Author:Carlos Bulosan,Elaine Castillo

America Is in the Heart is a semi-autobiographical novel from the celebrated author Carlos Bulosan. Beginning with the young Carlos' difficult childhood in the rural Philippines where he and his family face immense hardship, this gripping story follows the narrator's tumultuous journey in search of a better life in America. This is an eye-opening account of the injustices, abuse and discrimination faced by immigrants in post-Second World War America.
A passionate, scintillating, brilliant song of a book
—— GuardianForging a wholly distinctive style from the bruised cadences of demotic Glaswegian, Kelman renders the hidden depths of ordinary lives in sardonic, abrasive prose which is more revealing of feelings that could ever be expected...as uplifting a novel as one could ever hope to read
—— Sunday TelegraphA work of marvellous vibrance and richness of character… it convinces, it charms, it entertains, it informs and it has life…. How Late it Was, How Late deserves every accolade it gets
—— New York TimesPublisher's description. A visceral coming-of-age story set against a backdrop of violence and turbulent desire in the blistering Brazilian suburbs. Taut with the threat of sex and savagery, this is a book about bodies and their limits, about how it feels to be young and what it means to become a man.
—— PenguinDaniel Galera understands that violence is mysteriously capable of restoring a person to reality and preparing him to meet his moment of grace. His characters bear life's inevitable weight of guilt and shame, all the while striving to resolve the fearful events of the past
—— Susanna Moore, author of 'The Life of Objects'Vividly radiates a sense of unease and menace. I found myself constantly absorbed by it
—— New Statesman on 'Blood-Drenched Beard'Coolly seductive, expansively mythic, with an unsettling sense of something indefinably out of joint beneath a veneer of small-town normality. . . . A tensely atmospheric novel [with] a dangerous undertow
—— Guardian on 'Blood-Drenched Beard'Rainsford's fairy and folktale sensibility blends seamlessly with horror . . . An astonishing debut heralding the career of an exciting new writer. Strange, lyrical, and arresting, this novel will draw readers into its extraordinary spell.
—— Kirkus starred reviewA wildly imaginative exploration of desire, fear and what it means to be a person . . . Beautiful and terrifying
—— Sunday TimesA quite unclassifiable creation, accomplished if unpinnable. There are many genres dipping their toes into this little plot: magical realism, practical gardening, myths and mythology, folk tales, sex for beginners, alternative medicine – with a soupçon of horror to stupefy the reader. Fairy tale comes closest perhaps, but not as many would know it
—— Desmond Elliot PrizeQuite extraodinary. Dense, subtle and beautiful. I want to start reading it all over again
—— ANNE YOUNGSON, author of Costa-shortlisted MEET ME AT THE MUSEUMBound in imagination and riveting from start to finish.
—— STORGY magazineFollow Me To Ground is an unnerving, beautifully controlled tour-de-force, a sinister tale that questions our preconceptions of predator and prey and the consequences of unchecked desire.
—— FantasticFiction.comRiveting read... a modern-day folk-tale.
—— Bookmunch BloggerBrimming with dark folklore and underworld energy, Rainsford’s stellar debut features a memorable heroine chafing against her monstrous isolation…Rainsford excels in describing the grotesque beauty of…alternative medicine in which the humming healers feel their “way to the pitch of [the patient’s] hurt”…This is a subtle, unsettling novel in which desire is an ineradicable sickness that can be preferable to health.
—— Publishers WeeklyA remarkable book. The voices of these trailblazing women are even more vital today, when the region’s upheaval cannot be explained without local, and especially female, perspectives.
With steely courage and pens of fire, these sahafiyat – Arab female journalists – tell the stories of their country’s conflicts, providing rigor, depth and insight few outside commenters could match.
—— Molly Crabapple , author of Drawing BloodIn this groundbreaking anthology, Arab women write of the challenges and beauty of reporting from their homelands. They tell stories of activism, arrest, motherhood, joy, despair, exile and pain, and of how they crossed boundaries and pushed the limits professionally, culturally, and personally. I loved this book, a must-read.
—— Janine di Giovanni , author of The Morning They Came for Us: Dispatches from SyriaThe authors are a who’s who of excellent women writers who have done some of the best journalism in the Arab world.
—— Kareem Shaheen , Book RiotOut of the gloom of the Middle East, this book brims with new voices – Arab women reporting on their world as no one else has seen it, with courage, inspiration, and resilience. A terrific read, full of insight and surprise.
—— David E. Hoffman , former foreign editor of The Washington Post and Pulitzer Prize-winning author of The Billion Dollar Spy: A True Story of Cold War Espionage and BetrayalAn astounding, affecting collection. Rich with understanding and sincere emotional connection to the people and places that drive the news, this book contains voices that are both fresh and necessary.
—— Megan K. Stack , author of Women’s Work: A Reckoning with Work and HomeA compelling and gripping read . . . Hankir has created a book that we are all desperate to read.
—— Middle East MonitorA refreshing insight into living and working in some of the world's most dangerous places... they upend our understanding of what it means to be a foreign correspondent. Our knowledge of the Middle East is richer and more nuanced thanks to these courageous women; it is long past time that we looked at things from their perspectives
—— Bethan McKeman , Guardian, *Christmas Gift Guide 2021*Fans of Liane Moriarty, meet your new favourite author
—— RedFamily ties are stretched to breaking point in the baking hot New York summer of 1973 . . . A book that's full of life lessons for people in a particular stage of their lives
—— Mariella Frostrup, BBC Radio 4 Open BookKeane draws two families in sharp, moving detail, effortlessly peeling back decades of history to look at friendship, mental health, and the changing and sometimes warped face of love
—— Sunday PostA rare example of propulsive storytelling infused with profound insights about blame, forgiveness and abiding love
—— PeopleDisplaying impressive reach . . . Keane delivers an epic of domestic emotional turmoil . . . Tender and patient, the novel avoids excessive sweetness while planting itself deep in the soil of commitment and attachment. Graceful and mature. A solidly satisfying, immersive read
—— Kirkus, starred reviewAn immersive read about family secrets and redemption
—— Alice O'Keefe , Editor's Choice, BooksellerA gut-wrenching tale centered around the families of two rookie, next-door neighbor NYPD cops and a tragedy that reverberates over four decades. The book revolves around the bond between their children, the daily intimacies of marriage and the power of forgiveness
—— Good Morning America Summer ReadsOne of the most unpretentiously profound books I've read in a long time . . . As a writer, Keane reminds me a lot of Ann Pratchett; Both have the magical ability to seem to be telling "only" a closely-observed domestic tale that transforms into something else deep and, yes, universal. In Keane's case, that "something else" is a story about forgiveness and acceptance - qualities that sound gooey, but are so hard to achieve in life . . . Modestly magnificent
—— Maureen Corrigan, NPR Fresh AirAn Updikean epic of intertwined families destabilized by grief and estrangement following a mother's breakdown, then redeemed by their enduring compassion for one another
—— Best Books by Women Summer 2019, OPRAH Magazine10 new books to read this August
—— SheerLuxeA powerful tale of two neighbouring families forever entwined by love and tragedy. . . A touching read
—— Woman's WeeklyMary Beth Keane draws two families in sharp, moving detail . . . With hints of Curtis Sittenfeld about it - the way it effortlessly unspools years, but buffets you with a huge amount of detail - it considers friendship and mental ill health, how love changes and warps, and despite a fairly slow start, does so beautifully
—— The HeraldPoignant and powerful
—— ImageA miniature epic . . . like Elizabeth Strout, Keane is good at creating distinctive characters - flawed, empathetic men and women whose inner landscapes she captures in powerful, pared-down prose. The novel is a nuanced portrait of the impact of mental illness and addiction, the limitations and endurance of love and of how 'we repeat what we don't repair'
—— Belfast TelegraphA thought-provoking read exploring mental illness, alcoholism and violence
—— CandisFans of Celeste Ng will love this modern American novel based on two families linked by tragedy and passion . . . A lovely mix of childhood memories growing in to adulthood, and its really powerful
—— StellarWith the author's deftness of touch, characters are rendered as real as those you encounter in daily life, and it's hard not to think about them even after reading the last pages
—— Connaught TelegraphAn engrossing drama about family, forbidden love, the toll of mental illness and the power of mercy
—— People MagazineA powerful novel about mental illness, alcoholism, love and redemption
—— Daily ExpressGripping and full of incident, a deft balance of horror and wit… As ever, Atwood cuts to the truth about women and power
—— Johanna Thomas-Corr , Evening Standard, *Book of the Week*The oppressed feminist shriek of the first novel gets its more optimistic echo in The Testaments...has the dramatic thrust and power to scorch the memory
—— Serena Davies , Daily TelegraphIt is a measure of Atwood's virtuosity as a writer... that rather than picking up where she left off in 1985 when The Handmaid's Tale was published, she has written such a perfect companion piece
—— Mary Carr , Mail on Sunday IrelandLike all good dystopian writers, she presents us with a cracked mirror in which we are asked
to see distorted images of ourselves
If The Handmaid's Tale is disturbing, The Testaments is, in many ways, even more so. Less violent, sure, but Gilead isn't fresh and new at this point. It is a society that has existed for well over a decade, and as such it has become normality for all those who live there...this is, perhaps, far more frightening than the punishments and cruelty we see in the original text
—— Ann Dowd , StylistAfter Donald Trump's election, Ms Atwood came to be seen by some as a soothsayer... If The Handmaid's Tale was a warning, The Testaments has a more positive message... Ms Atwood says that it reflects a sense of hopefulness on her part
—— The EconomistFor those waiting to find out what happened next, The Testaments is a fantastic conclusion to the story
—— Sarah Bates , Socialist WorkerThe transgressive, deliciously dangerous mind of Margaret Atwood
—— EsquireCompelling, poignant and controlled, Atwood's latest work will have any reader gripped
—— Harper's BazaarThe Handmaid’s Tale and The Testaments can seem like dark tales for dark times. But Atwood argues that they are not. "Writing is always an act of hope,” she says, “because it assumes a reader. It assumes a reader in the future"... If what we need right now is a great big bundle of hope – and we do – I for one feel extremely reassured that Margaret Atwood is on hand to provide it.
—— Erica Wagner , New StatesmanBeautiful in its depth... It is in some ways the continuation and in some sense a response to the extraordinarily powerful world of Gilead she created in The Handmaid's Tale 30-odd years ago. There is a need now to look at what complicity, resilience and resistance might look like
—— Peter Florence, Chair of Booker Judges , The TimesAtwood mania is entirely merited. Not only is there no greater living writer, "Peggy Nature" as friends refer to her eco-activism, is our beloved sage. Her novels have engaged with myth, identity, the sisterhood, and our apocalyptic ecological crisis. Yet nothing has taken flight like her patriarchal dystopia, and nowhere more so than among women
—— Hannah Betts , Daily TelegraphShe's always before her time. Each novel is about something people become incredibly interested in half an hour later... There is this tradition of women's writing that uses irony and lightness of touch to deliver monstrous concepts and beliefs. It's that ironic voice that has helped her seamlessly move from one generation of reader to the next. That is the test of a great writer
—— Carmen Callil , ObserverA savage and beautiful novel, and it speaks to us today, all around the world, with particular conviction and power
—— Peter Florence, Booker Prize judge , GuardianThe Testaments has come at the right moment for her as well as us because she's now a real sage
—— Jeanette Winterson , ObserverA feast
—— Josie Long , GuardianA truly dazzling literary feat that – blessed be the fruit – entirely lives up to the hope and the hype… Atwood’s particular genius is pushing and pushing at sexist tropes until they reach their grotesque but ultimately logical conclusion
—— Ceri Radford , IndependentThe Testaments calls for thought and reflection… ideological commitment is not its only characteristic. It is also a thriller, with a fast-paced plot featuring many entangled concealments and dramatic confrontations… Atwood’s writing is at its incisive best... Atwood is not simply responding to our current anxieties… it is also her own testament, and a renewal of the warning of The Handmaid’s Tale
—— Dinah Birch , Times Literary SupplementThe Testaments is all the better for choosing other, quieter forms of resistance for women under Gilead’s rule… The sequel is able to buoy you as a reader in a way The Handmaid’s Tale had no interest in doing, but sit with it and it’s still slippery and at times satisfyingly unsatisfying. This is an intriguing book from a woman who knows she can do bleak any day of the week
—— Sophie Charara , WiredThe Testaments combines gripping entertainment with a complex sense of humanity
—— Sarah Ditum , LancetLydia's fascinating tale serves almost as a prequel, while the girls' stirring battle is peppered with pithy wit. Praise be
—— Deirdre O'Brien , Sunday MirrorAtwood has conjured a compelling sequel to The Handmaid’s Tale that is tautly plotted in spare, economical prose… In The Testaments, Atwood succeeds in regaining control of Gilead through words
—— Ruth Scurr , SpectatorTerrifying, rage-inducing and utterly gripping
—— Eastern Daily PressThe interaction between these three women is deftly drawn. The enemy never feels other than overwhelmingly malign, yet perversely human and fallible
—— Morag MacInnes , Tablet, *Novel of the Week*The Testaments cements Aunt Lydia as one of the most fascinatingly monstrous anti-heroes in fiction
—— Abigail Chandler , SciFiNow‘Reminds us of the vital connection between words and power and how important it is to validate women’s words in particular
—— Susan Watkins , Morning StarBut the biggest name, with the year’s biggest book, is Margaret Atwood: her Handmaid’s Tale sequel The Testaments
—— GuardianThe biggest publishing event of the year
—— Marta Bausells , ELLEFor my money, the single most exciting publishing event of the year
—— BooksellerOne of the most eagerly awaited books of the year
—— Daily ExpressOne of the year’s big novels will undoubtedly be Margaret Atwood’s sequel to The Handmaid’s Tale, The Testaments
—— The TimesIt will be one of the literary events of the year
—— VogueWe'll be poring over The Handmaid's Tale for the 100th time in readiness
—— Good HousekeepingThe hoopla around the launch of Margaret Atwood's The Testaments is more reminiscent of the unveiling of an iPhone or something Pokemon related than that of a mere book
—— Johanna Thomas-Corr , ObserverTuesday was not merely Tuesday but Testaments Day, and the Capital Testaments Town
—— Hannah Betts , Daily TelegraphLast week's release of Atwood's sequel, The Testaments, made the last Harry Potter launch look like a wet November afternoon...a truly dazzling literary feat that -- blessed be the fruit -- entirely lives up to the hope and the hype... Atwood's particular genius is pushing and pushing at sexist tropes until they reach their grotesque but ultimately logical conclusion
—— Ceri Radford , IndependentTaylor Swift would kill for this kind of drama... Now, to read it
—— Alice Jones , i paperSpoiler discretion and a ferocious non-disclosure agreement prevent any description of who, how, why and even where. So this: it’s terrifying and exhilarating
—— Judges of the Booker Prize , GuardianTerrifying and exhilarating
—— Peter Florence, Booker Prize judge , GuardianAtwood’s musings on power and the patterns of history [is] as incisive as ever
—— Justine Jordon , Guardian, *Books of the Year*Undeniably page-turning stuff
—— Robbie Millen and James Marriot , The Times, *Books of the Year*A publishing sensation
—— Woman & HomeThe perfect escapist pleasure
—— Hallie Rubenhold, winner of the Baillie Gifford Prize 2019 , GuardianPage-turning stuff
—— The TimesCanada's visionary
—— MonocleA delicious page-turner
—— New ScientistA gripping novel with a satisfying conclusion
—— Charlotte Heathcote , Daily MirrorThe Testamnets is a cracking sequel to Margaret Atwood’s The Handmaid’s Tale and a timely warning about the lengths to which a patriarchal culture will go to control female sexuality
—— Alison Flood , Sunday TelegraphA superb and suspenseful expose of misogyny and the moral ambiguity at the heart of a fanatical regime
—— Martin Chilton, Olivia Petter and Ceri Radford , Independent, *Books of the Decade*[A] rare combination of a rollicking thriller with major political nous told one of our greatest living writers. Essential
—— Den of Geek, *Books of the Year*An era-defining masterpiece
—— Waterstones.comThe Testaments… lived up to the hype
—— Anne Carter , Daily Express, *Books of the Year*Superbly written and masterfully constructs the regime of Gilead more than its predecessor was able to
—— Will Evans , ExeposeThe extraordinary Margaret Atwood... she's fabulous'
—— Hillary Clinton , Stylist[A] compelling story
—— Jane Shilling , Daily MailAtwood's sequel shines with all the acuity and brilliance of the original, whilst continuing the story with flair and modern insight
—— Alice Manning , NouseThere is no language I could use to express the emotion and beauty behind Margaret Atwood's words. Her work takes you on a journey of emotion - whether you are ready to fight, be kind, be vulnerable, stay strong or simply be, she takes you there
—— Elisabeth MossThrilling, a meditation on courage which asks us to consider what our own response might be were we forced to choose between meek complicity and rebellion at risk of death
—— Madeleine Davies, Church TimesShe's taken our times and made us wise to them
—— Ali SmithInspiring and deeply disturbing
—— Nicola Sturgeon