Author:Arthur Miller
Quentin is a successful lawyer in New York, but inside his head he is struggling with his own sense of guilt and the shadows of his past relationships. One of these an ill-fated marriage to the charming and beautiful Maggie, who went from operating a switchboard to become a self-destructive star - a singer everyone wanted a piece of.
After the Fall is often seen as the most explicitly autobiographical of Arthur Miller's plays, and Maggie as an unflinching portrait of Miller's ex-wife Marilyn Monroe, only two years after her suicide. But in its psychological acuity and depth, and its brilliant, dreamlike structure, it is a literary, and not just biographical, masterpiece.
Read Dave Eggers' What is the What – it's the best book of the year
—— GuardianIf there was ever any doubt that Dave Eggers is one of our most important storytellers, What Is the What should put it to rest... [A] strange, beautiful and unforgettable work
—— San Francisco ChronicleThe narrative carries considerable literary weight with a rare grace
—— SpectatorA captivating mood piece, delicate and wistful
—— Evening StandardAs satirical and gut-wrenchingly emotional as it is horrific, Zone One is the zombie tale at its literary best
—— SciFi NowA cool, thoughtful and, for all its ludic violence, strangely tender novel
—— New York Times Book ReviewPunchy cocktail of horror, comedy and social critique
—— MetroOften simultaneously arch and sombre, Whitehead's narrative flares with a sociological intelligence
—— Benjamin Evans , Daily TelegraphWhat Whitehead does really well is anchor his apocalypse in the small, heartbreaking details of everyday humanity, giving his end-of-days a bleak, sad humour that is all its own
—— Alison Flood , Sunday TimesIt's tense, suspenseful and terrifying... Yet, he's also very funny at times and anyone who has ever had dealings with a HR department will appreciate his asides at the zombies in personnel
—— Ann Marie Stanton , Irish IndependentWhitehead's witty spin on the zombie apocalypse is an enjoyable read and is highly recommended
—— Zombies and ToysIt's monochromatically unsettling and blackly comic, as any zombie-related fiction should be. It's also one of the most gut-wrenchingly emotional reads of the year, with tragedy complex and inevitable enough to be Shakespearian... the tension is through the roof. The humour is perfectly pitched... He uses the entire situation to skewer and satirise... But where Zone One truly flourishes is in its depiction of the heartbreaking loss; loss of the chance to be simply mundane, loss of a perfectly formed stronghold and the relationships built up within. At moments like these, the book is quite startlingly, heartbreakingly beautiful, regardless of the subject matter... Whitehead's prose is engrossing, simultaneously verbose and casual enough to stroll off the page and shake your hand... even George A Romero would have to marvel at Zone One... what'll be more interesting is whether Whitehead will ever write anything as astounding as this again
—— Gareth Hughes , SciFi Now1Q84 is certainly an engrossing, other-worldly mystery to lose yourself in, with a good deal of humour and a considerable thiller-esque page turning pull... Reading it is an intense and addictive experience, and this is no mean feat at all. However, it is also far more than that- it's a highly ambitious work, which raises more questions than it resolves in its intricate plot. A more optimistic take on George Orwell's 1984, kicking off in April that year just like the latter's dystopia, it is concerned with postmodern issues such as the rewriting of the past and the slippery dividing line between fact and fiction, exploring just how uncertain our grasp of reality can be, especially as the world we were born into morphs into somewhere quite different.... For all its fantasy surface and sexy details, this is a work of considerable and haunting complexity, which is likely to resonate a long time after one has stopped turning its numerous pages.
—— Madeleine Minson , StandpointContains enough of his weird offbeat allure to satisfy devotees
—— Benjamin Evans , Sunday TelegraphPortrayed in a fluid language that veers from the vernacular . . . to the surprisingly poetic.
—— San Francisco Examiner & Chronicle