space opera
—— Doctor Who MagazineThe great Michael Moorcock has written a Doctor Who book which is like Burt Bacharach knocking out an album for Lady Gaga
—— Word MagazineA marvel- beautifully written, surprisingly moving, quietly rather brilliant
—— Harry Ritchie , Daily MailWhile Malouf's chief interest is in the human impulses that lie behind the epic deeds, he remains faithful to the beliefs and values of the ancient world
—— Edmund Gordon , Times Literary Supplementimmensely moving, modern novel
—— Elizabeth Speller , IndependentA dignified performance ... in writing this novel Malouf is honouring a great work and also making a great work of his own ... his graceful fiction deals in truth and is always beautiful
—— Eileen Battersby , Irish TimesBeautifully written and very moving, Ransom is a reimagining that respects Homer's original while expanding expertly on its themes.
—— Alastair Mabbott , HeraldMalouf captures the moving humanity of Priam's grief
—— Robert Collins , Sunday TimesLyrical reworking of the final scenes of The Iliad
—— MetroThis superb novel goes by in a heartbeat, so smooth and engrossing is David Malouf's prose...It is a touching tale, full of pain, but rendered beautifully by Malouf's humanity
—— Lesley McDowell , Independent on SundayAn audacious reworking of Homer's Iliad.
—— Holly Kyte , Sunday TelegraphDavid Malouf...has given Homer's epic fresh life in this haunting mood piece...a graceful, eloquent text dominated by rage and sorrow
—— Eileen Battersby , Irish TimesThis novel explores the timeless motifs of epic, in miniature
—— The TimesYou know it ends in death, and so do Malouf's haunted protagonists, but this telling, at once unfussy and wonderfully poetic, breathes warm life into a great epic
—— James Smart , GuardianBreathtaking skill...an extraordinary emotional charge.
—— Colm Toibin , Guardian, Christmas round upA finely honed, writerly and wise revisiting of one of the most famous episodes in The Iliad, when Priam the King of Troy goes to bring home the body of his dead son Hector. No-one in prose has managed to better Malouf's imaginative recreation of the Homeric world.
—— Robert Crawford , Sunday Herald, Christmas round upa potent new yarn... Beautifully written in simple language freighted with meaning, Ransom explores a king's impulse to act as a mourning father.
—— James Urquhart , Financial Times






