Author:Peter Matthiessen

During the 1970s and 1980s, Peter Matthiessen took part in a number of expeditions to Africa, witnessing first-hand the continent’s many and diverse peoples and wildlife. The fruits of these journeys are three of the most impressive essays on the natural world of the late twentieth century.
The Tree where Man Was Born documents wild landscapes, peoples and animals, observed in a series of journeys in East Africa, from the Sudan, south through Uganda, Kenya and Tanzania, exploring the Serengeti, the Maasai Mara, the Ngorongoro crater and the archaeological sites of the Rift Valley.
African Silences recounts two expeditions made to West and Central Africa, including Zaire (as it then was), Gabon and the Central African Republic.
Sand Rivers describes the Selous game reserve in Southern Tanzania, one of the largest, but least-known refuges for animals left on earth, and provides an unforgettable portrait of this area and the fierce, lonely men who created it.
These three classic works represent Matthiessen the naturalist at his finest; written an all-encompassing curiosity and knowledge that brings alive the people, places and wildlife he encounters, and updated with a new introduction by the author.
A profoundly moving portrait of the region... Even now, years after I first read it, The Tree Where Man was Born seems imbued with precious vision
—— Jeremy Seal , Sunday TimesThe skilled naturalist writer is almost as rare as the Congo peacock or the pygmy elephant - both subjects of the quest Peter Matthiessen conducts in African Silences. 'Skilled' is almost an insulting understatement for Matthiessen's sharply captivating prose
—— Gary Mead , Financial TimesThe Tree Where Man Was Born is a truly magnificent book that will be just as important 50 years from now
—— Peter FarbTerrific... Wolitzer's novels have always been exemplars of the motto that the personal is political... [Offers] many pleasing, surprising contrasts
—— The TimesIt made me think about a woman's eternal problem of balancing the love she has for her children with what to do when they finally leave home. A serious, meaty read
—— EssentialsHer books have this peculiar knack of being both very funny and uncomfortable, and her dissection of marital relationships is second to none
—— Woman & HomeWolitzer is as precise and rigorous an observer of social status as Tom Wolfe; she is as incisive and pitiless and clear-eyed a chronicler of female-male tandems as Philip Roth or John Updike.
—— Chicago TribuneWolitzer perfectly captures her women's resolve in the face of a dizzying array of conflicting loyalties.
—— The Washington PostConcerned mothers are talking about a new novel, The Ten Year Nap by Meg Wolitzer
—— Evening StandardHer best novel to date... Writing with candour and humour, Wolitzer captures the neuroses of a rarefied mommy elite.
—— IndependentWolitzer is wickedly, terrifically funny - a true delight
—— The Times ReviewThis might well make you see work in a new light
—— London Evening Standard, & London LiteSmart and clever...Wolitzer could describe paint drying and make it funny, but there are hard questions posed in her portrait of these fortysomething urban females
—— Sunday TimesA quite superb piece of work.
—— Huffington PostSparky... modern... brilliant
—— Claudia Winkleman , BBC Radio 2 Arts Show[A] discomforting and acute tragicomedy ... The bleaker and darker his book becomes, the better it gets, building to a shocking and expertly executed conclusion. Tipped for the top on publication of his first novel, Lee here confirms his talent
—— Daily MailFor all painful events it covers, this is a joyful book. Lee educates us in the beautiful mess of humanity surrounding this tragic event. Joy is one of the best new novels this year.
—— We Love This BookA black comedy of exuberance and bite … original, and brilliantly executed; the characters’ voices … ventriloquised with flair … This is the wittiest, most addictive piece of literary yuppie-bashing since Martin Amis’s Money. Lee is a writer to keep an eye on.
—— IndependentA major new voice in British fiction.
—— GuardianA brilliant book... Jonathan Lee is one of those rare, agile writers who can take your breath away.
—— Catherine O’Flynn, author of What Was Lost[Joy] displays a real flair for narrative and characterisation…Highly accomplished…The closest comparison that can be made is with Joshua Ferris’s Then We Came to the End, which shares a similarly bravura command of narrative voice…Exquisitely and surprisingly written…it proves that Lee is a significant talent and that his future work should be well worth awaiting.
—— ObserverLee’s writing is witty and engaging, containing something of the wearied disgust of Raymond Chandler’s prose…These four voices confiding in the counsellor are entertainingly distinct…The novel’s outstanding achievement, however, is the central, spiralling narrative that Jonathan Lee threads among these personal accounts: the intimate story of how Joy came to fall, a forensic portrayal of despair that shows Lee to be an exceptional, brave prose stylist. The dark revelations in the book’s final pages are disturbing while not gratuitous, but Lee also allows some credible room for optimism among these cluttered lives. Funny and humane, Joy is an enormously impressive piece of storytelling
—— Tom Williams , Literary ReviewLee's the real deal - a British writer on the cusp of greatness. This novel follows the aftermath of lawyer Joy Stephen's apparent suicide. The corporate and personal explode in a brilliant powerful dissection of modern Britain.
—— Henry Sutton, The MirrorJonathan Lee’s second novel, Joy charts the final day in the life of a high-flying young lawyer. Lee writes with extraordinary vividness, with prose so sharply defined it takes your breath away.
—— ObserverWith its supple prose, ingenious structure, wit and slow-burn sympathy, Joy is a sly miracle of a novel.
—— A.D. Miller[One] of Britain’s most exciting writers… I loved how Jonathan Lee’s Joy gradually unravels through different characters…The ending of Joy is brilliantly shocking. I finished it three weeks ago and it’s still playing on my mind… Something about Joy’s slow and brooding story really affected me…Lee manages to make every voice distinct…It is Joy’s complexity which keeps you reading…[A] wonderful book.
—— StylistLee constructs office scenes easily, weaving together numerous characters and dialogues with flair…the writing crackles.
—— Independent on Sunday






